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| author | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
|---|---|---|
| committer | Erich Eckner <git@eckner.net> | 2014-09-10 17:47:07 +0200 |
| commit | 49d14358c33b7d0ba7e7c381f91943617c7723ea (patch) | |
| tree | fd55f0d3900d53978587d2228553359f86e69bbe /hr/quartett | |
| parent | 646f69a657326ca8dd733dfa579a90f89823d677 (diff) | |
| download | Musik-49d14358c33b7d0ba7e7c381f91943617c7723ea.tar.xz | |
Hauke eingefügt
Diffstat (limited to 'hr/quartett')
129 files changed, 8728 insertions, 0 deletions
diff --git a/hr/quartett/03 - O Magnum Mysterium Quartett.ogg b/hr/quartett/03 - O Magnum Mysterium Quartett.ogg Binary files differnew file mode 100644 index 0000000..15e97b6 --- /dev/null +++ b/hr/quartett/03 - O Magnum Mysterium Quartett.ogg diff --git a/hr/quartett/avc/ave.ly b/hr/quartett/avc/ave.ly new file mode 100644 index 0000000..45183df --- /dev/null +++ b/hr/quartett/avc/ave.ly @@ -0,0 +1,56 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Ave verum corpus" + composer = "Wolfgang Amadeus Mozart" + opus = "KV 618, 1791" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "fP" { \frauenPausen } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + \addlyrics { \altText } + >> + \new Staff = maenner << + \new Voice = "mP" { \maennerPausen } + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + %\addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/quartett/avc/dynArt.ly b/hr/quartett/avc/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/quartett/avc/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/avc/midi.lua b/hr/quartett/avc/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/quartett/avc/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/quartett/avc/stimmen.ly b/hr/quartett/avc/stimmen.ly new file mode 100644 index 0000000..b0ee87e --- /dev/null +++ b/hr/quartett/avc/stimmen.ly @@ -0,0 +1,243 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.12" + % \include "dynArt.ly" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + frauenPausen = \relative c' { + \compressFullBarRests + R1*2 + s1*8 + \break + s1*8 + R1*3 + \break + s1*16 + \break + s1*6 + R1*3 + } + + sopranMelodie = \relative c'' { + << + % { \meta } + %\sopranArt + %the actual tune + { + s1*2 + a2 d4( fis,4) + a4( gis4) g2 + g4( b4) a4( g4) + g4( fis4) fis2 + e2. e4 + fis4 fis4 g4 g4 + g2( fis4) fis4 + e1 + e2. a4 + a4( gis4) gis2 + e4( gis2) b4 + b4( a4) a4 a4 + d1( ~ + d4 cis4) b4 a4 + a2( gis4) gis4 + a1 + s1*3 + a2. a4 + a4( bes4) bes2 + bes4( d4) c4( bes4) + bes4( a4) a2 + g2. g4 + g4( bes4) a4 g4 + g2( f8 e8) f4 + e2 r2 + fis2. fis4 + fis4( e4) d4( g4) + g2. g4 + g4( fis4) e4 a4 + a1( ~ + a4 g4) a4 b4 + fis2( e4.) fis8 + g2 g2 + d'1( ~ + d2 dis2 + e4 b4 cis4 d4 + cis4 b8 a8) d4 g,4 + fis2( e4.) e8 + d1 + s1*3 + } + >> + } + + altMelodie = \relative c' { + << + % { \meta } + %\altArt + %the actual tune + { + s1*2 + fis2 fis2 + e2 e2 + e4( g4) fis4( e4) + e4( d4) d2 + cis2. cis4 + d4 d4 e4 e4 + e2( d4) d4 + cis1 + e2. e4 + e2 e2 + e2. gis4 + gis4( a4) a2 + r2 gis2 + a2 fis4 fis4 + e2. e4 + e1 + s1*3 + e2. e4 + e2 e2 + e2. e4 + e4( f4) f2 + d2. d4 + e4( f4) e4 e4 + e2( d8 cis8) d4 + cis2 r2 + d2. d4 + d4( cis4) b4( e4) + e2. e4 + e4( d4) cis4 fis4 + fis1( ~ + fis4 g4) fis4 e4 + d2( cis4.) cis8 + d2 r2 + r2 fis2 + g2( fis2 + e1 ~ + e4 d8 cis8) d4 d4 + d2( cis4.) cis8 + d1 + s1*3 + } + >> + } + + maennerPausen = \relative c' { + \compressFullBarRests + R1*2 + s1*16 + R1*3 + s1*22 + R1*3 + } + + tenorMelodie = \relative c' { + << + % { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + s1*2 + a2 a2 + b2 b2 + a2 a2 + a2 a2 + a2. a4 + a4 a4 a4 a4 + a2. a4 + a1 + cis2. cis4 + cis4( d4) d2 + b2. d4 + d4( cis4) cis2 + r2 d2 + e2 d4 cis4 + b2. b4 + cis1 + s1*3 + cis2. cis4 + cis2 cis4( c4) + c4( bes4 a4) g4 + g4( a4) a2 + b2. b4 + cis4( d4) e4 cis4 + cis2( d4) b4 + e,2 r2 + r1 + b'2. b4 + b4( a4) g4( cis4) + cis2. cis4 + cis4( b4) a4 d4 + d2 d4 d4 + a2. a4 + g2 r2 + r2 c2 + d2( c2 + b4 d4 cis4 b4 + a2) a4 g4 + a2( g4.) g8 + fis1 + s1*3 + } + >> + } + + bassMelodie = \relative c { + << + % { \meta } + %\bassArt + %the actual tune + \clef bass + { + s1*2 + d2 d2 + d2 d2 + cis2 cis2 + d2 d2 + a2. a4 + d4 d4 cis4 cis4 + d2. d4 + a1 + a'2. a4 + a4( b4) b2 + gis2 e2 + eis4( fis4) fis2 + r2 b,2 + cis2 d4 d4 + e2. e4 + a,1 + s1*3 + a'2. a4 + a4( g4) g2 + c,2. c4 + c4( f4) f2 + f2. f4 + e4( d4) cis4 a4 + bes2( a4) gis4 + a2 r2 + r1 + g'2. g4 + g4( fis4) e4( a4) + a2. a4 + a4( g4) fis4 b4 + b2 a4 gis4 + a2 a,2 + b2 r2 + r2 a'2 + bes2( a2 + gis1 + g2) fis4 b,4 + a2. a4 + d1 + s1*3 + } + >> + } + diff --git a/hr/quartett/avc/texte.ly b/hr/quartett/avc/texte.ly new file mode 100644 index 0000000..3ab9e34 --- /dev/null +++ b/hr/quartett/avc/texte.ly @@ -0,0 +1,36 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + + text = \lyricmode { + A -- ve, a -- ve ve -- rum cor -- pus + na -- tum de Ma -- ri -- a vir -- gi -- ne, + ve -- re, pas -- sum im -- mo -- la -- tum + in cru -- ce pro ho -- mi -- ne. + Cu -- jus la -- tus + per -- fo -- ra -- tum + un -- da flu -- xit et san -- gui -- ne, + e -- sto no -- bis præ -- gu -- sta -- tum + in mor -- tis ex -- a -- mi -- ne, + in mor -- tis ex -- a -- mi -- ne. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \text + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/quartett/ave/ave.ly b/hr/quartett/ave/ave.ly new file mode 100644 index 0000000..3f97af8 --- /dev/null +++ b/hr/quartett/ave/ave.ly @@ -0,0 +1,63 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Ave maris stella" + composer = "Jósef Świder" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 20 + top-margin = 10 + bottom-margin = 10 + %page-count = 3 + %foot-separation = 20 + bottom-margin = 20 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/quartett/ave/ave.ps b/hr/quartett/ave/ave.ps Binary files differnew file mode 100644 index 0000000..01ee3a9 --- /dev/null +++ b/hr/quartett/ave/ave.ps diff --git a/hr/quartett/ave/dynArt.ly b/hr/quartett/ave/dynArt.ly new file mode 100644 index 0000000..e743f02 --- /dev/null +++ b/hr/quartett/ave/dynArt.ly @@ -0,0 +1,386 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + % abbreviations + + pr = \markup{poco rall.} + ra = \markup{rall.} + + + %(dynamic) marks global to all voices + + meta = { + \dynamicUp + % con moto {{{% + s2.*14 + \break + s2.*13 + s4 s2\> + s2.\! + s2.*3 + s2.\> + s2.*2 + s2\pp s4\fermata + \pageBreak + %}}}% + % adagio espressivo {{{% + s4\p s4.\< s8\! + s8 s4.\> s4\! + s4 s2\< + s8\! s2\> s8\! + s4.\mf s4.\< + s2.\! + s2\f s4\< + s2.\! + %\pageBreak + %}}}% + % con passione {{{% + s8 s2..\ff + s4 s2\> s4\! + s2.\p s4\> + s8\! s2..\f + s2\> s2\! + s1\p + s8 s2..\mf + s4 s2\> s4\! + s2 s8 s4.\> + \break + %}}}% + % vivo {{{% + s2.\! + s2.*13 \bar "||" + \pageBreak + %}}}% + % adagio espressivo {{{% + s2.\p + s2. + s2.\mf + s8\> s4\! s4.\< + s8 s8\! s4.\f s8\> + s8 s2\! s8\> + s2. + s2.\mf + s2. + s2 s4\pp \bar "||" + \break + %}}}% + % vivo {{{% + s2.*9 + %}}}% + % vigoroso {{{% + s2.*3 + s4 s2\> + s2. + s2.\mf + s2.\f + s2.*3 + s8 s8\> s2 + s4 s2\! + s8 s8\< s2 + s2.\! + s2 s8 s8\< + s4 s2\! + s2. + s4\fermata s2\pp + \bar "|." + %}}}% + } + + + % articulation + + sopranArt = { + \dynamicUp + % con moto {{{% + s2.*6 + s2.\p\< + s2.\! + s4 s2\> + % 10 % + s4 s2\! + s4^\pr s2\> + s2.*2 + s2.\pp + s2.*2 + s4\p s2\< + s8 s8\! s2 + s2. + % 20 % + s2. + s2.\mf + s2. + s2.\< + s2.\f + s2.*5 + % 30 % + s2.*4 + s2.^\ra + s2.*2 + %}}}% + % adagio espressivo {{{% + s2.*8 + %}}}% + % con passione {{{% + s1*5 + s1\p + s1*2 + s2.\p s4\fermata + %}}}% + % vivo {{{% + s2.*6 + % 60 % + s2.\p\< + s2.\! + s2.\> + s4\! s2\< + s4 s2\! + s2.^\ra\> + s2. + s2.\pp + %}}}% + % adagio espressivo {{{% + s2.*8 + s2^\ra s4\> + s4 s2\! + %}}}% + % vivo {{{% + s2.*2 + s2.\f + s2.*5 + s2.\< + %}}}% + % vigoroso {{{% + s2.\ff + s2.*2 + % 90 % + s2.*9 + s2.\p + % 100 % + s8 s8\> s2 + s8 s8\! s2 + s2. + s2.\> + s2.\! + %}}}% + } + + altArt = { + \dynamicUp + % con moto {{{% + s4\pp s2\< + s2.\! + s4 s2\> + s2. + s2.\! + s2.*4 + % 10 % + s8 s8\< s2 + s4\! s2\> + s2.*2 + s2.\pp + s4\p s2\< + s2.\! + s2.*2 + s2.\mf + % 20 % + s2.*4 + s2.\< + s2.\f + s2.*4 + % 30 % + s2.*7 + %}}}% + % adagio espressivo {{{% + s2.*8 + %}}}% + % con passione {{{% + s1*5 + s2. s4\> + s1\! + s1 + s1\pp\fermata + %}}}% + % vivo {{{% + s4. s4.\< + s8 s8\! s2 + s4 s2\> + s2.\! + s2.*2 + % 60 % + s2. + s4. s4.\< + s2. + s2.\! + s2. + s2.\> + s2. + s2.\pp + %}}}% + % adagio espressivo {{{% + s2.*8 + s2 s4\> + s4 s2\! + %}}}% + % vivo {{{% + s2.\f + s2.*7 + s2.\< + %}}}% + % vigoroso {{{% + s2.\! + s2.\ff + s2. + % 90 % + s2.*9 + s2.\p + % 100 % + s8 s8\> s2 + s2.\! + s2. + s4\mf s2\> + s2.\! + %}}}% + } + + tenorArt = { + \dynamicUp + % con moto {{{% + s2.\pp + s2.*8 + % 10 % + s2.\mf + s2. + s4. s4.\> + s2. + s2.\pp + s2. + s4\p s2\< + s2.\! + s2.*2 + % 20 % + s2.\mf + s2.*3 + s2.\f + s2.*5 + % 30 % + s2.*7 + %}}}% + % adagio espressivo {{{% + s2.*8 + %}}}% + % con passione {{{% + s1*5 + s2. s4\> + s1\! + s1 + s1\pp\fermata + %}}}% + % vivo {{{% + s2.*6 + % 60 % + s2. + s4. s4.\< + s2. + s8\mf s8\< s2 + s2.\! + s2.\> + s2. + s2.\pp + %}}}% + % adagio espressivo {{{% + s2.*8 + s2 s4\> + s4 s2\! + %}}}% + % vivo {{{% + s2. + s2.\f + s2.*7 + %}}}% + % vigoroso {{{% + s2.\ff + s2.*2 + % 90 % + s2.*9 + s2.\p + % 100 % + s8 s8\> s2 + s2.\! + s2. + s4\mf s2\> + s2.\! + %}}}% + } + + bassArt = { + \dynamicUp + % con moto {{{% + s2.*3 + s4\p s2\< + s8 s8\! s2 + s2.\> + s8 s8\! s2 + s2.*2 + % 10 % + s8 s8\< s2 + s8 s8\! s2 + s2.\> + s2. + s2.\pp + s2.*3 + s4\mf s2\< + s2.\! + % 20 % + s2.*4 + s2.\< + s2.\f + s2.*4 + % 30 % + s2.*7 + %}}}% + % adagio espressivo {{{% + s2.*8 + %}}}% + % con passione {{{% + s1*5 + s2. s4\> + s1\! + s1 + s1\pp\fermata + %}}}% + % vivo {{{% + s2.*3 + s2\p\< s4\! + s2.*2 + % 60 % + s2.*5 + s2.\> + s2. + s2.\pp + %}}}% + % adagio espressivo {{{% + s2.*8 + s2.\> + s4 s2\! + %}}}% + % vivo {{{% + s2.*3 + s2.\f + s2.*4 + s2.\< + %}}}% + % vigoroso {{{% + s2. + s2.\ff + s2. + % 90 % + s2.*9 + s2.\mf + % 100 % + s8 s8\> s2 + s2.\! + s2. + s2.\> + s2.\! + %}}}% + } + diff --git a/hr/quartett/ave/midi.lua b/hr/quartett/ave/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/quartett/ave/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/quartett/ave/stimmen.ly b/hr/quartett/ave/stimmen.ly new file mode 100644 index 0000000..3583a7e --- /dev/null +++ b/hr/quartett/ave/stimmen.ly @@ -0,0 +1,549 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 3/4 + \autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + { \sopranArt } + %\sopranArt + %the actual tune + { + a2.( + b2. + c2. ~ + c2. + d2.) + r2. + d4( a'4) b4 + c4( g4) a4 + b2( a4) + %%% Takt 10 %%% + g2. + gis2.( + a2. ~ + a2. ~ + a2) r4 + %%% Takt 15 %%% + r2. + r2. + d4( g,4) a4 + bes2 a4 + g2( f4) + e2 r4 + c'4( f,4) g4 + a2 g4 + f2 c'4 + f4( e4) c4 + d2. ~ + d4( c4) a4 + b2( c4) + b2. + %%% Takt 29 %%% + c4( b4) g4 + a2.( ~ + a4 g4) e4 + d2.( + dis2.) + e2. ~ + e2. ~ + e2 r4 + \bar "||" + %%% Takt 37 %%% + c'4. a8 a8 d8 + a2 g4 + d'4. b8 b8 fis8 + b2 a4 + e'4. cis8 cis8 gis8 + cis2 b4 + fis'4. d8 fis8 d8 + fis2 d4 + %%% Takt 45 %%% + \time 4/4 + r8 g4 c,4 c8 d8 ees8 + d2 d,4 r4 + \times 2/3 + { + d8 a'8 bes8 + c8( g8 a8) + } + bes4 a4 + r8 ees'4 g,4 g8 a8 bes8 + a2 d,4 r4 + d1 + r8 c'4 ees,4 ees8 f8 g8 + fis2 d4 r4 + \times 2/3 + { + d8( a'8) b8 + c8( g8) a8 + } + b4 a4 + %%% Takt 54 %%% + \time 3/4 + a2. ~ + a2. ~ + a2. ~ + a2. ~ + a2. ~ + a2. + d,4( a'4) b4 + c4 g4 a4 + b2( a4) + g2. + gis2.( + a2.) ~ + a2. ~ + a2 r4 + \bar "||" + %%% Takt 68 %%% + c4. a8 a8 e8 + a2 g4 + d'4. b8 b8 fis8 + b8 a8 r8 a8 b8 cis8 + d8 e8 fis4.( e8) + d4 d8 cis8 e8 d8 + a2 a4 + bes4 a4 c8 bes8 + a2. + a2. + \bar "||" + %%% Takt 78 %%% + r2. + r2. + d4 g,4( a4) + bes2( a4) + g2( f4) + e2 r4 + c'4( f,4) g4 + a2 g4 + f2 c'4 + f4( e4) c4 + d2. ~ + d4( c4) a4 + b2( c4) + b2. ~ + b2 r4 + %%% Takt 93 %%% + f'4( e4) c4 + d2. ~ + d4( c4) a4 + b2( c4) + b2. ~ + b2 r4 + a4( g4 f4 + e4 d4 e4) + f2 g4 + a2. ~ + a2. ~ + a2. + \bar "||" + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + { \altArt } + %\altArt + %the actual tune + { + a4( e'4) f4 + g4( d4) e4 + f2 e4 ~ + e2. + d2.( + c2. + d2. + ees2. + f2.) + %%% Takt 10 %%% + f2( e4 + d4 c4 b4 + a2.) ~ + a2. ~ + a2 r4 + %%% Takt 15 %%% + a'4( d,4) e4 + f4.( e8) c4 + d2. ~ + d4.( e8) f4 + g4( c,4) d4 + e4.( d8) b4 + c2 b4 + c4.( d8) e4 + f2 g4 + a2 a4 + a4( g4) e4 + f2. ~ + f4( aes4) g4 + f2. + %%% Takt 29 %%% + e2. + e4( d4) b4 + c2.( ~ + c4 b4) a4 + g2( f'4) + e2. ~ + e2. ~ + e2 r4 + %%% Takt 37 %%% + f4. e8 d8 c8 + d2 d4 + g4. fis8 e8 d8 + e2 e4 + a4. gis8 fis8 e8 + fis2 fis4 + b4. gis8 b8 gis8 + b2 <gis b>4 + %%% Takt 45 %%% + \time 4/4 + r8 <a c>4 a4 a8 a8 a8 + a2 d,4 r4 + d1 + r8 g4 ees4 ees8 ees8 ees8 + d2 d4 r4 + \times 2/3 + { + d8( c8) bes8 + a8( bes8) c8 + } + g4 a4 + r8 ees'4 c4 c8 c8 c8 + d2 d4 r4 + d1 + %%% Takt 54 %%% + \time 3/4 + a4( e'4) f4 + g4( d4) e4 + f2 e4 + e2.( + d2. + c2.) + d2.( + ees2. + f2.) + f2( e4 + d4 c4 b4 + a2.) ~ + a2. ~ + a2 r4 + %%% Takt 68 %%% + f'4. e8 d8 c8 + d2 d4 + g4. fis8 e8 d8 + e8 e8 r8 e8 g8 a8 + a8 a8 a4( b4) + g4 fis8 fis8 f8 f8 + e4( fis4) g4 + f4 e4 g8 f8 + e4( fis4 g4) + f2. + %%% Takt 78 %%% + a4 d,4( e4) + f4.( e8) c4 + d2. ~ + d4.( e8) f4 + g4( c,4) d4 + e4.( d8) b4 + c2 b4 + c4.( d8) e4 + f2 g4 + a2 a4 + a4( g4) e4 + f2.( ~ + f4 aes4) g4 + f2 f4 ~ + f2 r4 + %%% Takt 93 %%% + a2. ~ + a4( g4) e4 + f2. ~ + f4( aes4) g4 + f2 f4 ~ + f2 r4 + e4( d4 c4 + b4 a4 b4) + c2 d4 + e2. + <d f>2. + <cis e>2. + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + { \tenorArt } + %\tenorArt + %the actual tune + \clef "treble_8" + { + a2. ~ + a2. ~ + a2. + a2. ~ + a2. ~ + a2. + a2. ~ + a2. ~ + a2. + %%% Takt 10 %%% + b4( d4) e4 + f4( e4) d4 + c2( b4) + a2. ~ + a2 r4 + %%% Takt 15 %%% + r2. + d4( g,4) a4 + bes2 a4 + g2( f4) + c2 r4 + c'4( f,4) g4 + a2 g4 + f2( e4) + d2 r4 + d'4( c4) a4 + bes2. ~ + bes4( a4) c4 + d2( e4) + d2. + %%% Takt 29 %%% + a4( g4) e4 + f2.( ~ + f4 e4) g4 + f2.( + c'4 b4 a4) + g2( f4 + e2.) ~ + e2 r4 + %%% Takt 37 %%% + a4. a8 a8 a8 + b4( c4) b4 + b4. b8 b8 b8 + cis4( d4) cis4 + cis4. cis8 cis8 cis8 + dis4( e4) dis4 + d4. fis8 d8 fis8 + d2 fis4 + %%% Takt 45 %%% + \time 4/4 + r8 g4 g4 g8 g8 g8 + fis2 d4 r4 + \times 2/3 + { + d8 c8 bes8 + a8 bes8 a8 + } + g4 a4 + r8 ees'4 c4 c8 c8 c8 + d2 d,4 r4 + \times 2/3 + { + d8( a'8) bes8 + c8( g8) a8 + } + bes4 a4 + r8 a4 a4 a8 a8 a8 + a2 d,4 r4 + d1 + %%% Takt 54 %%% + \time 3/4 + a'2.( + b2. + c2.) ~ + c2.( + b2. + a2.) + a2.( ~ + a2. ~ + a2.) + b4( d4) e4 + f4( e4) d4 + c2( b4) + a2. ~ + a2 r4 + %%% Takt 68 %%% + a4. a8 a8 a8 + b4( c4) b4 + b4. b8 b8 b8 + cis8 cis8 r8 cis8 d8 e8 + d8 cis8 d2 + e4 d8 a8 b8 b8 + cis4( d4) cis4 + d4 c4 e8 d8 + d4( cis4 b4) + c2. + %%% Takt 78 %%% + r2. + d4 g,4( a4) + bes2( a4) + g2( f4) + c2 r4 + c'4( f,4) g4 + a2 g4 + f2( e4) + d2 r4 + d'4( c4) a4 + bes2. ~ + bes4( a4) c4 + d2( e4) + d2. ~ + d2 r4 + %%% Takt 93 %%% + d4( c4) a4 + b2. ~ + b4( a4) c4 + d2( e4) + d2. ~ + d2 r4 + c4( b4 a4 + g4 f4 g4) + a2 b4 + cis2. + b2. + a2. + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + { \bassArt } + %\bassArt + %the actual tune + \clef bass + { + r2. + r2. + r2. + a4( e'4) f4 + g4( d4) e4 + f2( e4) + d2. ~ + d2. ~ + d2. + %%% Takt 10 %%% + d2. ~ + d2( e4 + f2 g4 + a2.) ~ + a2 r4 + %%% Takt 15 %%% + r2. + r2. + r2. + g4( c,4) d4 + e2 f4 + g4( a4 g4) + f2 r4 + f4( bes,4) c4 + d2 e4 + f2 f4 + f4( e4) c4 + d2. ~ + d4( f4) e4 + a2. + %%% Takt 29 %%% + c,2. + c4( b4) g4 + a2. + a2. + a2( b4) + c2( d4 + e2.) ~ + e2 r4 + %%% Takt 37 %%% + d4. e8 f8 g8 + f2 f4 + e4. fis8 g8 a8 + g2 g4 + fis4. gis8 a8 b8 + a2 a4 + gis4. b8 gis8 b8 + gis2 b4 + %%% Takt 45 %%% + \time 4/4 + r8 ees4 ees4 ees8 d8 c8 + d2 d,4 r4 + d1 + r8 c'4 bes4 bes8 a8 g8 + fis2 d4 r4 + d1 + r8 g4 g4 g8 f8 ees8 + d2 d4 r4 + d1 + %%% Takt 54 %%% + \time 3/4 + a'2. ~ + a2. ~ + a2. + a,4( e'4) f4 + g4( d4) e4 + f2 e4 + d2. ~ + d2. ~ + d2. ~ + d2. + d2( e4 + f2 g4 + a2.) ~ + a2 r4 + %%% Takt 68 %%% + d,4. e8 f8 g8 + f2 f4 + e4. fis8 g8 a8 + g8 g8 r8 g4 g8 + fis8 e8 d4( g4) + bes4 a8 a8 gis8 gis8 + g4( fis4) e4 + d4 d4 g8 g8 + a2. + a2. + %%% Takt 78 %%% + r2. + r2. + r2. + g4 c,4( d4) + e2( f4) + g4 a4( g4) + f2 r4 + f4( bes,4) c4 + d2 e4 + f2 f4 + f4( e4) c4 + d2. ~ + d4( f4) e4 + a2 a4 ~ + a2 r4 + %%% Takt 93 %%% + f2. ~ + f4( e4) c4 + d2. ~ + d4( f4) e4 + a2 a4 ~ + a2 r4 + a,4( e'4 f4 + g4 d4 e4) + f2 e4 + <a, e'>2. ~ + <a e'>2. ~ + <a e'>2. + } + >> + } + diff --git a/hr/quartett/ave/texte.ly b/hr/quartett/ave/texte.ly new file mode 100644 index 0000000..37487a4 --- /dev/null +++ b/hr/quartett/ave/texte.ly @@ -0,0 +1,125 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + gabrielis = \lyricmode { + Ga -- bri -- e -- lis o -- re + fun -- da nos in pa -- ce, + mu -- tans He -- vae no -- me + Sol -- ve vin -- cla -- re -- is, + pro -- fer lu -- men cae -- cis: + ma -- la no -- stra pel -- le, + bo -- na cunc -- ta po -- sce. + }%_____________________________________n. + + Vitam = \lyricmode { + Vi -- tam prae -- sta pu -- ram, + i -- ter pa -- ra tu -- um: + ut vi -- den -- tes Je -- sum + sem -- per col -- lae -- te -- mur, + sem -- per col -- lae -- te -- mur. + } + + vitam = \lyricmode { + Vi -- tam prae -- sta pu -- ram, + i -- ter pa -- ra tu -- um: + ut _ vi -- den -- tes Je -- sum + sem -- per col -- lae -- te -- mur, + sem -- per col -- lae -- te -- mur. + } + + Laus = \lyricmode { + Sit laus De -- o Pa -- tri, + } + decus = \lyricmode { + sum -- mo Chri -- sto de -- cus + Spi -- ri -- tu -- i san -- cto, + tri -- bus ho -- nor u -- nus. + A -- men, + } + laus = \lyricmode { + Sit laus De__-__o Pa -- tri, + sum -- mo Chri -- sto de -- cus + Spi -- ri -- tu -- i san -- cto, + tri -- bus ho -- nor u -- nus. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + a + at -- que sem -- per Vir -- go, + a + su -- mens il -- lud + A -- ve \gabrielis + Mon -- stra te es -- se ma -- trem: + su -- _ -- mat per__te pre -- ces, + mon -- stra te es -- se ma -- tre -- m, + mon -- stra te es -- se ma -- tre + tu -- lit es -- se tu -- us. + m, + nos a cul -- pis so -- lu -- tos, + o. + \vitam + \laus + A -- men, a -- men. + }%______________________________________________________m + + altText = \lyrics { + A -- ve ma -- ris stel -- la + a + a + su -- mens il -- lud + A -- ve Ga -- bri -- e -- lis o -- re, + \gabrielis + Mon -- stra te es -- se ma -- tre -- m + mon -- stra te es -- se ma -- trem, + tu -- lit es -- se tu -- us, + mon -- stra te es -- se ma -- tre -- m, + Vir -- go sin -- gu -- la -- ris, + m, + o, + o, + \vitam + \Laus + sum -- mo Chri -- sto de -- cus, + \decus a -- men, a -- men. + } + + tenorText = \lyrics { + m + m + a + at -- que sem -- per vir -- go + su -- mens il -- lud A -- ve + \gabrielis + Mon -- stra te es -- se ma -- trem: + su -- _ -- mat per -- _ -- te pre -- ces, + mon -- stra te es -- se ma -- trem, + tu -- lit es -- se tu -- us. + mon -- stra te es -- se ma -- tre -- m, + m, + o + mi -- tes fac et ca -- stos. + \vitam + \laus + A -- men, a -- men, a -- men. + } + + bassText = \lyrics { + De -- i Ma -- ter al -- ma, + a + su -- mens il -- lud A -- ve + \gabrielis + Mon -- stra te es -- se ma -- tre -- m, + mon -- stra te es -- se ma -- tre -- m, + mon -- stra te es -- se ma -- tre -- m, + m, + in -- ter o -- mnes mi -- tis + o, + o, + \Vitam + \Laus + \decus a -- men. + } + diff --git a/hr/quartett/babylon/babylon.ly b/hr/quartett/babylon/babylon.ly new file mode 100644 index 0000000..a554d34 --- /dev/null +++ b/hr/quartett/babylon/babylon.ly @@ -0,0 +1,62 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Super Flumina Babylonis" + composer = "Orlando di Lasso" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + %page-count = 2 + %system-count = 6 + ragged-last-bottom = ##f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> +% \midi { +% \context{ +% \Score +% tempoWholesPerMinute = #(ly:make-moment 80 4) +% } +% } + \layout { + } + } + diff --git a/hr/quartett/babylon/babylon.midi b/hr/quartett/babylon/babylon.midi Binary files differnew file mode 100644 index 0000000..26ecf5f --- /dev/null +++ b/hr/quartett/babylon/babylon.midi diff --git a/hr/quartett/babylon/babylon.ps b/hr/quartett/babylon/babylon.ps Binary files differnew file mode 100644 index 0000000..a7c7157 --- /dev/null +++ b/hr/quartett/babylon/babylon.ps diff --git a/hr/quartett/babylon/babylon_6.ps b/hr/quartett/babylon/babylon_6.ps Binary files differnew file mode 100644 index 0000000..5c3ead4 --- /dev/null +++ b/hr/quartett/babylon/babylon_6.ps diff --git a/hr/quartett/babylon/babylon_7.ps b/hr/quartett/babylon/babylon_7.ps Binary files differnew file mode 100644 index 0000000..a82b3c7 --- /dev/null +++ b/hr/quartett/babylon/babylon_7.ps diff --git a/hr/quartett/babylon/dynArt.ly b/hr/quartett/babylon/dynArt.ly new file mode 100644 index 0000000..a218b6a --- /dev/null +++ b/hr/quartett/babylon/dynArt.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + s1 s2 s2\p s1 s1 s1 + s1 s2. s4\mf s1 s1 s1 + s1 s1 s2. s4\f s1 s1 + s1 s2 s4\pp s4\p s1 s1 s1 + s1 s4 s2.\f s1 s1 + s1 s1 s1 s1 s1 + s1 s1 s2 s2\mf s1 s1 + s1 s1 s1 s1\mf + s1 s1 s1 s1\p s1 + } + + altArt = { + s1 s1 s1 s1 s1\mp + s1 s1 s1 s1\mf s1 + s1 s1 s2. s4\f s1 s1 + s1 s1 s1\p s1 s1 + s1 s2 s2\f s1 s1 + s1 s1 s1 s1 s1 + s1 s1 s4 s2.\mf s1 s1 + s1 s1 s1 s2. s4\mf + s1 s1 s2 s2\p s1 s1 + } + + tenorArt = { + s1\p s1 s1 s1 s1 + s1*5 + s1 s1\mf s1 s1 s1 + s1 s2. s4\pp s1\p s1 s1 + s1 s2 s2\f s1 s1 + s1*5 + s1 s1 s1 s1 s2 s2\mf + s1 s1 s1 s2 s2\mf + s1 s1 s2 s2\p s1 s1 + } + + bassArt = { + s1*5 + s1 s2 s2\mf s1 s1 s1 + s1 s1 s2. s4\f s1 s1 + s1 s2. s4\pp s1\p s1 s1 + s1 s2 s2\f s1 s1 + s1*5 + s2 s2\p s1 s1 s1 s4 s2.\mf + s1 s1 s1 s4 s2.\mf + s1 s1 s2 s2\p s1 s1 + } + diff --git a/hr/quartett/babylon/keine bell b/hr/quartett/babylon/keine bell new file mode 100644 index 0000000..9b6fafc --- /dev/null +++ b/hr/quartett/babylon/keine bell @@ -0,0 +1,2 @@ +:set vb t_vb= + diff --git a/hr/quartett/babylon/stimmen.ly b/hr/quartett/babylon/stimmen.ly new file mode 100644 index 0000000..1305167 --- /dev/null +++ b/hr/quartett/babylon/stimmen.ly @@ -0,0 +1,232 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key bes \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + % super flumina + r1 + r2 d2 ~ + d4 bes4 c4 d4 + g,8( a8 bes8 c8 d4) bes4 ~ + bes4 bes4 ees2( + d2) ees4.( d16 c16 + bes4. a8 g4) d'4 + bes4 c2 bes4 + ees4 ees4 d4 c4 ~ + c4 bes4 aes4 g4 + ees'4.( d16 c16 bes8 c8 d4) + %\break + d2 c4 f,4 + c'2 d4 f4 + d4 bes4 c4 bes4 ~ + bes4 bes4.( c8 d4) + c4 ees4.( d8 c4 ~ + c8 b16 a16 b4) c4 c4 ~ + \break + % illic sedimus + c4 c4 c4 c4 + f2 r4 f4 ~ + f4 f4 f4 f4 + bes,1 + r4 ees2( d4 ~ + d8 c8 bes4. a8 g8 a8 + bes4) g2 fis4 + fis2 r2 + g2. g4 + g4 g4 a2 + a2. a4 + a4 a4 bes2 ~ + bes2 g2 + c2. b4 + b2 d2 + % dum recordaremur + c4 c4 ees4 d4( ~ + d8 c8 bes2) a4( ~ + a8 bes8 c2) bes4 + a4 bes4.( a8 g4 ~ + g8 fis16 ees16 fis4) g2 + bes2. a4 + a4 c4 bes2 + a4 bes4.( a8 g4 ~ + g8 fis16 ees16 fis4) g2 + g1 + g1 + } + >> + } + + altMelodie = \relative c'' { + << + { \meta } + \altArt + %the actual tune + { + % super flumina + r1 r1 r1 r1 + g2. ees4 + f4 g4 c,8( d8 ees8 f8 + g4) f4 bes4 g4 + g2 r2 + g2. ees4 + f4 g4 c,8( d8 ees8 f8 + g4. f16 ees16 d4) bes'4( ~ + bes8 a8 bes4) a4 bes4( ~ + bes8 a16 g16 a4) bes4 f4( ~ + f8 d8 g4) f2 + g4 g4 f4 bes4 + aes4 g4.( f16 ees16 f4) + g1 + % illic sedimus + a2. a4 + a4 a4 a2 + bes2. f4 + f4 f4 g2 ~ + g2 bes4.( a16 g16 + f8 ees8 f4) g8( f8 ees8 d16 c16 + bes4) c4 d2 + r4 d2 d4 + d4 d4 d2( + ees2) f2 ~ + f4 f4 f4 f4 + f4 c4 d4 g4 + f2 r4 c4 + ees4 f4 g2 + % dum recordaremur + r4 g2 f4 + f4 aes4 g2 + d2 r4 f4 ~ + f4 ees4 g4 g4 + f2 bes,4.( c8 + d4) d4 ees4 ees4 ~ + ees4 d4 r4 f4 ~ + f4 ees4 g4 g4 + f2 bes,4.( c8 + d2) ees4 ees4 + ees1 + d1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + % super flumina + d2. bes4 + c4 d4 g,8( a8 bes8 c8 + d8 bes8 ees4. d16 c16 bes4) + c4 g8( a8 bes8 c8 d4) + ees4.( d8 c2) + bes2 r2 + r4 d2 bes4 + d4 ees4 d2 + c2 b4 c4( ~ + c8 d8 ees8 d8 f4) bes,4 + r1 + f'2. d4 + ees4 f4 bes,8( c8 d8 ees8 + f4) ees2 d4 + ees2 d4 f4 ~ + f4 bes,4 c2( + d2) e2 + % illic sedimus + f2. f4 + c4 c4 c2 + d2. d4 + d4 d4 ees4.( d16 c16 + bes4) c4 f4.( ees8 + d4. c8 bes4. a8 + g4) g4 a2 ~ + a2 b2 ~ + b4 b4 b4 b4 + c4 c2 c4 + c4 c4 c2 ~ + c4 f2( ees4 ~ + ees8 d16 c16 d4) ees4.( d8 + c4. d8 ees4) d4 + d2 r2 + r1 + r2 d2 + c4 c4 ees4 d4( ~ + d8 c8 bes8 a8 g4) g4 + a4 a4 c2 + g2 d'2 + c4 c4 ees4 d4( ~ + d8 c8 bes8 a8 g2) + a2 c2 ~ + c4 c4 c2 + b1 + } + >> + } + + bassMelodie = \relative c' { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + % super flumina + r1 r1 r1 r1 r1 r1 + r2 g2 ~ + g4 ees4 f4 g4 + c,8( d8 ees8 f8 g4) aes4 ~ + aes4 g4 f4( ees8 d8 + c8 d8 ees8 f8 g2) + d2 r2 + r2 r4 bes'4 ~ + bes4 g4 a4 bes4 + ees,8( f8 g8 a8 bes2) + f4 g4 aes2( + g2) c2 + % illic sedimus + f,2. f4 + f4 f4 f2 + bes2. bes4 + bes4 bes4 ees,2 ~ + ees2 bes2 ~ + bes2 ees2 ~ + ees4 ees4 d2 ~ + d2 g2 ~ + g4 g4 g4 g4 + c,2 f2 ~ + f4 f4 f4 f4 + f2 bes2 ~ + bes2 c4.( bes8 + aes4) aes4 g2 ~ + g2 r2 + r1 + % dum recordaremur + r4 g2 f4 + f4 aes4 g2 + d2 ees4 ees4 + d2 c2 + r4 g'2 f4 + f4 aes4 g2 + d2 ees2 + d2 c2 ~ + c1 + g'1 + } + >> + } + diff --git a/hr/quartett/babylon/teil.ly b/hr/quartett/babylon/teil.ly new file mode 100644 index 0000000..046ae70 --- /dev/null +++ b/hr/quartett/babylon/teil.ly @@ -0,0 +1,48 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \new Staff = bass + \new Voice = "baesse" + \relative c' + { + bes'4 ~ + bes4 g4 a4 bes4 + ees,8( f8 g8 a8 bes2) + f4 g4 aes2( + g2) c2 + } + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 82 4) + } + } + } + diff --git a/hr/quartett/babylon/teil.midi b/hr/quartett/babylon/teil.midi Binary files differnew file mode 100644 index 0000000..5e53766 --- /dev/null +++ b/hr/quartett/babylon/teil.midi diff --git a/hr/quartett/babylon/texte.ly b/hr/quartett/babylon/texte.ly new file mode 100644 index 0000000..5ecd6fc --- /dev/null +++ b/hr/quartett/babylon/texte.ly @@ -0,0 +1,57 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + Super = \lyricmode { + Su -- per flu -- mi -- na Ba -- by -- lo -- nis, + } + super = \lyricmode { + su -- per flu -- mi -- na Ba -- by -- lo -- nis, + } + bab = \lyricmode { + Ba -- by -- lo -- nis, + } + + illic = \lyricmode { + il -- lic se -- di -- mus, + il -- lic se -- di -- mus + et fle -- vi -- mus, + } + + altExtra = \lyricmode { + et fle -- vi -- mus, + dum re -- cor -- da -- re -- mur, + } + + dum = \lyricmode { + dum re -- cor -- da -- re -- mur tu -- i, Si -- on, + dum re -- cor -- da -- re -- mur tu -- i, Si -- on. + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \Super \super \bab \bab \super + \illic \illic + \dum + } + + altText = \lyrics { + \Super \super \super + \illic \illic + \altExtra + \dum + } + + tenorText = \lyrics { + \Super \super \super \bab + \illic \illic + \dum + } + + bassText = \lyrics { + \Super \super + \illic \illic + \dum + } + diff --git a/hr/quartett/christe/christe.ly b/hr/quartett/christe/christe.ly new file mode 100644 index 0000000..c58187e --- /dev/null +++ b/hr/quartett/christe/christe.ly @@ -0,0 +1,61 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12.1" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Jesu Christe" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 40 + ragged-last-bottom = ##f + page-count = 1 + system-count = 4 + top-margin=10 + bottom-margin=20 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff << + \new Lyrics = "sop" { s4 } + \new Staff = "frauen" << + { \dynamicUp \meta } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie \bar "||" } + >> + \context Lyrics = "sop" \lyricsto "soprane" \sopranText + \lyricsto alti \altText + \new Lyrics = "ten" + \new Staff = "maenner" << + { \dynamicDown \meta } + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \context Lyrics = "ten" \lyricsto "tenoere" \tenorText + \lyricsto baesse \bassText + %\new Staff = bass << + %>> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 92 4) + %} + %} + } + diff --git a/hr/quartett/christe/christe.midi b/hr/quartett/christe/christe.midi Binary files differnew file mode 100644 index 0000000..f37862a --- /dev/null +++ b/hr/quartett/christe/christe.midi diff --git a/hr/quartett/christe/christe.ps b/hr/quartett/christe/christe.ps Binary files differnew file mode 100644 index 0000000..c152a86 --- /dev/null +++ b/hr/quartett/christe/christe.ps diff --git a/hr/quartett/christe/dynArt.ly b/hr/quartett/christe/dynArt.ly new file mode 100644 index 0000000..4091fa1 --- /dev/null +++ b/hr/quartett/christe/dynArt.ly @@ -0,0 +1,95 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + %\dynamicUp + s4 + s1*3 + s2 s2\< + s1\! + s2.\> s4\< + s2 s2\> + s1\! + s1 + s4 s2.\< + s1\! + s2\> s2\! + s1*4 + s4 s2.\<\cresc + s2. s4\ff + s1*2 + s1\> + s1\! + s1*3 + s4 s2\< s4\! + s1*2 + s4 s2.\> + s1\! + s1*3 + s1\< + s2\! s2\> + s2\fermata s2\! + %\break + } + +% abkuerzungen + + ps = ^\markup { \dynamic{p} sostenuto } + +% articulation + + sopranArt = { + \dynamicUp + s4 + s2. s4\ps + s1*7 + s2. s4\mf + s1*2 + s2. s4\mf + s1*10 + s2. s4\p + s1*6 + s2. s4\p + s1*6 + } + + altArt = { + s4\ps + s1*8 + s1*4 + s2. s4\mf + s1*8 + s2. s4\p + s1*8 + s2. s4\p + s1*5 + } + + tenorArt = { + \dynamicUp + s4 + s1 + s4 s2.\ps + s1*10 + s4 s2.\mf + s1*8 + s4 s2.\p + s1*8 + s4 s2.\p + s1*5 + } + + bassArt = { + s4 + s4 s2.\ps + s1*6 + s2. s4\mf + s1*5 + s4 s2.\mf + s1*8 + s4 s2.\p + s1*6 + s2 s2\p + s1*6 + } + diff --git a/hr/quartett/christe/midis/alt.midi b/hr/quartett/christe/midis/alt.midi Binary files differnew file mode 100644 index 0000000..1fe4dd3 --- /dev/null +++ b/hr/quartett/christe/midis/alt.midi diff --git a/hr/quartett/christe/midis/bass.midi b/hr/quartett/christe/midis/bass.midi Binary files differnew file mode 100644 index 0000000..9730ce5 --- /dev/null +++ b/hr/quartett/christe/midis/bass.midi diff --git a/hr/quartett/christe/midis/gesamt.midi b/hr/quartett/christe/midis/gesamt.midi Binary files differnew file mode 100644 index 0000000..cd6dd81 --- /dev/null +++ b/hr/quartett/christe/midis/gesamt.midi diff --git a/hr/quartett/christe/midis/sopran.midi b/hr/quartett/christe/midis/sopran.midi Binary files differnew file mode 100644 index 0000000..35c70dd --- /dev/null +++ b/hr/quartett/christe/midis/sopran.midi diff --git a/hr/quartett/christe/midis/tenor.midi b/hr/quartett/christe/midis/tenor.midi Binary files differnew file mode 100644 index 0000000..9206967 --- /dev/null +++ b/hr/quartett/christe/midis/tenor.midi diff --git a/hr/quartett/christe/stimmen.ly b/hr/quartett/christe/stimmen.ly new file mode 100644 index 0000000..610050f --- /dev/null +++ b/hr/quartett/christe/stimmen.ly @@ -0,0 +1,211 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key f \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + % { \meta } + \sopranArt + %the actual tune + { + r4 + r2 r4 d4 + c4 bes4 a4 g4 + f4( e4) a4 g4 + f4 g4 a4 d4 + d4( cis4) d4 a4 + a4 g4 f4 a4 + d4( c4) b4 b4 + a2 a4 s4 + %Attende + r2 r4 d4 + d4 e4 f4 f4 + e4( d4 c4) b4 + a4( gis4) a4 a4 + b4 cis4 d4 e4 + a,2 a4 a4 + a4 b4 c4 d4 + g,2 g4 g4 + g4 a4 bes4 c4 + f,2 f4 f4 + d'4. d8 c4 bes4 + a4 g4 f4 f4 + f2( ~ f4 e4) + %Christe + f4 s4 r2 + r2 r4 d'4 + c4 bes4 a4 g4 + f4( e4) a4 g4 + f4 g4 a4 d4 + d4( cis4) d4 a4 + a4 gis4 a4 g4 + f4 e4 d4 cis4 + d4 d4 r4 d'4 + c4 bes4 a4 g4 + d'2 d4 c4 + bes4 a4 g4 g4 + fis2 bes2 + a2( fis4 e4) + d1 + } + >> + } + + altMelodie = \relative c'' { + << + % { \meta } + \altArt + %the actual tune + { + a4 + g4 f4 e4 d4 + d2 d4 d4 + d4 cis4 f4 e4 + d2 d4 d4 + e4 e4 d4 d4 + cis2 d4 f4 + f4 e4 f4 e8( d8) + c4( f4) e4 s4 + %Attende + r4 a4 a4 g4 ~ + g4 g4( f4) f4 + f2. f4 + e2 e4 r4 + r2 r4 a4 + g4 f4 e4 d4 + d4 d4 r4 g4 + f4 e4 d4 c4 + c4 c4 r4 ees4 + ees2 d4 f4 + d4. d8 ees4 d4 + d4 d4 d4 c4 + b2( bes2) + %Christe + a4 s4 r4 a'4 + g4 f4 e4 d4 + d2 d4 d4 + d4 cis4 f4 e4 + d2 d4 d4 + e4 e4 d4 d4 + d2 cis4 e4 + d4 bes4 a4 a4 + a4 a4 r2 + r2 r4 g'4 + fis4 e4 d4 ees4 + d2. e4 + d2 d2 + cis1 + d1 + } + >> + } + + tenorMelodie = \relative c' { + << + % { \meta } + \tenorArt + %the actual tune + { + r4 + r1 + r4 d4 c4 bes4 + a2 a4 a4 + a4 a4 a4 a4 + bes2 a4 a4 + a2 a4 a4 + a4 a4 a4 gis4 + a4( d4) c4 f4( + %Attende + e4) e4( d4) d4 ~ + d4 cis4( d4) a4 + a4( b4) c4( d4) + c4( b4) c4 r4 + r4 a4 b4 cis4 + d4 d4 r2 + r4 g,4 a4 b4 + c4 c4 r2 + r4 f,4 g4 a4 + bes2 bes4 f4 + f4. f8 fis4 g4 + a4 bes4 a4 a4 + aes4( g4 ~ g2) + %Christe + f4 a4 a4 a4 + a2 a4 r4 + r4 d4 c4 bes4 + a2 a4 a4 + a4 a4 a4 a4 + bes2 a4 a4 + b2 a4 a4 + a4 g4 f4 e4 + f4 f4 r2 + r4 d'4 c4 bes4 + a4 g4 fis4 fis4 + g4( a4) bes4 bes4 + a2 g2 + g4( fis4 a4 g4) + fis1 + } + >> + } + + bassMelodie = \relative c' { + << + % { \meta } + \bassArt + %the actual tune + \clef bass + { + r4 + r4 a4 g4 f4 + g2 g4 g4 + a4 a4 a,4 cis4 + d4.( e8) f4 f4 + g4 g4 f4 f4 + e2 d4 c4 + b4 c4 d4 e4 + a2 a4 d4 ~ + %Attende + d4 c4 ~ c4 bes4 + a2 d,2 + d2 d2 + e2 a4 s4 + r1 + r4 a4 g4 f4 + g4 g4 r2 + r4 g4 f4 e4 + f4 f4 r2 + r2 r4 f4 + bes,4. bes8 bes4 bes4 + bes4 bes4 b4 c4 + d2(\( des4\) c4) + %Christe + f,4 r4 r2 + r4 a'4 g4 f4 + g2 g4 g4 + a4 a4 a,4 cis4 + d4.( e8) f4 f4 + g4 g4 f4 f4 + e2 a,4 cis4 + d4 g,4 a4 a4 + d4 d4 d2 + d1 + d1 + d2. cis4 + d2 g,2 + a1 + d1 + } + >> + } + diff --git a/hr/quartett/christe/texte.ly b/hr/quartett/christe/texte.ly new file mode 100644 index 0000000..9c9e740 --- /dev/null +++ b/hr/quartett/christe/texte.ly @@ -0,0 +1,70 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + christe = \lyricmode { + O Je -- su Chri -- ste ca -- re + } + jesu = \lyricmode { + O Je -- su ca -- re + } + + sol = \lyricmode { + Sol pec -- to -- ris præ -- cla -- re, + } + Sol = \lyricmode { + Sol pec -- to -- ris + } + + pr = \lyricmode { + præ -- cla -- re, + } + + attende = \lyricmode { + At -- ten -- de vo -- ta + } + + grate = \lyricmode { + no -- stra gra -- te + } + + excellens = \lyricmode { + Ex -- cel -- lens bo -- ni -- ta -- te + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + \christe \sol \sol \pr + \attende \grate \christe \sol + \excellens \attende vo -- ta \grate + \christe \sol \Sol \sol + \excellens \attende \grate + } + + altText = \lyrics { + \christe \sol \sol \sol + \attende \grate \christe \sol \pr + \attende vo -- ta \grate + \christe \sol \sol \sol + \attende vo -- ta \grate + } + + tenorText = \lyricmode { + \jesu \sol \pr \sol + \attende \grate + \jesu \jesu \jesu + \attende vo -- ta \grate + \jesu \jesu \sol \pr \sol + \excellens \attende gra -- te + } + + bassText = \lyrics { + \jesu \sol \sol \sol + \attende \grate + \jesu \jesu + \attende vo -- ta \grate + \jesu \sol \sol \sol + \attende \grate + } + diff --git a/hr/quartett/convivium/convivium.ly b/hr/quartett/convivium/convivium.ly new file mode 100644 index 0000000..1f7a6a8 --- /dev/null +++ b/hr/quartett/convivium/convivium.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O sacrum convivium!" + composer = "Olivier MESSIAEN" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 15 + ragged-last-bottom = #'f + } + + %\layout { + % indent = #0 + % \context { + % \Staff + % \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + % } + %} + + #(set-global-staff-size 13) + + \score { + \new ChoirStaff << + \new Lyrics = "s" + \new Staff = sopran << + \set Staff.midiInstrument = #"accordion" + \new Voice = "soprane" { \global \voiceOne \sopranMelodie \bar "||" } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "a" + \new Lyrics = "t" + \new Staff = tenor << + \set Staff.midiInstrument = #"accordion" + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "b" + \context Lyrics = "s" \lyricsto soprane \sopranText + \context Lyrics = "a" \lyricsto alti \altText + \context Lyrics = "t" \lyricsto tenoere \tenorText + \context Lyrics = "b" \lyricsto baesse \bassText + >> + \midi { + \context{ + \Score +% tempoWholesPerMinute = #(ly:make-mment 72 4) + } + } + } + diff --git a/hr/quartett/convivium/convivium.midi b/hr/quartett/convivium/convivium.midi Binary files differnew file mode 100644 index 0000000..d35227c --- /dev/null +++ b/hr/quartett/convivium/convivium.midi diff --git a/hr/quartett/convivium/convivium.ogg b/hr/quartett/convivium/convivium.ogg Binary files differnew file mode 100644 index 0000000..fb52e0e --- /dev/null +++ b/hr/quartett/convivium/convivium.ogg diff --git a/hr/quartett/convivium/convivium1.midi b/hr/quartett/convivium/convivium1.midi Binary files differnew file mode 100644 index 0000000..a29bd0f --- /dev/null +++ b/hr/quartett/convivium/convivium1.midi diff --git a/hr/quartett/convivium/convivium_.midi b/hr/quartett/convivium/convivium_.midi Binary files differnew file mode 100644 index 0000000..a29bd0f --- /dev/null +++ b/hr/quartett/convivium/convivium_.midi diff --git a/hr/quartett/convivium/dynArt.ly b/hr/quartett/convivium/dynArt.ly new file mode 100644 index 0000000..a120a4d --- /dev/null +++ b/hr/quartett/convivium/dynArt.ly @@ -0,0 +1,39 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + %\dynamicUp + s1\p s1 + s1*8 + s1\mf s1\dim + s1*4 + s1\pp s1 + s1\p s1\cresc + \time 5/2 + s1 s1 s2 + \time 4/2 + s1\f s1 + s1*2 + \time 3/2 + s1\p s2 + s2*3 + s2.\dim s2. + \time 4/2 + s2 s1\pp s2 + s1 s1\fermata + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/convivium/mid/alt.midi b/hr/quartett/convivium/mid/alt.midi Binary files differnew file mode 100644 index 0000000..8c66e6e --- /dev/null +++ b/hr/quartett/convivium/mid/alt.midi diff --git a/hr/quartett/convivium/mid/bass.midi b/hr/quartett/convivium/mid/bass.midi Binary files differnew file mode 100644 index 0000000..eb83c92 --- /dev/null +++ b/hr/quartett/convivium/mid/bass.midi diff --git a/hr/quartett/convivium/mid/gesamt.midi b/hr/quartett/convivium/mid/gesamt.midi Binary files differnew file mode 100644 index 0000000..a29bd0f --- /dev/null +++ b/hr/quartett/convivium/mid/gesamt.midi diff --git a/hr/quartett/convivium/mid/sopran.midi b/hr/quartett/convivium/mid/sopran.midi Binary files differnew file mode 100644 index 0000000..edcccfe --- /dev/null +++ b/hr/quartett/convivium/mid/sopran.midi diff --git a/hr/quartett/convivium/mid/tenor.midi b/hr/quartett/convivium/mid/tenor.midi Binary files differnew file mode 100644 index 0000000..7e1a443 --- /dev/null +++ b/hr/quartett/convivium/mid/tenor.midi diff --git a/hr/quartett/convivium/midis/alt_.midi 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b/hr/quartett/convivium/midis/tenor_.midi diff --git a/hr/quartett/convivium/midis/unterstimmen.midi b/hr/quartett/convivium/midis/unterstimmen.midi Binary files differnew file mode 100644 index 0000000..eda66cf --- /dev/null +++ b/hr/quartett/convivium/midis/unterstimmen.midi diff --git a/hr/quartett/convivium/ohneAlt.midi b/hr/quartett/convivium/ohneAlt.midi Binary files differnew file mode 100644 index 0000000..e6df95d --- /dev/null +++ b/hr/quartett/convivium/ohneAlt.midi diff --git a/hr/quartett/convivium/ohneTenor.midi b/hr/quartett/convivium/ohneTenor.midi Binary files differnew file mode 100644 index 0000000..f9de8d4 --- /dev/null +++ b/hr/quartett/convivium/ohneTenor.midi diff --git a/hr/quartett/convivium/stimmen.ly b/hr/quartett/convivium/stimmen.ly new file mode 100644 index 0000000..f8851d1 --- /dev/null +++ b/hr/quartett/convivium/stimmen.ly @@ -0,0 +1,162 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key fis \major + %\override Staff.TimeSignature #'style = #'() + \time 4/2 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + \dynamicUp + { \meta } + %\sopranArt + %the actual tune + %\set Staff.midiInstrument = "dulcimer" + { + eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\) + eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\) + ais4.\( dis4 cis4 gis4 cis8 dis8 cis8 gis2\) + ais4.\( dis4 cis4 gis4 cis4( ais8) gis2\) + bis4.\( fis'4 dis4 a4 bis8( dis8) bis8 fis2\) + a4.\( ees'4 c4 fis,4 a8( c8) a8 fis2\) + fis4\( f8( gis8 f8) d2\) + s8 + f4.\( d4\) f8 ~ + f4\( d4\) f2.\( d2.\) + %O sacrum convivium + eis4.\( cisis4 dis4 gis4 eis4 cisis8 dis2\) + eis4.\( cisis4 dis4 gis4 cis4 ais8 gis2\) + ais4.\( dis4 cis4 gis4 cis4.( fis4) dis4 ais4\) + s4 + dis4.\( ais'4 eis4 d4 eis8( gis8) eis8 d2\) + bis4.\( fis'4 dis4 gis,4 ais8( cis8 ais8) gis2\) + gis'4.\(( dis4 eis4 dis8 gis,4 ais4 + cis4 ais8 dis,4 fis4 + s8 + ais4) fis8 + s8 + cis4( dis4 ~ dis4) cis4( dis4 ~ dis4)\) + cis4\(( dis4) gis4. dis4\) gis4.\( dis4 dis4 + gis2. dis4 dis1\) + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + %\set Staff.midiInstrument = "acoustic grand" + { + ais4.\( ais4 b4 b4 ais4 ais8 b2\) + ais4.\( ais4 b4 b4 d4 d8 dis2\) + eis4.\( eis4 fis4 fis4 g8 g8 g8 fis2\) + eis4.\( eis4 fis4 fis4 g4. fis2\) + fis4.\( fis4 fis4 e4 fis4 fis8 fis2\) + ees4.\( ees4 ees4 des4 ees4 ees8 des2\) + des4\( c4. b2\) + s8 + b4.\( bes4\) b8 ~ + b4\( bes4\) a2.\( a2.\) + %O sacrum convivium + ais4.\( ais4 b4 b4 ais4 ais8 b2\) + ais4.\( ais4 b4 b4 d4 d8 dis2\) + eis4.\( eis4 fis4 fis4 g4. ~ g4 gis4 gis4\) + s4 + ais4.\( b4 gis4 fis4 a4 a8 a2\) + fis4.\( ais4 fis4 dis4 fis4. fis2\) + fis1\(( ~ fis2 + dis4. ~ cis2 + s8 + b4) b8 + s8 + b2. b2.\) + gis4\(( b4) ais4. ais4\) ais4.\( ais4 ais4 + ais2. ais4 ais1\) + } + >> + } + + tenorMelodie = \relative c { + << + \dynamicUp + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + %\set Staff.midiInstrument = "celesta" + { + cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\) + cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\) + b4.\( b4 b4 b4 b8 b8 b8 b2\) + b4.\( b4 b4 b4 b4. b2\) + ais4.\( ais4 ais4 bis4 ais4 ais8 ais2\) + g4.\( g4 g4 a4 g4 g8 g2\) + g4\( fis4. fis2\) + s8 + d4.\( d4\) d8 ~ + d4\( d4\) d2.\( d2.\) + %O sacrum convivium + cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\) + cis4.\( cis4 cis4 cis4 eis4 eis8 fis2\) + b4.\( b4 b4 b4 b4. ~ b4 b4 b4\) + s4 + b4.\( eis4 dis4 cis4 bis4 bis8 bis2\) + ais4.\( dis4 cis4 ais4 b4. b2\) + ais1\(( ~ ais2 + fis4. ~ fis2 + s8 + fis4) fis8 + s8 + fis2. fis2.\) + dis4\(( fis4) cis4. cis4\) cis4.\( cis4 cis4 + cis2. cis4 cis1\) + } + >> + } + + bassMelodie = \relative c, { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + %\set Staff.midiInstrument = "harpsichord" + { + fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\) + fis4.\( fis4 fis4 fis4 b4 b8 b2\) + cis4.\( cis4 d4 d4 dis8 dis8 dis8 d2\) + cis4.\( cis4 d4 d4 dis4. d2\) + cis4.\( cis4 cis4 cis4 cis4 cis8 cis2\) + bes4.\( bes4 bes4 bes4 bes4 bes8 a2\) + a4\( a4. gis2\) + s8 + g4.\( g4\) g8 ~ + g4\( g4\) fis2.\( fis2.\) + %O sacrum convivium + fis4.\( fis4 fis4 fis4 fis4 fis8 fis2\) + fis4.\( fis4 fis4 fis4 b4 b8 b2\) + cis4.\( cis4 d4 d4 dis4. ~ dis4 e4 e4\) + s4 + eis4.\( cis'4 b4 ais4 fis4 fis8 fis2\) + dis4.\( bis'4 ais4 fis4 d4. d2\) + %\break + cis1\(( ~ cis2 + ais4. ~ ais2 + s8 + gis4) gis8 + s8 + gis2. gis2.\) + b4\(( gis4) fis4. fis4\) fis4.\( fis4 fis4 + fis2. fis4 fis1\) + } + >> + } + diff --git a/hr/quartett/convivium/texte.ly b/hr/quartett/convivium/texte.ly new file mode 100644 index 0000000..795da3a --- /dev/null +++ b/hr/quartett/convivium/texte.ly @@ -0,0 +1,51 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + o = \lyricmode { + O sá -- crum con -- ví -- vi -- um! + } + in = \lyricmode { + in quo Chrí -- stus sú -- mi -- tur: + } + rec = \lyricmode { + re -- có -- li -- tur me -- mó -- ri -- a + pas -- si -- ó -- nis é -- jus: + } + mens = \lyricmode { + mens im -- plé -- tur grá -- ti -- + } + sacrum = \lyricmode { + O sá -- crum, sá -- crum, sá -- crum, sá -- crum, + } + et = \lyricmode { + et fu -- tú -- ræ gló -- ri -- æ + nó -- bis pí -- gnus dá -- tur, + al -- le -- lú -- ia. + } + ende = \lyricmode { + O sá -- crum, sá -- crum con -- ví -- vi -- um! + } + gesamt = \lyricmode { + \o \in \rec \mens a, \mens a. \sacrum + \o \in \mens a: \et \ende + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + \gesamt + } + + altText = \lyricmode { + \gesamt + } + + tenorText = \lyricmode { + \gesamt + } + + bassText = \lyricmode { + \gesamt + } + diff --git a/hr/quartett/convivium/unterstimmen.midi b/hr/quartett/convivium/unterstimmen.midi Binary files differnew file mode 100644 index 0000000..58b0ea5 --- /dev/null +++ b/hr/quartett/convivium/unterstimmen.midi diff --git a/hr/quartett/credo/credo.ly b/hr/quartett/credo/credo.ly new file mode 100644 index 0000000..76bbd55 --- /dev/null +++ b/hr/quartett/credo/credo.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "<+Titel+>" + composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + %\lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + %\lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + %\lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + %\lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/quartett/credo/dynArt.ly b/hr/quartett/credo/dynArt.ly new file mode 100644 index 0000000..cc03b0e --- /dev/null +++ b/hr/quartett/credo/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/credo/stimmen.ly b/hr/quartett/credo/stimmen.ly new file mode 100644 index 0000000..68b5ca2 --- /dev/null +++ b/hr/quartett/credo/stimmen.ly @@ -0,0 +1,594 @@ +%some settings% vim: ai encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key e \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + sopranA = { + r1 + \time 2/4 + r1 + \time 3/4 + r1 + r1 + \time 4/4 + r1 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 12 -- % + \time 4/4 + r1 + r1 + \time 5/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + r1 + % -- 22 -- % + \time 3/4 + r1 + r1 + \time 2/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 6/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + % -- 31 -- % + r1 + \time 5/4 + r1 + \time 2/4 + r1 + r1 + r1 + r1 + \time 3/4 + r1 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + % -- 41 -- % + \time 5/4 + r1 + \time 3/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + % -- 49 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 58 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + % -- 67 -- % + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + } + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + \sopranA + } + >> + } + + altA = { + r1 + \time 2/4 + r1 + \time 3/4 + r1 + r1 + \time 4/4 + r1 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 12 -- % + \time 4/4 + r1 + r1 + \time 5/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + r1 + % -- 22 -- % + \time 3/4 + r1 + r1 + \time 2/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 6/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + % -- 31 -- % + r1 + \time 5/4 + r1 + \time 2/4 + r1 + r1 + r1 + r1 + \time 3/4 + r1 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + % -- 41 -- % + \time 5/4 + r1 + \time 3/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + % -- 49 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 58 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + % -- 67 -- % + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + \altA + } + >> + } + + tenorA = { + r1 + \time 2/4 + r1 + \time 3/4 + r1 + r1 + \time 4/4 + r1 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 12 -- % + \time 4/4 + r1 + r1 + \time 5/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + r1 + % -- 22 -- % + \time 3/4 + r1 + r1 + \time 2/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 6/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + % -- 31 -- % + r1 + \time 5/4 + r1 + \time 2/4 + r1 + r1 + r1 + r1 + \time 3/4 + r1 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + % -- 41 -- % + \time 5/4 + r1 + \time 3/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + % -- 49 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 58 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + % -- 67 -- % + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \tenorA + } + >> + } + + bassA = { + r1 + \time 2/4 + r1 + \time 3/4 + r1 + r1 + \time 4/4 + r1 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 12 -- % + \time 4/4 + r1 + r1 + \time 5/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + r1 + % -- 22 -- % + \time 3/4 + r1 + r1 + \time 2/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 6/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + % -- 31 -- % + r1 + \time 5/4 + r1 + \time 2/4 + r1 + r1 + r1 + r1 + \time 3/4 + r1 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + % -- 41 -- % + \time 5/4 + r1 + \time 3/4 + r1 + r1 + r1 + \time 4/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + r1 + % -- 49 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + % -- 58 -- % + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + % -- 67 -- % + r1 + \time 3/4 + r1 + \time 2/4 + r1 + \time 4/4 + r1 + \time 3/4 + r1 + \time 4/4 + r1 + r1 + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \bassA + } + >> + } + diff --git a/hr/quartett/credo/texte.ly b/hr/quartett/credo/texte.ly new file mode 100644 index 0000000..9951256 --- /dev/null +++ b/hr/quartett/credo/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai encoding=utf8 et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + <+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + <+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + <+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + <+hier den Text für den Baß eintragen+> + } + diff --git a/hr/quartett/dignare/dignare.ly b/hr/quartett/dignare/dignare.ly new file mode 100644 index 0000000..a3b29a0 --- /dev/null +++ b/hr/quartett/dignare/dignare.ly @@ -0,0 +1,55 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Dignare custos Angele" + composer = "Anton Bruckner" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + { \dynamicUp \meta } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "txt" \lyricsto soprane { \text } + \new Staff = tenor << + { \dynamicDown \meta } + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/quartett/dignare/dynArt.ly b/hr/quartett/dignare/dynArt.ly new file mode 100644 index 0000000..8d8dd61 --- /dev/null +++ b/hr/quartett/dignare/dynArt.ly @@ -0,0 +1,56 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + \partial 2 + } + + meta = { + %(dynamic) marks global to all voices + %\dynamicUp + \global + s2\p + s1 + s1 + s1 + s2 s2\mf + s1 + s1 + s1 + s2 r2 + s1\f + s1 + s1 + s2 s2\p + s1 + s1 + s1 + s2 s2 + s1 + s1\mf + s1 + s2 s2\f + s1 + s1 + s1 + s1 + \bar "|." + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/dignare/midi.lua b/hr/quartett/dignare/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/quartett/dignare/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/quartett/dignare/stimmen.ly b/hr/quartett/dignare/stimmen.ly new file mode 100644 index 0000000..844c622 --- /dev/null +++ b/hr/quartett/dignare/stimmen.ly @@ -0,0 +1,145 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + +% Die Stimmen + + sopranMelodie = \relative c' { + << + %\sopranArt + %the actual tune + { + e2 + g2 a2 + b2 c2 + b2. a4 + e2\fermata g2 + b2 c2 + d2 e2 + d2. a4 + b2 s2 + b2 a4 b4 + c2( a4) c4 + e2( d4) d4 + e2\fermata e2 + d2 c2 + b2 a2 + b2. b4 + cis2\fermata e,2 + fis2 g2 + fis2 fis2( + gis2) a2 + gis2\fermata b2 + c2. c4 + b2 e,2 + e2 fis2 + gis1\fermata + } + >> + } + + altMelodie = \relative c' { + << + %\altArt + %the actual tune + { + e2 + e2 c2 + d2 e2 + d2( c4) c4 + b2 g'2 + g2 e2 + g2 g2 + g2. fis4 + g2 s2 + b2 a4 b4 + c2( a4) a4 + g2. g4 + g2 e2 + e2 e2 + e2 e2 + e2. e4 + e2 cis2 + d2 d2 + d2 dis2( + e2) e2 + e2 e2 + e2. e4 + e2 e2 + e2 e2 + e1 + } + >> + } + + tenorMelodie = \relative c { + << + %\tenorArt + %the actual tune + \clef "treble_8" + { + e2 + e2 e2 + g2 g2 + g2( e4) e4 + g2\fermata g2 + g2 g2 + d'2 c2 + b4( a8 g8 a4) d4 + d2 s2 + b2 a4 b4 + c2( a4) a4 + c2. b4 + c2\fermata c2 + b2 a2 + gis2 a2 + a2( gis4) gis4 + a2\fermata a2 + a2 b2 + a2 b2 ~ + b2 cis2 + b2\fermata gis2 + a2. a4 + gis2 e2 + e2 c'2 + b1\fermata + } + >> + } + + bassMelodie = \relative c { + << + %\bassArt + %the actual tune + \clef bass + { + e2 + c2 a2 + g2 c2 + g2( a4) a4 + e'2 g2 + e2 c2 + b2 c2 + d2. d4 + g,2 s2 + b'2 a4 b4 + c2( a4) f4 + e4( f4 g4) g4 + c,2 a2 + b2 c4( d4) + e2 e2 + e2. e4 + a,2 a2 + d2 g,2 + d'2 b2( + e2) a,2 + e'2 e2 + a,2. a4 + e'2 e4( d4) + c2 a2 + c,1 + } + >> + } + diff --git a/hr/quartett/dignare/texte.ly b/hr/quartett/dignare/texte.ly new file mode 100644 index 0000000..b7d4e81 --- /dev/null +++ b/hr/quartett/dignare/texte.ly @@ -0,0 +1,15 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + +% Die Textaufteilungen + + text = \lyrics { + Iam lu -- cis or -- to si -- de -- re + Di -- gna -- re cu -- stos an -- ge -- le! + Men -- tis fu -- ga -- re nu -- bi -- la + Et al -- ma fer -- re lu -- mi -- na; + Me re -- cta pru -- dens do -- ce, + Ut ex -- se -- quar me com -- mo -- ne. + } + diff --git a/hr/quartett/jesu/dynArt.ly b/hr/quartett/jesu/dynArt.ly new file mode 100644 index 0000000..756726f --- /dev/null +++ b/hr/quartett/jesu/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/jesu/jesu.ly b/hr/quartett/jesu/jesu.ly new file mode 100644 index 0000000..5611b0e --- /dev/null +++ b/hr/quartett/jesu/jesu.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Jesu, meine Freude" + composer = "Johann Sebastian Bach, 1685–1750" + opus = "BWV 227" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << +% \new Staff = sopran << +% %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } +% \new Voice = "soprane" { \global \sopranMelodie } +% %\addlyrics { \sopranText } +% >> +% \new Staff = alt << +% \new Voice = "alti" { \global \altMelodie } +% %\addlyrics { \altText } +% >> +% \new Staff = tenor << +% \new Voice = "tenoere" { \global \tenorMelodie } +% %\addlyrics { \tenorText } +% >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/quartett/jesu/midi.lua b/hr/quartett/jesu/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/quartett/jesu/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/quartett/jesu/stimmen.ly b/hr/quartett/jesu/stimmen.ly new file mode 100644 index 0000000..e1ebbb6 --- /dev/null +++ b/hr/quartett/jesu/stimmen.ly @@ -0,0 +1,123 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \repeat volta 2 { + e4 d4 c4. b8 + a4( b4) e2 + e4 a8( g8) fis4 g8( fis8) + e8( fis8 g8 a8) b2 + c4 b8( a8) b4 b,4 + e1 + } + e8( fis8) g4 fis4 g4 + c,4 d4 g,2 + g'4 fis8( e8) fis4 g8( fis8) + e4 b4 e4( fis4) + b,2 e4 d4 + c4 b4 a4( b4) + e1 + \bar "||" + \time 3/2 + \repeat unfold 2 { + e2 g2 fis2 + g2 r2 r2 + gis2 r2 r2 + r2 a4( g4) fis4( e4) + dis2. dis4 dis4 b4 + e2. fis4 g4 fis4 + g4 e4 c2. c4 + b2 r2 r2 + } + b2 b'2 a2 + gis2 e'2 e,2 + a4( b4 a4 g4 fis4 e4 + dis4 b4 b'4 a4 g4 fis4 + e2) e2 r2 + R1. + R1. + R1. + R1. + R1. + b4 b4 b4 b4 cis4 dis4 + e4 ais,2 b2 cis4 + d1. ~ + d4( cis8 b8 cis4 d4 e4 fis4 + g4 cis,2 d2 e4 + fis4 b,2 cis2 d4 + e4 d4) e2 r2 + r2 d2 fis2 + g2( e2) fis2 + b1 r2 + \repeat unfold 2 { + b2 d2 cis2 + d2 r2 r2 + dis2 r2 r2 + r2 e4( d4) cis4( b4) + ais2. ais4 ais4 fis4 + b2. cis4 d4 cis4 + d4 b4 g'2. g4 + fis2 r2 r2 + } + R1. + R1. + r4 e4 gis4 fis4 gis4 e4 + a1. ~ + a2. b4 a4 g4 + fis2. e4 fis4 d4 + g4( fis4) g4 a4 + } + >> + } + diff --git a/hr/quartett/jesu/texte.ly b/hr/quartett/jesu/texte.ly new file mode 100644 index 0000000..51d4b6a --- /dev/null +++ b/hr/quartett/jesu/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/quartett/lux/dynArt.ly b/hr/quartett/lux/dynArt.ly new file mode 100644 index 0000000..1f40be6 --- /dev/null +++ b/hr/quartett/lux/dynArt.ly @@ -0,0 +1,185 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s8 s8\pp s2. + s1 + \time 3/4 + s4\fermata s8 s4.\p + \time 4/4 + s2 s8 s8\mp s4\< + \time 3/4 + s4\mf s2\> + \time 4/4 + s1\p + s1\fermata + s1*3 + \time 3/4 + s4 s2\> + \time 4/4 + s1\p + s8\fermata s8\> s2 s4\! + s1*2 + s1\> + s1\! + s2 s2\< + s1\f + \time 3/4 + s2. + \time 4/4 + s1 + s2 s2\> + \time 3/4 + s8\mf s8\> s2 + s2.\! + \time 4/4 + s1\> + s1\p + s1*2 + s2 s2\< + s2\mf s2\> + s1\mp + \time 3/4 + s2.*2 + \time 2/4 + s2\> + \time 4/4 + s1\p + s1*3 + s1\fermata\> + \bar "||" + } + +% abkuerzungen + + rit=^\markup{rit.} + at=^\markup{a tempo} + mr=^\markup{molto rit.} + memo=^\markup{meno mosso} + lg=^\markup{lunga} + +% articulation + + sopranArt = { + s1 + s2. s4\rit + s4. s4.\at + s1 + s2 s4\rit + s2.\at s4\rit + s1 + s8 s8\p s2. + s1 + s2 s8 s8\mf s4 + s2 s4\rit + s2.\at s4\mf + s8 s8\mp s2. + s1*3 + s2..\at s8\mp + s2 s2\mr + s8 s2..\at + s2. + s1*2 + s2. + s2.\mp + s2. s4\mr + s8 s2\at s8\mp s4 + s1*2 + s8 s8\mp s2. + s2 s2\rit + s2.\at s4\rit + s2. + s2\at s4\rit + s2\mr + s8 s2..\memo + s2 s8 s4.\mr + s1*2 + s1\lg + } + + altArt = { + s1*2 + s2. + s1 + s2. + s1 + s8 s8\p s2. + s1*2 + s2 s8 s8\mf s4 + s2. + s1*2 + s8 s2. s8\mp + s1*2 + s1\p + s1*2 + s2. + s1*2 + s2. + s8\mp s8 s2 + s1 + s8 s8\mp s2. + s1 + s2 s8 s8\mp s4 + s1*3 + s2.*2 + s2 + s1*5 + } + + tenorArt = { + s1*2 + s2. + s1 + s2. + s1*2 + s8 s8\p s2. + s1 + s4 s8 s8\mf s2 + s2. + s1*2 + s1\mp + s1*2 + s1\p + s1*2 + s2. + s1*2 + s2. + s2.\mp + s1*3 + s4. s8\mp s2 + s1*3 + s2.*2 + s2 + s1*5 + } + + bassArt = { + s1*2 + s2. + s1 + s2. + s1 + s2 s8 s8\p s4 + s1*2 + s2 s8 s8\mf s4 + s2. + s1*2 + s8 s8\mp s2. + s1*2 + s8 s8\mp s2. + s1*2 + s2. + s1*2 + s2. + s2.\mp + s1 + s1 + s1 + s2 s8 s8\mp s4 + s1*3 + s2.*2 + s2 + s1*5 + } + diff --git a/hr/quartett/lux/lux.ly b/hr/quartett/lux/lux.ly new file mode 100644 index 0000000..17164c3 --- /dev/null +++ b/hr/quartett/lux/lux.ly @@ -0,0 +1,59 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O Nata Lux" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + page-count = 3 + ragged-last-bottom = ##f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 16) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \bar "||" } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 40 4) + %} + %} + } + diff --git a/hr/quartett/lux/lux.midi b/hr/quartett/lux/lux.midi Binary files differnew file mode 100644 index 0000000..5d904ef --- /dev/null +++ b/hr/quartett/lux/lux.midi diff --git a/hr/quartett/lux/lux.ps b/hr/quartett/lux/lux.ps Binary files differnew file mode 100644 index 0000000..c5295dc --- /dev/null +++ b/hr/quartett/lux/lux.ps diff --git a/hr/quartett/lux/stimmen.ly b/hr/quartett/lux/stimmen.ly new file mode 100644 index 0000000..c21df98 --- /dev/null +++ b/hr/quartett/lux/stimmen.ly @@ -0,0 +1,339 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + \sopranArt + %the actual tune + { + r8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 a8 + a4 r8 a8 d8 cis8 + b8 b8 b8 cis8 d8 d8 g8 fis8 + e8 fis8 d8 a8 a4 + d,8 g8 g8 fis8 e8( g8) d8 d8 + d2 ~ d8 r8 r4 + r8 a'8 a4( ~ a8 d,8 g8) e8 + e4 ~ e8 a8 d8 cis8 b8 b8 + b8 cis8 d4 ~ d8 d8 g8 fis8 + e8 fis8 d8 a8 a4 + %laudes + d,8 g8 g8 fis8 e8( g8) d8 d8 + d8 fis8 fis8 fis8 fis8 gis8 b8( gis8 + e4 ~ e8) a8 a4 ~ a8 a8 + a2. ~ a8 a8 + << d,1 e1 >> + r2 r4 r8 b'8 + b8 b8 b8 b8 b8( cis8 d8) e8 + e1 ~ + e8 fis8 d8( cis8) d8 e8 + e1 ~ + e8 fis8 d8( cis8 d8 g,8) e'8 a,8 + fis8 fis8 b8 g8 g8 a8 + %corporis + << { g2 ~ g8 } { a2 ~ a8 } >> d,8 + d8 d8 d8 d8 d8 d8 d8 a'8 + << { e2 ~ e8 } { a2 ~ a8 } >> a8 b8 a8 + a2 ~ a8 b8 cis8( d8 ~ + d8) a8 fis2 r4 + r8 b8 b8 cis8 d4 ~ d8 d8 + g8( fis8 e8 fis8 d8) a8 a4 + %laudes + d,8 g8 g8 fis8 e8( g8) d8 d8 + a'2 ~ a8 r8 + d,8 g8 g8 fis8 e8( g8) + d4. d8 + d8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 a8 + << + { + e1 ~ + e1 ~ + e1 + } + { + a1 ~ + a1 ~ + a1 + } + >> + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + r8 << { d8 d8 d8 d8 } { e8 e8 e8 e8 } >> d8 d8 d8 + d8 d8 d8 d8 d8 d8 d8 d8 + <<d4 e4>> r8 e8 e8 e8 + a8 a8 a8 a8 + << + { + e8 e8 g8 g8 + a8 a8 a8 + } + { + a8 a8 d8 a8 + d8 cis8 b8 + } + >> g8 e4 + b8 + << { b8 b8 } { d8 d8 } >> + d8 d4 cis8 d8 + d8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 a8 + a4 ~ a8 e8 e8 e8 a8 a8 + a8 a8 + << + { + e4 ~ e8 e8 g8 g8 + a8 a8 a8 + } + { + a4 ~ a8 a8 d8 a8 + d8 cis8 b8 + } + >> g8 e4 + %laudes + b8 << { b8 b8 } { d8 d8 } >> d8 d4 cis8 d8 + d2. r4 + r2 r4 r8 b'8 + b8 b8 b8 b8 b8( cis8 d8) a8 + a4 ~ a8 a8 d8( cis8 b8 a8 + e4 ~ e8 a8) a4 a8 a8 + a2 ~ a4 ~ a8 a8 + << { e4 ~ e8 } { a4 ~ a8 } >> a8 d8( cis8) b8 a8 + a2. ~ + a4 ~ a8 a8 d8( cis8) b8 a8 + a1( + d,2.) + %corporis + r8 d8 g8 fis8 e8 d8 + d2. ~ d8 d8 + d8 fis8 fis8 fis8 fis8 d8 g8 e8 + e8 e8 e8 fis8 g8 g8 g8 <<g8 a8>> + << { e2 ~ e8 } { a2 ~ a8 } >> a8 d8 cis8 + b8 a8 a8 a8 << + { + e4 ~ e8 e8 + g8 g8 a8 a8 a8 + } + { + a4 ~ a8 a8 + d8 a8 d8 cis8 b8 + } + >> g8 e4 + %laudes + b8 << b8 d8 >> << b8 d8 >> d8 d4 cis8 d8 + e2 ~ e8 r8 + b8 << b8 d8 >> << b8 d8 >> d8 d4 + cis4( a8) a8 + d2 ~ d8 d8 d8 << b8 d8 >> + cis2( d8) d8 d8( b8 + << { a1 ~ a2) } { d1 ~ d2) } >> a2 + a1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + r8 a8 a8 a8 a8 a8 g8 g8 + a8 a8 a8 a8 g8 g8 g8 g8 + fis4 r8 d'8 a8 cis8 + e8 e8 e8 e8 d8 d8 d8 d8 + e8 d8 d8 d8 d4 + a8 a8 a8 g8 a8( d8) d8 a8 + a2 ~ a8 r8 r4 + r8 d8 cis4\(( b4 ~ b8) b8\) + d8 a8 d8 cis8 b8 a8 e'8 e8 + e4( d8) d8 g8 fis8 e8 d8 + e8 d8 d2 + %laudes + a8 a8 a8 g8 a8( d8) d8 a8 + a2. r4 + a4 a8 a8 a8 b8 d8( b8 + e4 ~ e8) e8 e4 e8 e8 + a,8 a8 d2. + a2 a8 b8 d8( b8 + e4 ~ e8) e8 e4 e8 d8 + a8 a8 e'2.( ~ + << + { + d4) d2 + } + { + e4) e2 + } + >> + r8 a,8 e'2.( ~ \( + << { d2.\) } { e2 d4) } >> a8 e'8 + << + { + d8 d8 b8 b8 b8 b8 + %corporis + a2. ~ + a2. ~ a8 a8 + } + { + e'8 e8 d8 d8 d8 d8 + %corporis + d2( ~ d8 cis8 + b2. ~ b8) b8 + } + >> + d2 ~ d8 d8 d8 d8 + e2( d4) d8 d8 + d4 ~ d8 a8 d8 cis8 b8 a8 + e'8 e8 e4( d8) d8 g8 fis8 + e8 d8 e8 d8 d2 + %laudes + a8 a8 a8 g8 a8( d8) d8 a8 + d2 ~ d8 r8 + a8 a8 a8 g8 a8( d8) + d8( a8 ~ a8) g8 + a2 ~ a8 a8 b8 a8 + a2( b8) b8( cis8 d8) + d4 a4 fis2 ~ + fis1 ~ + fis1 + } + %{ + %} + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + r8 fis8 fis8 fis8 fis8 fis8 b,8 b8 + cis8 cis8 cis8 cis8 b8 b8 b8 b8 + a4 r8 a'8 fis8 a8 + gis8 gis8 gis8 gis8 fis8 fis8 b,8 b8 + cis8 fis8 g8 g8 fis4 + g8 g8 g8 + << + { + b,8 cis8( b8) b8 b8 a2 ~ a8 + } + { + g'8 a8( fis8) g8 g8 fis2 ~ fis8 + } + >> + fis8 fis8 g8 + a4 ~ a8 a8 g4 ~ g8 g8 + fis4 ~ fis8 fis8 fis8 fis8 gis8 gis8 + gis8 gis8 fis4 ~ fis8 fis8 b,8 b8 + cis8 fis8 g8 g8 fis4 + %laudes + g8 g8 g8 + << + { + b,8 cis8( b8) b8 b8 + a2. + } + { + g'8 a8( fis8) g8 g8 + fis2. + } + >> r4 + r8 cis'8 d8 cis8 b8( a8 b8) a8 + gis4 ~ gis8 gis8 gis4 fis8 fis8 + fis1 + r8 cis'8 d8 cis8 b8 a8 b8( a8 + gis4 ~ gis8) gis8 gis4 fis8 fis8 + << + { + cis2. ~ cis8 cis8 + a2 a8 a8 + cis2. ~ cis8 cis8 + a2( b4) cis8 cis8 + d8 d8 d8 d8 d8 d8 + } + { + a'2. ~ a8 a8 + fis2 fis8 fis8 + a2. ~ a8 a8 + fis2( g4) a8 a8 + a8 a8 g8 g8 g8 g8 + } + >> + %corporis + << fis2.( a2.( >> + g2. ~ g8) g8 + << + { + fis2 ~ fis8 fis8 b,8 b8 + c2( b4) b8 b8 + a2 ~ a8 + } + { + a'2 ~ a8 a8 g8 g8 + a2( g4) g8 g8 + fis2 ~ fis8 + } + >> + a8 fis8 fis8 + gis8 gis8 gis8 gis8 fis4 ~ fis8 fis8 + b,8 b8 cis8 fis8 g8 g8 fis4 + %laudes + g8 g8 g8 + << + { + b,8 cis8( b8) b8 b8 + a2 ~ a8 + } + { + g'8 a8( fis8) g8 g8 + fis2 ~ fis8 + } + >> r8 + g8 g8 g8 + << + { + b,8 cis8( b8) + b4. b8 + d2 ~ d8 d8 d8 d8 + d2 ~ d8 d8 d8 d8 + d1 ~ + d1 ~ + d1 + } + { + g8 a8( fis8) + g4. g8 + fis2 ~ fis8 fis8 g8 g8 + a2( g8) g8 g8 g8 + fis1 ~ + fis1 ~ + fis1 + } + >> + } + >> + } + diff --git a/hr/quartett/lux/texte.ly b/hr/quartett/lux/texte.ly new file mode 100644 index 0000000..b15e0a6 --- /dev/null +++ b/hr/quartett/lux/texte.ly @@ -0,0 +1,133 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + lux = \lyricmode { + O na -- ta lux de lu -- mi -- ne, + } + lumine = \lyricmode { + O na -- ta lux de lu -- mi -- ne. + } + + jesu = \lyricmode { + Je -- su re -- demp -- tor sae -- cu -- li, + } + saeculi = \lyricmode { + Je -- su re -- demp -- tor sae -- cu -- li. + } + + dig = \lyricmode { + dig -- na -- re cle -- mens sup -- pli -- cum, + } + dignare = \lyricmode { + dig -- na -- re cle -- mens sup -- pli -- cum + } + + laudes = \lyricmode { + lau -- des pre -- ces -- que su -- me -- re. + } + sumere = \lyricmode { + lau -- des pre -- ces -- que su -- me -- re, + } + + alleA = \lyrics { + \lux \jesu \dig \dignare \laudes + } + + sopA = \lyricmode { + O na -- ta lux, + } + + altA = \lyricmode { + \lux \jesu + } + + tenA = \lyricmode { + \sopA + } + + bassA = \lyricmode { + \lux + } + + alleB = \lyricmode { + \dig \dig \laudes + } + + qui = \lyricmode { + Qui car -- ne quon -- dam con -- te -- gi, qui con -- te -- gi + }%sopran + carne = \lyricmode { + Qui car -- ne quon -- dam con -- te -- gi + }%alt + contegi = \lyricmode { + Qui car -- ne quon -- dam con -- te -- gi, con -- te -- gi + } + + dignatus = \lyricmode { + dig -- na -- tus es pro per -- di -- tis. + } + perditis = \lyricmode { + dig -- na -- tus es pro per -- di -- tis, per -- di -- tis. + } + + effici = \lyricmode { + Nos mem -- bra con -- fer ef -- fi -- ci, + }%tenor + confer = \lyricmode { + Nos mem -- bra con -- fer, con -- fer ef -- fi -- ci, + } + + tui = \lyricmode { + tu -- i be -- a -- ti cor -- po -- ris, + }%sopran + corporis = \lyricmode { + tu -- i be -- a -- ti cor -- po -- ris. + } + + de = \lyricmode { + De lu -- mi -- ne, sae -- cu -- li, + } + + sopB = \lyricmode { + \qui \dignatus \confer \tui \corporis + } + + altB = \lyricmode { + \carne \dignatus \confer \corporis \lux \jesu + } + + tenB = \lyricmode { + \contegi \perditis \effici \corporis \de + } + + bassB = \lyricmode { + \contegi \perditis \confer \corporis \de + } + + sopC = \lyricmode { + \lux \lux \sumere \laudes \lux \saeculi + } + + unterC = \lyricmode { + \dig \dig \sumere \laudes \lumine + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \alleA \sopA \alleB \sopB \sopC + } + + altText = \lyrics { + \alleA \altA \alleB \altB \unterC + } + + tenorText = \lyrics { + \alleA \tenA \alleB \tenB \unterC + } + + bassText = \lyrics { + \alleA \bassA \alleB \bassB \unterC + } + diff --git a/hr/quartett/machaut/dynArt.ly b/hr/quartett/machaut/dynArt.ly new file mode 100644 index 0000000..30423d4 --- /dev/null +++ b/hr/quartett/machaut/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/machaut/machaut-1.midi b/hr/quartett/machaut/machaut-1.midi Binary files differnew file mode 100644 index 0000000..510bb76 --- /dev/null +++ b/hr/quartett/machaut/machaut-1.midi diff --git a/hr/quartett/machaut/machaut-2.midi b/hr/quartett/machaut/machaut-2.midi Binary files differnew file mode 100644 index 0000000..521ad2c --- /dev/null +++ b/hr/quartett/machaut/machaut-2.midi diff --git a/hr/quartett/machaut/machaut-3.midi b/hr/quartett/machaut/machaut-3.midi Binary files differnew file mode 100644 index 0000000..e273e6e --- /dev/null +++ b/hr/quartett/machaut/machaut-3.midi diff --git a/hr/quartett/machaut/machaut.ly b/hr/quartett/machaut/machaut.ly new file mode 100644 index 0000000..b274350 --- /dev/null +++ b/hr/quartett/machaut/machaut.ly @@ -0,0 +1,109 @@ +%some settings% vim: ai sw=2 lbr nu et + +\version "2.14" +\include "parts/kyrie.ly" +\include "parts/gloria.ly" +\include "parts/credo.ly" +\include "parts/sanctus.ly" +\include "texte.ly" + + \header { + title = "Messe de nostre dame" + composer = "Guillaume de Machaut" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 15) + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} +%{ + \score { + \kyrie + \header { + piece = \markup { \bold "Kyrie" } + } + \layout { } + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 200 4) + } + } + % } + } +%} + +%{ + \score { + \gloria + \header { + piece = \markup { \bold "Gloria" } + } + \layout { } + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 200 4) + } + } + % } + } +%} + +%\bookpart { + \score { + \credo + \header { + piece = \markup { \bold "Credo" } + } + \layout { } + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 200 4) + } + } + %} + } +%} + +%{ + \score { + \sanctus + \header { + piece = \markup { \bold "Sanctus" } + } + \layout { } + %{ + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 200 4) + } + } + % } + } +%} diff --git a/hr/quartett/machaut/machaut.midi b/hr/quartett/machaut/machaut.midi Binary files differnew file mode 100644 index 0000000..06008b3 --- /dev/null +++ b/hr/quartett/machaut/machaut.midi diff --git a/hr/quartett/machaut/midi.lua b/hr/quartett/machaut/midi.lua new file mode 100644 index 0000000..58e69da --- /dev/null +++ b/hr/quartett/machaut/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/quartett/machaut/midi/machaut-1.midi b/hr/quartett/machaut/midi/machaut-1.midi Binary files differnew file mode 100644 index 0000000..5eb5ae5 --- /dev/null +++ b/hr/quartett/machaut/midi/machaut-1.midi diff --git a/hr/quartett/machaut/midi/machaut-2.midi b/hr/quartett/machaut/midi/machaut-2.midi Binary files differnew file mode 100644 index 0000000..8d29bdf --- /dev/null +++ b/hr/quartett/machaut/midi/machaut-2.midi diff --git a/hr/quartett/machaut/midi/machaut-3.midi b/hr/quartett/machaut/midi/machaut-3.midi Binary files differnew file mode 100644 index 0000000..ba1f748 --- /dev/null +++ b/hr/quartett/machaut/midi/machaut-3.midi diff --git a/hr/quartett/machaut/midi/machaut.midi b/hr/quartett/machaut/midi/machaut.midi Binary files differnew file mode 100644 index 0000000..f40a02b --- /dev/null +++ b/hr/quartett/machaut/midi/machaut.midi diff --git a/hr/quartett/machaut/parts/credo.ly b/hr/quartett/machaut/parts/credo.ly new file mode 100644 index 0000000..b247dfa --- /dev/null +++ b/hr/quartett/machaut/parts/credo.ly @@ -0,0 +1,304 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.14" + \include "dynArt.ly" + + globalCredo = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranCredo = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + e2 f2 e1 d8 c4 b8 a2 b2 d8 cis4 b8 d1 + a'8 g4 f8 f8 e4 d8 cis1 d4 f4 e4 e4 a,1 + a'4 a4 g4 f4 e4 d4 e8 d8 cis8 d8 e1 + fis2 a8 g8 f8 e8 d4 e4 d4 cis4 d1 + r1 a'1 gis2 b8 a8 g8 f8 e1 f8 e8 e8 d8 e4 f4 g4 f4 e2 + b1 d8 c8 b8 c8 a4 d4 c2 f4 e4 d2 g8 f8 e8 d8 c4 d4 e1 + a2 f2 f8 g8 a8 g8 a4 gis4 a1 + c4 c4 b4 a4 gis1 a2 f8 e8 f8 d8 e1 + r1 cis2 d2 cis4 d8 e8 f4 e4 d4 a'4 a8 g8 g8 f8 e1 + gis2 a2 b8 a4 gis8 a2 d,4 f4 e4 d4 cis1 + d8 cis8 b8 cis8 d2 c4 d8 e8 f2 + c'4 c4 b4 a4 g2 f2 f8 g8 a8 g8 f8 e8 f8 d8 e1 + cis1 d2 f4 gis4 a2 b8 a8 g8 f8 e4 d8 e8 d2 cis1 d1 + % + e1 d2 cis2 d2 g4 a4 f1 c'4 c4 b4 a4 g4 f4 f8 gis8 a8 gis8 a1 + d,1 a'8 g8 g8 f8 e4 d4 cis1 d2 e4 e4 d4 e4 f4 a4 gis4 a4 f2 gis1 a1 + % + b\breve c\breve a\breve g\breve f\breve gis\breve + a2 b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1 + r1 cis1 d2 e2 d2 e8 f8 g8 d8 e4 cis4 d8 cis8 b8 cis8 d1 + e4 g4 f8 e8 f8 d8 c4 d4 e1 + f4 gis4 a4 a4 b8 a8 a8 gis8 a1 + c4 c4 b2 a2 gis1. a4 a4 g2 f2 e1. + f4 g4 a4 d,4 g8 f8 e8 d8 cis1. + d2 e2 a,4 d4 c4 d4 e1 + f2 e2 d4 a'4 g4 a4 f2 f8 gis8 a8 gis8 a1 + r1 c2 c8 c8 b8 a8 g4 a4 f4 a8 g8 f8 e8 f8 d8 e1 + f2 e2 d2 c4 c4 d4 e4 f4 g4 f1 + c'4 b8 a8 g2 f2 b8 a8 g8 f8 e4 d8 e8 d2 cis1 d1 + % + a'1 d,2 f8 e8 f8 gis8 a4 f4 g4 e4 f4 d4 e1 + f4 d4 e4 cis4 d8 cis8 b8 cis8 d1 + e2 d2 cis2 d2 f4 gis4 a4 e4 f4 e8 d8 e1 + g8 f8 e8 f8 e4 d4 c4 e4 b4 cis4 d1 + c'8 c8 b8 a8 g4 f4 f8 a8 g8 f8 e4 d4 e1 + d8 e8 f8 gis8 a2 b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1 + r1 a'1 b8 a8 g8 f8 e4 g4 d4 e4 b4 cis4 d1 + e2 d2 f8 e8 f8 g8 a4 d,4 g4 e4 f4 d4 e1 + a,2 cis4 cis4 d1 f4 g4 a2 b8 a4 gis8 a1 + c4 b8 a8 g4 f4 b8 a8 g8 f8 e4 a4 e4 f4 e1 + r1 g1 f2 e2 d4 e4 f4 d4 e4 cis4 d1 + a'2. g4 f2 f8 g8 a8 gis8 a1 + c2 b4 c4 b4 a4 gis1. a2 g2 f8 e8 f8 d8 e1. + % + a1. g4 a4 b1 c4 a2 f2 a4 g1. f2 e2 c2 d4 f2 e2 g4 a1. + g2 r2 e2 a4 d,2 f2 a4 g1. g8 a4 b8 c4 r8 a8 a8 g4 f8 + e2 fis1 g1. fis2 r2 a2 g4 d2 e2 f4 g1. + a2 e2 g2 e4 g2 d2 g4 f1. + a2 r2 fis2 g4 d2 e2 gis4 a1. + e8 c4 e8 g4 r8 g8 f8 e4 d8 g2 a1 e1. + d2 r2 fis2 g4 e2 c2 e4 g1. + a2 d,2 f2 c4 e2 a2 fis4 g1. + a2 r2 fis2 g4 c,2 e2 gis4 a1. + b8 a4 d,8 e4 r8 c8 a'8 g4 fis8 g2 gis1 a1. + } + >> + } + + altCredo = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + e2 d2 cis1 a'4 g4 f8 e8 f8 d8 e4 f4 gis4 fis8 gis8 a1 + d,8 cis8 d8 b8 cis4 d4 e1 + f4 d4 gis4 gis4 a1 + d,4 d4 b4 a4 g'8 f8 e8 d8 d4 cis8 b8 cis1 + d2 e8 d8 e8 f8 g4 g4 f4 gis4 a1 + r1 d,2 f2 e2 d8 c8 b8 a8 b1 + c4 c4 b4 d4 a4 d4 e2 + a8 gis8 a8 fis8 gis4 fis8 gis8 a2 e4 f4 e2 f4 g4 a2 d,2 g8 f8 e8 d8 cis1 + d2 a2 d8 cis8 d8 b8 cis4 cis4 d1 + g4 a4 g4 d4 e1 a,2 d8 cis8 d8 b8 cis1 + r1 a'2 b8 a8 g8 f8 e4 g4 a4 g4 a4 d,4 e4 d4 cis1 + cis4 d8 e8 f2 e2 d2 g4 a4 e4 f4 gis1 + fis8 gis8 a8 gis8 a2 g4 g4 a4 f4 g4 f8 e8 d4 c4 b8 c8 d8 e8 c2 e4 a,4 c8 b8 c8 a8 cis1 + gis'1 a2 d,8 cis8 b8 cis8 d1 g4 f8 e8 f2 gis1 a1 + % + g1 f2 a8 gis8 fis8 gis8 a4 g8 a8 b4 a8 b8 c2 a2 + f8 e8 d8 c8 b4 c4 d4 d4 e8 d4 cis8 d1 + b'1 a4 a4 a8 g8 a8 f8 gis1 + a8 g4 f8 g4 g4 f4 gis4 a4 a4 e4 d4 c8 b8 c8 a8 cis1 d1 + % + e\breve f\breve c\breve b\breve d\breve cis\breve + d2 d2 c4 d8 e8 f4 gis4 a1 + r1 gis1 a2 c8 b8 a8 g8 a2 a4 c4 g4 a4 gis4 fis8 gis8 a1 + g8 f8 e8 f8 d4 f4 e4 d4 cis1 + d4 e8 d8 c8 b8 a8 b8 cis4 cis4 d1 + g4 a4 d,2 f4 e8 d8 cis1. + d4 f4 e2 f8 g8 a8 f8 g1. + a4 b4 a4 g4 a8 g4 f8 gis1. + a2 c8 b8 a8 g8 a4 d,4 e4 d4 cis1 + a'8 g8 a8 f8 g4 f8 g8 a4 d,4 c4 f8 e8 d8 c8 d8 b8 cis2 d1 + r1 f2 a8 a8 a8 a8 d,4 f8 e8 d4 d4 a'4 a4 b1 + a4 g8 f8 g8 f8 e8 d8 a'4 g4 f4 e4 f4 g4 a4 g4 a2 c4 b8 a8 g4 f4 e4 d4 c4 b8 c8 d4 c4 c4 d8 e8 f2 gis1 a1 + % + d,2 f8 g8 a8 f8 g4 d4 d4 cis4 d4 d4 b4 b4 d4 d4 cis1 + a'4 a4 g4 f4 a8 gis4 fis8 a1 + c8 b8 a8 g8 f2 gis2 a2 d,4 e4 d4 c4 a'4 d,4 cis1 + e4 c4 g'4 g4 e4 e4 a4 fis8 gis8 a1 + g8 a8 g8 a8 d,4 f4 d8 d8 d8 d8 b4 d4 cis1 + d8 e8 d8 cis8 f2 f2 e4 f8 g8 a4 gis4 a1 + r1 d,1 c2 d4 e4 f4 g4 a4 gis4 a1 + c4 b8 a8 g2 a4 d,8 e8 f4 a4 d,4 d4 c'4 b8 a8 b1 + a2 e4 e4 a2 g2 f4 d4 e4 d4 cis2 d1 + g4 d4 e4 a,4 a2 a'4 a4 g8 f8 g8 e8 gis1 + r1 e1 d2 e8 d4 c8 g'4 g4 a4 g8 f8 e4 gis4 a1 + f1 d2 e2 d2 a2 e'2 d4 a'4 d,4 f4 e1. f2 e2 a4 g8 f8 gis1. + % + d1. e2 d1 f2 r2 d2 e1. + d4 a2 c2 a4 b2 c2 e2 d2 f1 + e2 c1 f8 c4 d8 f4 r8 f8 a8 d,4 c8 e1. + d4 e2 c2 d4 c2 b2 d2 c2 e1 + d2 cis1 d2 r2 c2 e1. + f4 d2 e2 d4 c2 d2 e2 f2 a1 + e2 cis1 d8 e4 a8 g4 r8 g8 e8 d4 cis8 d1. + g4 e2 c2 d4 e2 d2 f2 e2 cis1 + f2 d1 e2 r2 g2 e1. + f4 a2 g2 d4 c2 d2 cis2 d2 e1 d2 a1 + c8 e4 c8 e4 r8 e8 e8 d4 cis8 d1. b4 c2 e2 d4 e2 cis1 d1. + } + >> + } + + tenorCredo = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 r1 d2 d2 b4 a4 gis2 a1 + a4 g8 f8 e4 f4 gis1 + a4 a4 e'4 cis4 d1 d4 f4 e4 d8 c8 b4 a4 b4 a4 gis1 + b2 c2 b4 a4 a4 gis4 a1 + d4 c8 b8 a4 cis4 d2 c2 b2 a2 g1 + c4 d4 e4 a,4 e'4 d8 c8 b2 + e1 f2 e4 d4 e2 a,8 b8 c8 b8 a2 g4 f4 e4 f4 gis1 + d'2 c2 a2 a4 gis4 a1 + e'4 a,4 d4 a4 cis1 d2 a2 gis1 + b4 a8 b8 cis4 d4 e2 f2 e4 e4 d4 cis4 d4 a4 g4 f4 gis1 + gis2 a4 b4 cis2 d2 b4 b4 c4 d4 e1 + c8 b8 a8 gis8 a2 e'4 d4 c2 e4 c4 f4 e4 d8 c8 b8 a8 c2 b4 d4 c4 b8 a8 gis1 + e'1 a,2 gis4 gis4 a1 e2 a2 gis1 a1 + % + g1 d2 gis2 a2 b4 d4 c1 + c4 f4 e4 e4 d4 a4 gis4 fis8 gis8 a1 + b1 d4 a4 b4 a4 gis1 + a2 c4 c4 a4 cis4 d4 d4 c4 b4 a4 g8 f8 gis1 a1 + % + b\breve c\breve f,1 d1 e\breve f1 a1 gis\breve + a2 f4 e8 d8 e4 e4 a4 gis4 a1 + d,4 f4 e4 f4 gis2 a2 b2 c2 a2 d,4 c4 e4 f4 gis2 a1 + c4 c4 b4 a4 g4 f4 gis1 + f4 gis4 a4 d,4 f4 gis4 a1 + c4 c4 d4 b4 d8 c8 b8 a8 gis1. + d'4 d4 a4 g4 f4 e8 f8 g1. + c4 c4 d4 d4 c4 d4 e1. + a,8 g8 a8 b8 c2 c4 c4 a4 a4 gis1 + a2 c2 a4 a4 c4 d4 c4 b8 a8 gis2 a1 + f4 g4 a4 b4 c2 a8 g8 a8 f8 g4 d4 a'4 a4 f4 f4 e1 + a2 c2 a2 f4 a4 c4 g4 a4 g4 c2 a2 + g4 a4 g2 f2 a2 e2 f2 gis1 a1 + % + a1 b2 c2 a4 a4 g4 g4 d4 d4 e1 + a4 d,4 e4 f4 gis4 fis8 gis8 a1 + c2 a2 gis2 a2 a4 gis4 a4 a4 c4 b8 a8 gis1 + c2 b4 b4 a4 g4 f4 gis4 a1 + c8 c8 a8 a8 d4 c4 a8 a8 a8 a8 g4 f4 e1 + d'8 cis8 b8 cis8 d2 c2 b2 a4 gis4 a1 + a4 f8 g8 a4 gis4 a1 a2 b4 b4 a4 c4 a4 gis4 a1 + c2 b2 c2 d4 d4 b4 b4 a4 a4 b1 + a4 g8 f8 e4 gis4 a2 b2 d4 d4 a2 gis2 a1 + e'4 f4 d4 c4 d2 c4 d4 e4 d4 cis1 + d4 a8 b8 c4 b4 c1 b2 c8 b4 a8 b4 c4 d4 d4 a4 gis4 a1 + d1 b2 cis2 d1 + c2 e8 f8 e8 d8 c8 b8 c8 a8 cis1. + d4 c4 b2 a2 gis1. + a1. r2 b1 r2 c2 a2 g1. f2 g1 f2 e1 a1. + g1. f1. g2 c,1 b'2 c2 a2 g2 fis1 g1. + r2 fis1 r2 g2 c,2 g'1. + a2 g1 a2 b1 c1. a1. + g1. a2 f1 c'2 b2 a2 g2 d1 e1. + d1. c1. g'2 c,1 f2 g2 d2 e2 fis1 g1. + r2 fis1 r2 g2 e2 d1. + g2 a2 b2 c2 gis1 a1. + } + >> + } + + bassCredo = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef "treble_8" + { + r1 r1 d2 f2 g4 f4 e2 d1 + d4 e8 f8 g4 f4 e1 d4 d4 e4 e4 d1 + d4 d4 e4 f4 g4 a4 g4 f4 e1 + d2 c2 g'4 e4 f4 e4 d1 + a'4 d,8 e8 f4 e4 d1 e2 f2 g1 + f4 a4 e4 d4 c4 d4 e2 + g4 f4 e2 a2 g4 f4 e2 d4 c4 \time 3/2 d2 d4 e8 f8 g4 f4 \time 2/2 e1 + d2 f2 a4 d,4 f4 e4 d1 + c4 f4 g4 f4 e1 d2 f2 e1 + g8 f8 e8 f8 e4 d4 a'2 d,2 + a'4 g4 f4 g4 d4 d4 c4 d4 e1 + e2 d2 a'2 d,2 g4 d4 g4 f4 e1 + a4 a4 d,2 g4 g4 f2 + c4 f4 g4 a4 d,4 e4 f2 e4 d4 f8 a8 g8 f8 e1 + e1 d2 f4 e4 d2 f2 g2 d2 e1 d1 \bar "||" + c1 f2 e2 d2 e4 e4 f1 f4 f4 g4 a4 g4 a4 e2 d1 + g1 d4 f4 g4 d4 e1 + d2 c4 c4 f4 e4 d4 d4 e4 d4 f2 e1 d1 \bar "||" + \time 4/2 + g\breve f\breve f\breve g\breve d\breve e\breve + \time 2/2 + d2 d2 g4 g4 f4 e4 d1 + a'4 g8 a8 g4 f4 e1 d2 c2 d2 a'4 a4 g4 f4 e2 d1 + \time 3/2 + c4 c4 d4 d4 e4 f4 \time 2/2 e1 + \time 3/2 + f4 e4 d4 a'8 g8 f4 e4 \time 2/2 d1 + \time 3/2 + c4 f4 g2 d2 e1. d4 d4 e2 f4 e8 d8 c1. + f4 e4 d4 g4 f2 e1. + \time 2/2 + d2 c2 f4 g4 a4 g8 f8 e1 + d2 c2 d4 d4 e4 d4 f2 e2 d1 + d'8 c8 b8 c8 a4 g4 f2 f8 f8 g8 a8 \time 3/2 bes4 a4 d,4 d4 f4 a4 \time 2/2 g1 + d2 c2 d2 a'4 a4 f4 e4 d4 e4 f1 + c4 d4 e2 f2 d2 g2 d2 e1 d1 \bar "||" + \time 3/2 + d1 g2 \time 2/2 f4 e4 d4 d4 e4 g4 f4 a4 gis1 + \time 3/2 + f4 a4 g4 f4 e2 \time 2/2 d1 + c2 f2 e2 d2 \time 3/2 f4 e4 d4 a'4 f4 g4 \time 2/2 e1 + c2 e4 g4 a4 e4 f4 e4 d1 + c8 c8 d8 d8 e4 f4 d8 d8 e8 f8 g4 a4 gis1 + a8 g8 f8 e8 d2 \time 3/2 f2 g2 f4 e4 \time 2/2 d1 + d4 a'8 g8 f4 e4 d1 f2 g4 e4 d4 c4 f4 e4 d1 + c2 g'2 f2 d4 d4 e4 e4 f4 a4 g1 + d2 e4 e4 d2 g2 \time 3/2 a4 b4 a4 g8 f8 e2 \time 2/2 d1 + c4 d4 e4 f4 \time 3/2 d2 a'4 d,4 c4 d4 \time 2/2 e1 + g8 f8 e8 f8 e4 d4 c1 d2 e2 \time 3/2 g4 g4 d4 g8 f8 e4 e4 \time 2/2 d1 + d1 f2 e2 d1 + \time 3/2 + c2 g'4 f4 g4 d4 e1. d2 e2 f2 e1. \bar "||" + d1. g1. f1. g2 e1 d2 c2 e2 d2 c1 d1. + r2 e1 r2 c'2 a2 g1. g2 f1 e2 d1 c1. + a'1. g1. e2 c1 d2 e2 c2 e2 g1 f1. + r2 fis1 r2 g2 e2 d1. c2 e1 g2 a1 gis1. + r2 b1 r2 c2 a2 g1. c2 b1 a2 a1 g1. + d1. c1. d2 a'1 f2 e2 d2 c2 e1 d1. \bar "|." + } + >> + } + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \globalCredo \sopranCredo } + %\addlyrics { \sopranText } + >> + alt = \new Staff = alt << + \new Voice = "alti" { \globalCredo \altCredo } + %\addlyrics { \altText } + >> + ten = \new Staff = tenor << + \new Voice = "tenoere" { \globalCredo \tenorCredo } + %\addlyrics { \tenorText } + >> + bas = \new Staff = bass << + \new Voice = "baesse" { \globalCredo \bassCredo } + %\addlyrics { \bassText } + >> + + credo = \new ChoirStaff \with {} << + \sop + \alt + \ten + \bas % + >> diff --git a/hr/quartett/machaut/parts/gloria.ly b/hr/quartett/machaut/parts/gloria.ly new file mode 100644 index 0000000..c149a5a --- /dev/null +++ b/hr/quartett/machaut/parts/gloria.ly @@ -0,0 +1,229 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.14" + \include "dynArt.ly" + + globalGloria = { + \key c \major + \override Staff.TimeSignature #'style = #'() + \time 4/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranGloria = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + a\breve a\breve g1. e2 f2 gis2 a\breve + a1 f2 f8 gis8 a8 gis8 a2 b8 a8 g8 f8 e1 + a2 b8 a8 g8 f8 e4 d4 e4 f4 e2 d8 cis8 d8 b8 cis1. + d2 e4 d4 c4 d4 e1. f4 gis4 a2 b8 a4 gis8 a1. + b8 a8 g8 f8 e4 d8 e8 d4 cis4 d1 + r1 e1 cis2 d2 c4 d4 e2 g8 f8 e8 f8 e4 d4 cis1 + e2 d2 f4 gis4 a2 b8 a8 g8 f8 e4 d8 e8 d8 cis8 d8 b8 cis2 d1 + % + a'1 a2 g2 f2 e4 d4 e2 g8 f8 e8 d8 cis1 + d2 e2 f8 e4 d8 f4 gis4 a2 a8 g4 f8 gis1. + a4 a4 g4 f4 e4 d4 c2 c8 d8 c8 d8 e2 b'8 a8 g8 f8 e4 d4 + cis\breve d\breve e\breve d\breve + r1 e1 f2 e4 d4 c4 d4 e4 f4 e1 + a2 b8 a8 g8 f8 e4 d4 c4 d4 e1 d2 cis2 d1 + % + a'1 b2 a4 g8 f8 e4 d4 c2 e1 d1 + f4 gis4 a2 g2 f8 e4 d8 e1 + r1 e1 f2 e2 d4 f4 e4 d4 cis1 + d8 cis8 d8 b8 cis4 b8 cis8 d1 + d4 e4 f4 gis4 a2 f2 gis1 a1 + b8 a8 g8 f8 e4 d4 e1 + f2 g4 d4 e8 f8 g8 f8 e4 d4 c1 + c4 d4 e2 d2 cis2 d1 + % + g2 g2 f2 a4 g8 f8 e4 d4 e2 f1. + a2 g4 f4 e4 d4 e1. g2 f2 a4 g8 f8 e4 d4 cis1. + e\breve d\breve e\breve cis\breve d\breve + r1 e2 f2 e2 d2 f4 g4 a4 a4 a8 g8 a8 f8 gis1. + a4 g8 f8 e2 d2 cis2 d1 + % + a'1. f1. e2 d1 e2 gis1 a1. d,2 r2 e2 r2 a,2 b2 c2 r2 g'2 + r2 d2 f2 e2 r2 c2 d2 cis1 d1. d2 g2 b8 a8 g8 f8 e1. + a2 r4 g4 f2 r4 e4 g2 r4 e4 d2 a2 r2 d2 a2 r2 e'4 d4 r2 c4 d4 e1. + r4 g4 r4 d4 r4 e4 f8 e4 d4 f4 a4 g4 f8 gis1. + a8 d,4 f4 g4 f4 e4 d8 cis1. d1. + } + >> + } + + altGloria = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + d\breve f\breve e\breve a,2 cis2 d\breve + d1 a4 b4 cis2 d1 + cis1 d2 a2 b4 a4 b4 c4 b2 a2 gis1. + a2 c4 b4 a4 g8 a8 b1. + a4 b8 cis8 d2 cis2 d1. + d2 c4 b4 a4 gis4 a1 + r1 c1 e2 a,2 a4 g8 a8 b2 c2 a2 gis1 + c2 a2 cis2 d2 c2 c4 b4 a2 gis2 a1 + % + d1 c2 e2 d2 b4 a4 b2 d4 c8 d8 e1 + a,2 b2 b2 d4 cis4 d2 c8 b8 c8 a8 cis1. + e4 f4 e4 d4 c4 d4 e2 e8 f8 e8 d8 c2 d2 cis4 d4 + e\breve a,\breve gis\breve a\breve + r1 + b1 a2 c4 a4 a4 b4 c4 b4 c1 + d2 d4 c4 b2 a2 b1 a2 gis2 a1 + % + f'1 e2 d2 e4 f4 e4 d8 c8 b1 a1 + cis4 cis4 d2 d2 c8 b8 c8 a8 b1 + r1 c1 a2 g2 g4 a8 b8 c4 d4 e1 + a,2 gis2 a1 b4 b4 cis4 cis4 d2 a2 cis1 d1 + d2 c2 b1 c8 b8 c8 a8 b4 b4 a4 b4 c4 d4 e1 + e4 a,4 b2 a2 gis2 a1 + % + c2 c4 b8 a8 c2 d2 e4 d8 c8 b2 c1. + d2 b4 a4 b4 c4 b1. + e2 c2 d4 d4 c4 d4 e1. + c\breve a\breve b\breve gis\breve a\breve + r1 + c2 a2 g2 g'8 f8 e8 f8 d4 c4 d4 d4 d4 cis8 b8 cis1. + d4 c4 b2 a2 gis2 a1 + % + d1. d2 a1 b2 a1 cis1. d2 a1 + r2 d2 b2 c2 d1 r2 e2 c2 b2 a1 r2 g2 a2 f2 gis1 a1. + d4 c4 b2 a2 b1. + r4 d4 a2 r4 b4 c2 r4 e4 c2 r2 d2 a2 r2 d2 a2 r2 e'4 d4 r2 cis1. + e4 r4 d4 r4 b4 r4 c4 a2 d2 a4 cis1. + d4 a2 b2 a4 gis1. a1. + } + >> + } + + tenorGloria = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + d\breve \bar "||" d\breve \time 6/2 e\breve d2 cis2 \time 4/2 d\breve + \bar "||" + \time 2/2 + a'1 d,2 a'8 g4 f8 a1 e1 f2 d2 c4 d4 c4 d4 e2 f4 e8 d8 \time 3/2 cis1. + f2 g4 g4 d4 d4 e2 g1 + f4 g4 a4 g8 f8 e2 a1. + g4 e4 c4 e4 d4 c4 \time 2/2 d1 + d4 e8 f8 g4 a4 g1 g2 a2 f4 a4 g2 e2 d2 cis1 + g'2 f2 g2 a2 f2 e2 f4 e8 d8 cis2 d1 \bar "||" + a'1 a2 g2 a4 g8 a8 g4 f4 e2 d2 cis1 + f2 e2 d2 f4 g4 a2 f4 e8 d8 \time 3/2 cis1. + \time 2/2 + a'4 f4 g4 d4 c4 d4 cis2 cis8 cis8 f8 f8 g2 d2 cis4 d4 + \time 4/2 + e\breve d\breve c\breve d\breve + \time 2/2 + a'4 g8 f8 e4 d4 e1 g2 g4 f8 e8 d4 d4 c4 d4 e1 + a1 g2 f4 e8 d8 c1 d2 c2 d1 \bar "||" + d1 e2 f2 c4 d4 cis4 d4 e1 a2 f2 + a4 g4 a2 g4 f8 e8 d4 f4 e2 g2 + d4 e8 f8 g4 a4 g1 f2 e2 c4 d4 c4 d4 cis1 + d2 cis2 d2 f2 e4 e4 a4 g4 a2 d,2 cis1 d1 + a'2 g4 f4 e1 d2 c4 d4 f4 e4 c4 d4 cis1 + f4 f4 c2 f2 c2 d1 \bar "||" + g2 g2 a2 a2 c,4 d4 e2 \time 3/2 f1. + a2 e4 d4 c4 d4 e1. + \time 2/2 + g2 f2 a4 d,4 e4 d4 \time 3/2 cis1. + \time 4/2 + g'\breve d\breve g\breve cis,\breve d\breve + \time 2/2 + d4 e8 f8 g4 a4 g2 f2 e2 c2 \time 3/2 d4 g4 d4 d4 f4 d4 cis1. + \time 4/2 + a'2 e2 d2 cis2 \time 2/2 d1 \bar "||" + \time 3/2 + a'1. r2 f2 d2 e2 d1 cis1. + a'1. e4 c2 d2 e4 g2 fis1 + g4 a2 g2 f4 e2 f1 + e4 c2 c2 e4 d2 cis1 + d2 f1 g1 f2 e1. + a8 a8 r8 f8 a4 r8 d,8 a'8 g8 r8 f8 g4 r8 g8 c8 b8 r8 a8 g4 r8 g8 + a4 f2 a2 d2 a2 d2 c4 r8 b4 d4 b4 c4 a4 a8 gis1. + a8 e4 g4 c,4 d4 e4 f8 g2 a1 gis1. + a2 e2 d2 cis1. d1. \bar "|." + } + >> + } + + bassGloria = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef "treble_8" + { + a\breve f\breve g\breve f2 e2 d\breve + d1 f2 e2 d1 a'1 d,2 f2 g4 a4 g4 f4 g2 d2 e1. + d2 c4 g'4 f4 f4 e1. f4 e4 d2 a'2 d,1. + d4 g4 a4 e4 f4 e4 d1 + a'4 g8 f8 e4 d4 c1 e2 d2 f4 f4 e2 c2 g'4 f4 e1 + c2 f2 e2 d2 f4 g4 a2 d,2 e2 d1 + % + d1 f2 e2 f2 g4 a4 g2 f2 e1 + d2 g2 f2 f4 e4 d2 f2 e1. + d4 d4 e4 f4 g4 f4 e2 a8 g8 a8 f8 e2 f2 g4 d4 + cis\breve f\breve e\breve d\breve + d4 e8 f8 g4 a4 g1 d2 c4 d4 a'4 g8 f8 e4 d4 c1 + d2 d4 f4 e4 g4 a4 g8 f8 g1 f2 e2 d1 + % + f1 g2 d2 g4 f4 a2 g1 d1 + f4 e4 d2 g2 a4 g8 f8 e1 + a4 g8 f8 e4 d4 c1 d2 e2 g4 f4 a4 g8 f8 e1 + f2 e2 d1 g4 g4 f4 e4 d2 f2 e1 d1 + d4 e8 f8 g4 a4 g1 f2 e4 g4 a4 g4 g4 f4 e1 + a4 a4 g2 d2 e2 d1 + % + c2 e2 f2 d2 g4 a4 g2 f1. + d2 g4 a4 g4 f4 e1. + e2 f2 d4 f4 g4 f4 e1. + c\breve f\breve e\breve e\breve d\breve + a'4 g8 f8 e4 d4 c2 d2 e2 g2 f4 e4 d4 g4 d4 f4 e1. + d2 g2 f2 e2 d1 + % + d1. ~ d1. g2 f1 e1. d2 f1 + g1. e2 d1 c1. g'2 d1 e1. f2 e1 d1. + r1. g1. d1. c1. d1. ~ d1. g1 f2 e1. + c2 g'1 c,2 d2 f2 e1. d2 g2 f2 e1. d1. + } + >> + } + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \globalGloria \sopranGloria } + %\addlyrics { \sopranText } + >> + alt = \new Staff = alt << + \new Voice = "alti" { \globalGloria \altGloria } + %\addlyrics { \altText } + >> + ten = \new Staff = tenor << + \new Voice = "tenoere" { \globalGloria \tenorGloria } + %\addlyrics { \tenorText } + >> + bas = \new Staff = bass << + \new Voice = "baesse" { \globalGloria \bassGloria } + %\addlyrics { \bassText } + >> + + gloria = \new ChoirStaff \with {} << + \sop + \alt + \ten % + \bas + >> diff --git a/hr/quartett/machaut/parts/kyrie.ly b/hr/quartett/machaut/parts/kyrie.ly new file mode 100644 index 0000000..a5b8188 --- /dev/null +++ b/hr/quartett/machaut/parts/kyrie.ly @@ -0,0 +1,180 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.14" + \include "dynArt.ly" + + globalKyrie = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 3/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranKyrie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + a1. a2 b2 gis2 a1 f4 e4 d2 e2 fis2 + g1 f2 e2 a1 g1. e4 d2 f2 gis4 + a1 d,2 r4 a'4 r4 b4 r4 b4 c4 a2 g2 f4 g2 a1 + d,1. r1. g1. a4 b4 a2 gis2 + a1. f2 e1 g4 a4 b1 a4 d,2 e2 f4 e1 g2 + r4 c,4 r4 e4 r4 gis4 a4 f2 a2 d,4 e2 f1 + g4 f4 e4 d4 e2 f4 g4 a2 gis2 a1. + % + a1. b8 a8 g8 f8 e2 g2 r8 e4 c8 e4. g8 d8 f8 e8 d8 + r8 cis4 d8 e4. d8 e8 fis8 g8 fis8 g1. + g4 f8 g8 a2 b8 a8 g8 f8 e4 r4 g8 d4 e4 d8 e8 f8 g1. + a2 a4 g8 a8 f2 r8 g4 a8 g4. g8 d8 e8 f8 g8 + r8 a4 g8 a4. d,8 d8 e8 f8 g8 a1. + e2 a2 b8 a8 g8 f8 e4 r4 g8 d4 e4 d8 e8 d8 c1. + g'2 a2 d,4 c8 d8 r8 e4 c8 g'4. a8 d,8 f8 e8 g8 + r8 a4 d,8 a'4. e8 d8 e8 f8 g8 a1. + e4 d8 e8 f2 c'8 b8 c8 a8 b4 r4 g8 d4 e4 gis8 fis8 gis8 a1. + % + a1. d,4 e4 f2 a8 gis4 fis8 a1. b1. + a2 d,2 e8 d8 c8 d8 e4 r4 r8 d4 f8 e4 r4 + r8 d4 g8 d4 r4 r8 g4 f8 a2 r2 r2 g1. + f8 e4 d8 e2 a8 g4 fis8 g2 a2 f2 f8 e8 d8 e8 c2 a'8 g4 f8 g1. + a4 r4 r8 e4 g8 c,4 r4 r8 d4 c8 e4 r4 r8 d8 e8 fis8 gis1. a1. + % + a1. d,4 e4 f2 a8 gis4 fis8 a1. b1. + a4 r4 r8 e4 g8 e4 r4 r8 g4 a8 d,4 r4 r8 g4 f8 a2 r2 r2 g1. + f8 e4 d8 e2 a8 g4 fis8 g4 f8 g8 a1 a4 g4 f4 e4 d4 e4 + fis4 r4 r8 g4 e8 d2 c4 r4 e8 g4 a4 d,4 fis8 g4 a4 b1 + a2 a4 g8 f8 f8 e8 d8 e8 f4 a4 gis2 a4 d,4 g2 a8 g8 f8 e8 d4 f4 e1. + a4 r4 r8 f4 c8 f4 r4 r8 d4 g8 a4 r4 r8 e4 g8 a2 r2 r2 b1. + g4 f8 e8 f4 a4 gis8 a8 b8 gis8 a2 b1 c2 c8 b8 c8 a8 a8 g8 a8 f8 + e4 r4 r8 g4 b8 a2 d,4 r4 e8 d4 e4 gis4 a8 e2 gis1 a1. + } + >> + } + + altKyrie = \relative c'' { + << + { \meta } + %\altArt + %the actual tune + { + d1. e2 b2 cis2 d1. c2 b1 c2 g2 a2 e'4 d4 cis1 d2 e1 + a,2 cis1 d2 f1 e2 r2 e2 f2 r2 a2 d,4 e4 f2 e2 d2 f1 + e1. d2 e1 d2 a2 cis2 d2 f2 e2 d2 cis1 d2 e1 a,2 b2 c2 b1. + a2 r2 e'2 d2 r2 d2 b2 d4 c4 b4 a4 e'2 cis1 d2 cis1 d1. + % + d1. c2 b1 a4 e'2 d4 b'8 a8 g8 f8 e4 b2 d4 c8 b4 a8 e'1. + d2 f2 e2 r4 d2 b2 a4 c2 e1 + d2 c1 d4 e2 d4 b'8 a8 g8 f8 e4 d2 a'4 b8 a8 g8 f8 e1. + g2 f2 a4 d,4 r4 e2 d2 b4 c2 e1 + d2 f2 g8 f8 e8 d8 c4 e2 d4 e8 d8 c8 b8 a4 d2 e4 d4 c8 b8 a1. + e'2 a,2 c4 d4 r4 e2 d2 cis4 d1. + % + d1. b2 c8 b4 a8 cis2 d2 e2 fis2 g1. a2 fis1 + r4 g4 f4 d4 r4 e4 d4 c4 r4 b4 d4 e4 d2 e2 f8 e4 d8 e1. + a,4 d4 cis2 d2 e2 d1 c2 f8 g8 a8 g8 f4 e4 d1. + r4 a'4 g4 e4 r4 g4 d4 f4 r4 e4 d4 b4 cis1. d1. + % + d1. b2 c8 b4 a8 cis2 d2 e2 fis2 g1. + r4 fis4 g4 e4 r4 e4 d4 c4 r4 b4 d4 e4 d2 e2 f8 e4 d8 e1. + a,4 d4 cis2 d4 c8 d8 e1. d2 a'2 f4 e4 r4 d2 e4 f4 e8 d8 r4 e2 d2 cis4 d1 b8 cis8 d8 cis8 d1. + d2 e2 f4 e8 d8 e2 d2 g8 f8 e8 d8 cis1. + r4 d4 c4 f4 r4 c4 a'4 g4 r4 e4 d4 c4 d2 e2 f8 e4 d8 e1. + d4 e4 d8 cis8 d8 b8 cis4 b8 cis8 d1. + f2 a4 g4 f4 e4 r4 d2 e4 f8 e8 d8 c8 r4 d2 b2 a4 cis1. d1. + } + >> + } + + tenorKyrie = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + d1. r2 e1 d2 f1 g4 f4 e2 d2 c1 f2 e2 fis1 g1. + a4 g4 f2 e2 d1. r2 b'1 r2 c2 a2 g2 f1 a1. + r2 b1 g2 c,1 a'4 g4 f2 e2 d1 cis'2 d4 c4 b2 a2 g1. + a2 g2 f2 e1. r2 cis'1 r2 d2 a2 g2 d1 cis1 r2 r2 gis'1 a1. + % + d,1. f2 g2 e2 r2 d1 r2 e1 c1. b'2 c2 a2 r2 g1 c,1. + d2 f2 a2 r2 g1 r2 d1 cis'1. + cis2 d2 a2 r2 g1 c,1. + b'2 c2 a2 r2 g1 r2 a1 f1. g2 c2 a2 r2 gis1 a1. + % + a1. g2 f2 e2 d2 cis'1 d1. + d,1. c2 d2 e2 r2 g1 d1. c1. + f2 e2 d2 c2 d1 f1. g1. + d2 e2 c2 r2 g'1 e1. d1. + % + a'1. g2 f2 e2 d2 cis'1 d1. + d,2 c2 e2 r2 g1 d1. c1. + f2 e2 d2 c2 cis'1 + d1. d,2 c2 d2 e2 fis1 g1. d1. + f2 e2 d2 c2 d1 e1. + d2 f2 f2 g2 a1 d,1. g1. + g2 f2 e2 d2 b'1 c1. a2 g2 f2 g2 e1 ~ e1. d1. + } + >> + } + + bassKyrie = \relative c' { + << + { \meta } + %\bassArt + %the actual tune + \clef "treble_8" + { + a1. a2 gis1 a1. r1. + c1. b2 a1 g1. r1. + a1. a2 g1 f1. r1. + d1. e2 e1 g1. r1. + a1. d,2 e1 g1. r1. + g1. f2 e1 d1. r1. + e1. f2 e1 d1. \bar "||" + a'1. a2 g1 a2 r2 r2 g1. ~ g1. + g2 f1 g2 r2 r2 g1. + a2 f1 g2 r2 r2 a1. ~ a1. + e2 d1 e2 r2 r2 g1. + g2 f1 e2 r2 r2 d1. ~ d1. + e2 f1 e2 r2 r2 d1. \bar "||" + d1. r1. a'2 a1 g1. + a1. c2 b1 g2 b1 a1. c1. + r1. c2 a1 a1. b1. + a2 g1 f2 e1 gis1. a1. \bar "||" + d,1. r1. a'2 a1 g1. + a2 c2 b2 g2 b1 a1. c1. + r1. c2 a1 d,1. r1. a'2 a1 g1. a1. r1. c2 b1 gis1. + b2 a2 c2 c2 a1 a1. b1. + r1. a2 g1 f1. r1. e2 gis1 ~ gis1. a1. \bar "|." + } + >> + } + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \globalKyrie \sopranKyrie } + %\addlyrics { \sopranText } + >> + alt = \new Staff = alt << + \new Voice = "alti" { \globalKyrie \altKyrie } + %\addlyrics { \altText } + >> + ten = \new Staff = tenor << + \new Voice = "tenoere" { \globalKyrie \tenorKyrie } + %\addlyrics { \tenorText } + >> + bas = \new Staff = bass << + \new Voice = "baesse" { \globalKyrie \bassKyrie } + %\addlyrics { \bassText } + >> + + kyrie = \new ChoirStaff \with {} << + \sop + \alt + \ten + \bas % + >> diff --git a/hr/quartett/machaut/parts/sanctus.ly b/hr/quartett/machaut/parts/sanctus.ly new file mode 100644 index 0000000..54f3396 --- /dev/null +++ b/hr/quartett/machaut/parts/sanctus.ly @@ -0,0 +1,128 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.14" + \include "dynArt.ly" + + globalSanctus = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 3/2 + %\autoBeamOff + } + +% Die Stimmen + + sopranSanctus = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + c1. f,1 e4 d4 a'2 b2 c8 b4 a8 g2 a2 b2 c1. + % + c1. c4 a2 f4 r8 e4 d8 a'2 d,4 r4 a'8 b8 c8 b8 c1. b1. + c1. f,1 e4 d4 a'2 b2 c8 b4 a8 g2 a2 b2 c1. + % + a1 f4 g4 a2 bes1 a1 c8 b4 a8 + c1. r8 a8 r8 a8 fis4 r8 g8 c4 a4 + r8 g8 r8 f8 a4 r8 e8 a4 c4 b1. + a2 b1 c2 r2 r2 a4 g4 fis1 g2 c2 a4 g8 a8 b1. + r8 a8 r8 b8 c4 r8 g8 a4 e4 r8 f8 r8 f8 d4 r8 e8 f4 g4 a1. + g2 fis1 g2 r2 r2 b8 a8 g8 f8 e1 d4 e4 g2 g4 f8 g8 a1. + r8 g8 r8 b8 a4 r8 a8 e4 cis4 r8 d8 r8 d8 a'4 r8 a8 d,4 c4 e1. + c'4 b4 a1 f2 r2 r2 + a1. b8 a4 g8 a1 e1. + r8 e8 r8 g8 a4 r8 f8 e4 c4 r8 d8 r8 a'8 f4 r8 f8 c'4 a4 b1. + a2 b1 c1. c8 bes8 a8 g8 fis2 a2 g8 f8 g8 a8 b1 c1. + r8 a8 r8 a8 fis4 r8 g8 a4 b4 r8 c8 r8 c8 f,4 r8 f8 g4 a4 b1. + gis2 a1 c2 r2 r2 a4 fis8 g8 a2 a8 g4 fis8 g1 e8 d4 c8 d1. + r8 d8 r8 g8 a4 r8 a8 c4 a4 r8 g8 r8 g8 a4 r8 a8 f4 d4 e1. f1. + % + c'1. c8 b8 c8 a8 b2 g4 a4 b1. c1. + r8 a8 r8 a8 e4 r8 e8 a4 e4 r8 a8 r8 a8 d,4 r8 a'8 b4 a4 c1. + a4 c4 b4 a4 g8 a8 g8 a8 f2 r2 r2 + e2 g4 a4 b2 g2 g8 f8 e8 f8 e4 d4 a'1. + r8 c8 r8 c8 a4 r8 e8 d4 f4 r8 e8 r8 c8 d4 r8 d8 a'4 b4 c1. + b4 a4 g2 a8 b8 c8 b8 c2 r2 r2 fis,4 g8 a8 g1 c1 c8 b8 c8 a8 b1. + r8 a8 r8 a8 f4 r8 a8 e4 d4 r8 a'8 r8 a8 g4 r8 g8 a4 b4 c1. + f,8 e8 f8 d8 fis2 fis4 e8 fis8 g2 r2 r2 + e1. a4 fis8 g8 a4 fis4 g4 a4 b1. + r8 c8 r8 a8 g4 r8 f8 bes4 g4 r8 a8 r8 f8 g4 r8 g8 f4 e4 f1. + } + >> + } + + altSanctus = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorSanctus = \relative c { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + f1. f1 g2 a2 e2 f2 g2 d2 b'2 c1. \bar "||" + c1. a2 f2 g2 a2 g2 b2 c1. g1. + f1. f1 g2 a2 e2 f2 g2 d2 b'2 c1. \bar "||" + a1. c2 bes1 r2 a1 f1. a2 b2 c2 bes2 a1 g1. + a2 g1 f1. a2 b1 r2 c1 d1. b2 c2 a2 f2 g1 d1. + bes'2 a1 g1. f2 a1 r2 g1 d1. g2 f2 e2 d2 f1 e1. f2 a1 c1. + a2 f1 r2 d1 e1. g2 f2 e2 d2 f1 g1. a2 g1 f1. + bes2 a1 r2 g1 f1. a2 b2 c2 f,2 f1 e1. e2 d1 c1. + fis2 fis1 r2 g1 d1. bes'2 a2 c2 bes2 a1 g1. f1. \bar "||" + c'1. a2 b1 r2 g1 c,1. f2 a2 d,2 a'2 g1 f1. a2 b1 c1. + c2 d1 r2 bes1 a1. f2 e2 d2 e2 d1 c1. e2 g1 f1. + a2 g1 r2 f1 g1. d2 f2 g2 a2 g1 f1. bes2 a1 g1. + d2 e1 r2 d1 g1. c2 c2 bes2 a2 g1 f1. \bar "|." + } + >> + } + + bassSanctus = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + c1. c1. a1. bes2 a2 g2 f1. \bar "||" + f,1. a2 c1 c2 d1 c1. r1. + c1. c1. a1. bes2 a2 g2 f1. \bar "||" + r1 + } + >> + } + + sop = \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \globalSanctus \sopranSanctus } + %\addlyrics { \sopranText } + >> + alt = \new Staff = alt << + \new Voice = "alti" { \globalSanctus \altSanctus } + %\addlyrics { \altText } + >> + ten = \new Staff = tenor << + \new Voice = "tenoere" { \globalSanctus \tenorSanctus } + %\addlyrics { \tenorText } + >> + bas = \new Staff = bass << + \new Voice = "baesse" { \globalSanctus \bassSanctus } + %\addlyrics { \bassText } + >> + + sanctus = \new ChoirStaff \with {} << + \sop + + \ten + %\bas + >> diff --git a/hr/quartett/machaut/stimmen.ly b/hr/quartett/machaut/stimmen.ly new file mode 100644 index 0000000..ae98bc7 --- /dev/null +++ b/hr/quartett/machaut/stimmen.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu et + + \version "2.14" + \include "dynArt.ly" + + global = { + \key c \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + } + >> + } + diff --git a/hr/quartett/machaut/texte.ly b/hr/quartett/machaut/texte.ly new file mode 100644 index 0000000..3653454 --- /dev/null +++ b/hr/quartett/machaut/texte.ly @@ -0,0 +1,22 @@ +%some settings% vim: ai sw=2 lbr nu et + +% Abkürzungen + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + } + diff --git a/hr/quartett/magnum/dynArt.ly b/hr/quartett/magnum/dynArt.ly new file mode 100644 index 0000000..d1a6c13 --- /dev/null +++ b/hr/quartett/magnum/dynArt.ly @@ -0,0 +1,53 @@ +%some settings% vim: ai sw=2 lbr nu + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*5 + s1*4 %\break + s1*7 %\break + s1*4 %\break + s1*2 + %s1*6 %\break + % + s1*8 %\break + s1*9 %\break + % 40 % + \pageBreak + s1*9 %\break + %\pageBreak + s1*4 + s2.*5 %\break + s2.*8 %\break + s1*8 + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + diff --git a/hr/quartett/magnum/mysterium.ly b/hr/quartett/magnum/mysterium.ly new file mode 100644 index 0000000..54f7418 --- /dev/null +++ b/hr/quartett/magnum/mysterium.ly @@ -0,0 +1,63 @@ +%some settings% vim: ai sw=2 lbr nu + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O magnum mysterium" + composer = "Tomás Luis da Victoria (1548-1611)" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 20 + bottom-margin = 30 + after-title-space = 20 + page-count = 2 + system-count = 9 + ragged-last-bottom = #f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + #(set-global-staff-size 13) + + \score { + \new ChoirStaff << + \new Lyrics = "sop" {s4} + \new Staff = "frauen" << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "fPausen" { \frauenPausen \bar "||" } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "alt" + \new Lyrics = "ten" {s4} + \new Staff = "maenner" << + \new Voice = "mPausen" { \maennerPausen } + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "bass" + \context Lyrics = "sop" \lyricsto soprane \sopranText + \context Lyrics = "alt" \lyricsto alti \altText + \context Lyrics = "ten" \lyricsto tenoere \tenorText + \context Lyrics = "bass" \lyricsto baesse \bassText + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + } + diff --git a/hr/quartett/magnum/stimmen.ly b/hr/quartett/magnum/stimmen.ly new file mode 100644 index 0000000..fa6b440 --- /dev/null +++ b/hr/quartett/magnum/stimmen.ly @@ -0,0 +1,385 @@ +%some settings% vim: ai sw=2 lbr nu + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + frauenPausen = { + s1*20 + r4 s2. + s1*17 + s2 r2 + s1*13 + s2.*14 + s1*8 + } + + maennerPausen = { + \repeat unfold 7 { + r1 + } + s1*31 + s2 r2 + } + + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + b'1 + e,2 b'2 ~ + b4 b4 c4 c4 + b2 r4 e4 + c4 d4 e4. e8 + e4 b4 c4 b4( ~ + b8 a8 g8 fis8 g8 a8 b8 g8 + a8 g8 g8 fis16 e16 fis2 ~ + fis2) e2 + gis1 + a2 gis4.( a8 + b4) c4.( b8 a4 ~ + a4 gis4) a4( g8 fis8 + e4) fis4 g2 + r4 e'4 c4 d4 + e4. e8 e4 c4 + a4 b4 c4. c8 + c4 b4. a8 a4( ~ + a4 gis4) a2 + %ut + r1 + s4 c4 b4. gis8 + a4 b4 c4 a4 + c4. c8 c4 c4 + b2 b2 + gis4 b4 b4. b8 + b4 cis4 d2 + c4.( b16 a16 b2 + c2) b2 + r1 + r4 e,4 a2 + g4 e4 fis4( gis4) + a4.( b8 c4) c4 + b2 r2 + r1 + r4 a4 d2 + c4 a4 b4( cis4) + d4.( c8 b8 a8 a4 ~ + a4 gis8 fis8 gis4) gis4 + a2 s2 + %O beata + gis2. gis4 + gis2 a2 + gis4.( a8 b4 c4 ~ + c8 b8 b4. a8 a4) + b4 gis2 gis4 + a4. a8 a2 + r4 a4.( b8 c8 a8 + b4) e4 d2 + c4 e4 d4 b4 + c4.( b8 a8 g8 g8 fis16 e16 + fis4) fis4 e4 b'4 ~ + b4 g2 c4( ~ + c8 b8 a2 gis4) + %Alleluja + \time 3/4 + a2 c4 + b2 gis4 + a4. g8( a8 b8) + c4 b2 + a2 a4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + a2. + r2 d4 + c4.( b8 c8 a8 + b4) g8( a8 b8 c8 + d4) d4 d4 + c4 e2 + %ja + \time 4/4 + e1 + r4 e4 e8( d8 c8 b8 + a4) d4.( c8 b8 a8 + gis4 a2 gis4) + a1 ~ + a1 ~ + a1 ~ + a1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + r2 e2 ~ + e2 a,2 + e'2. e4 + f4 f4 e2 + r4 e4 c4 d4 + e4. e8 e4 b4 + c4 e2( dis8 cis8 + dis2) e2 + e1 + e2 e4.( fis8 + g4) g,4 a4.( b8 + c4) b4 a4 e'4 + e4 d4 b4. b8 + b4 c4. b8 a4( ~ + a4 gis4) a4 a'4 + e4 g4 g4. g8 + g2 e4 f4 + e2 e2 ~ + %ut + e2 r2 + s4 a4 g4. e8 + fis4 gis4 a4 e4 + e4. e8 e4 fis4 + g2 fis2 + e4 g4 g4. g8 + g4 g4 a4 b4( ~ + b8 a8 ~ a2 gis4) + a4 e4 g4.( fis16 g16 + a4 g8 fis8 e4) b4 + r2 r4 a4 + e'2 d4 b4 + c4( d4) e8( d8 e8 fis8 + g4. fis16 g16 a4) g8( fis8) + e2 r4 b4 + e2 d4 b4 + c8( d8 e8 fis8 g2) + a4.( g8 f8 e8 f4 + e2.) e4 + cis2 s2 + %O beata + e2. e4 + e2 e2 + e1 ~ + e1 + e2 r4 e4 ~ + e4 e4 f4. f8 + e4 a,8( b8 c8 d8 e8 fis8 + g4) g4 g2 + e4 e4 fis4 gis4 + a4.( g8 fis8 e8 e4 ~ + e4) dis4 e4 g4( ~ + g8 fis8 e8 d8 e2 + c4) d4 e2 + %Alleluja + \time 3/4 + e2 a4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + a2 e4 + e2 b4 + d2 d4 + e4 e2 + e2 c4 + a2 gis4 + a2 a'4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + %ja + \time 3/4 + a2 r4 e4 + e8( d8 c8 b8 a4) a'4( ~ + a8 g8 f8 e8 d4) f4 + e2 r4 b4 + c4.( d8 e4) f4( ~ + f4 e4 d4. e8 + f2) e2 ~ + e1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \repeat unfold 7 { + s1 + } + r2 b2 ~ + b2 e,2 + b'2. b4 + c4 c4 b2 + r4 e4 c4 d4 + e4. e8 e4 b4 + c4 b4.( a8 g8 fis8 + g2 a2 + b2) c4 e4 + c4 d4 e4. e8 + e4 d4 c4( d4) + b2 a4 c4 + %ut + b4. gis8 a4 b4 + c4 a4 e'4. e8 + d4 b4 a4 c4 + c4. c8 c4 c4 + d4 e2( dis4) + e4 e,4 e'4. e8 + e4 e4 d2 + f2 e2 + r4 a,4 e'2 + d4 b4 cis4( d4) + e8( d8 c8 b8 a8 b8 c8 a8 + b2.) b4 + a2 r4 a4 + e'2 d4 b4 + c4 b4.( a8 g8 fis8 + g4 a2) gis4 + a4 c4 d4( e4) + f4.( e8 d8 c8 d4 + c4 b8 a8 b4) b4 + a2 s2 + %O beata + b2. b4 + b2 c2 + b2.( a4 + b2 c2) + b4 b2 b4 + cis4. cis8 d4 a8( b8 + c8 d8 e2) c4 + d4( c2 b4) + c4 c4 d4 e4 + a,2. c4 + b1 + g1 + a2 b2 + %Alleluja + \time 3/4 + a2 a4 + e'2 e4 + d2 d4 + a4 e'2 + a,2 c4 + b2 g4 + a4. g8( a8 b8) + c4 b2 + a2 e4 + fis4 d2 + e2 c'4 + b2 g4 + a2 a4 + a4 b2 + %ja + \time 4/4 + a4 c4 b8( a8 g8 fis8 + e4) a8( b8 c8 d8 e8 c8 + d4. e8 f8 e8 d8 c8 + b4 a4) b4 e4 + e8( d8 c8 b8 a4) c4( + d4 e4 f4. e8 + d2. cis8 b8) + cis1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + s1*7 + \repeat unfold 2 { + r1 + } + e1 + a,2 e'2 ~ + e4 e4 f4 f4 + e2 r4 e4 + c4 d4 e4. e8 + e4 c4 f2 + e2 a,4 a4 + a'4 g4 c,4. c8 + c4 g'4 a4( d,4) + e2 a,4 a'4 + %ut + g4. e8 fis4 gis4 + a2 r2 + r2 r4 a,4 + a'4. a8 a4 a4 + g4.( a8) b2 + e,2 r2 + r1 + r2 r4 e4 + a2 g4 e4 + fis4( g4) a4( g8 fis8 + e4. g8 f4) f4 + e2 r2 + r4 d4 a'2 + g4 e4 fis4( g4) + a4( g8 fis8 e4. d8 + c4 b8 a8 b4) b4 + a4 a'4 g4( e4) + d1( + e2.) e4 + a,2 s2 + %O beata + e'2. e4 + e2 a,2 + e'4.( fis8 gis4 a4 ~ + a8 gis8 gis4 a2) + e4 e2 e4 + a4. a8 d,2 + a'2. a4 + g4( c,4 g'2) + c,2 r2 + r1 + r2 e2 ~ + e2 c2 + f2( e2) + %Alleluja + \time 3/4 + a,2 r4 + r2. + r2. + r2. + r2 a4 + e'2 e4 + d2 d4 + a4 e'2 + a,2 a4 + d4 b2 + a2 a4 + e'2 e4 + d2 d4 + f4 e2 + %ja + \time 4/4 + a,4 a'4 g8( fis8 e8 d8 + c8 b8 a8 g8 a2) + d1( + e1) + a,4 a'4 a8( g8 f8 e8 + d4 cis4) d2 ~ + d2 a2 ~ + a1 + } + >> + } + diff --git a/hr/quartett/magnum/texte.ly b/hr/quartett/magnum/texte.ly new file mode 100644 index 0000000..34da82c --- /dev/null +++ b/hr/quartett/magnum/texte.ly @@ -0,0 +1,123 @@ +%some settings% vim: ai sw=2 lbr nu + +% Abkürzungen + + myst = \lyricmode { + O mag -- num my -- ste -- ri -- um + } + magnum = \lyricmode { + o mag -- num my -- ste -- ri -- um + } + + sacra = \lyricmode { + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + } + + admirabile = \lyricmode { + et ad -- mi -- ra -- bi -- le, + } + + Animalia = \lyricmode { + ut a -- ni -- ma -- li -- a + } + + viderent = \lyricmode { + vi -- de -- rent Do -- mi -- num na -- tum, + } + + jacentem = \lyricmode { + ja -- cen -- tem in prae -- se -- pi -- o. + } + Jacentem = \lyricmode { + ja -- cen -- tem in prae -- se -- pi -- o, + } + + prae = \lyricmode { + in prae -- se -- pi -- o. + } + + sopA = \lyricmode { + \myst \sacra \magnum \admirabile \sacra + \Animalia \viderent \viderent + \Jacentem \jacentem + } + + altA = \lyricmode { + \myst \sacra \magnum \sacra \sacra + \Animalia \viderent \viderent + ja -- cen -- tem, + \Jacentem \jacentem + } + + tenA = \lyricmode { + \myst \sacra \sacra + ut a -- ni -- ma -- li -- a, + \Animalia \viderent \viderent + \Jacentem \Jacentem \prae + } + + bassA = \lyricmode { + \myst \sacra \sacra + \Animalia \viderent + \Jacentem \Jacentem \prae + } + + virgo = \lyricmode { + O be -- a -- ta vir -- go, + cu -- jus vis -- ce -- ra me -- ru -- e -- runt + } + + portare = \lyricmode { + por -- ta -- re Do -- mi -- num + } + + chr = \lyricmode { + Je -- sum Chri -- stum. + } + + alle = \lyricmode { + Al -- le -- lu -- ja, + Al -- le -- lu -- ja, + } + alleluja = \lyricmode { + Al -- le -- lu -- ja. + } + + sopB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alleluja + } + + altB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alle \alleluja + } + + tenB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alle \alleluja + } + + bassB = \lyricmode { + \virgo \chr + \alle \alle \alle \alleluja + } + +% Die Textaufteilungen + + sopranText = \lyricmode { + \sopA \sopB + } + + altText = \lyricmode { + \altA \altB + } + + tenorText = \lyricmode { + \tenA \tenB + } + + bassText = \lyricmode { + \bassA \bassB + } + diff --git a/hr/quartett/mysterium/Mysterium_.ly b/hr/quartett/mysterium/Mysterium_.ly new file mode 100644 index 0000000..3146513 --- /dev/null +++ b/hr/quartett/mysterium/Mysterium_.ly @@ -0,0 +1,64 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O magnum mysterium" + composer = "Tomás Luis da Victoria (1548-1611)" + %opus = "<+Werk+>" + tagline = "" + } + + #(set-global-staff-size 15) + #(set-default-paper-size "a4" 'landscape) + %#(ly:set-option 'point-and-click #f) + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 20 + %after-title-space = 20 + %page-count = 4 + ragged-last-bottom = #f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5) + } + } + + %#(set-global-staff-size 15) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \bar "||" } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + } + diff --git a/hr/quartett/mysterium/Mysterium_.ps b/hr/quartett/mysterium/Mysterium_.ps Binary files differnew file mode 100644 index 0000000..6c62061 --- /dev/null +++ b/hr/quartett/mysterium/Mysterium_.ps diff --git a/hr/quartett/mysterium/dynArt.ly b/hr/quartett/mysterium/dynArt.ly new file mode 100644 index 0000000..b03db14 --- /dev/null +++ b/hr/quartett/mysterium/dynArt.ly @@ -0,0 +1,51 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + s1*5 + s1*4 \break + s1*7 %\break + s1*4 \break + s1*2 + %s1*6 %\break + % + s1*8 \break + s1*9 \break + s1*9 \break + %\pageBreak + s1*4 + s2.*5 \break + s2.*8 \break + s1*8 + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + +% articulation + + sopranArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + altArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + tenorArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + + bassArt = { + %\repeat unfold <+number of parts+> { + %s4*<+number of measures within a part+> + %} + } + diff --git a/hr/quartett/mysterium/midis/alt.midi b/hr/quartett/mysterium/midis/alt.midi Binary files differnew file mode 100644 index 0000000..724f3c3 --- /dev/null +++ b/hr/quartett/mysterium/midis/alt.midi diff --git a/hr/quartett/mysterium/midis/bass.midi b/hr/quartett/mysterium/midis/bass.midi Binary files differnew file mode 100644 index 0000000..fdb0894 --- /dev/null +++ b/hr/quartett/mysterium/midis/bass.midi diff --git a/hr/quartett/mysterium/midis/gesamt.midi b/hr/quartett/mysterium/midis/gesamt.midi Binary files differnew file mode 100644 index 0000000..1d5c8d5 --- /dev/null +++ b/hr/quartett/mysterium/midis/gesamt.midi diff --git a/hr/quartett/mysterium/midis/sopran.midi b/hr/quartett/mysterium/midis/sopran.midi Binary files differnew file mode 100644 index 0000000..ace70c8 --- /dev/null +++ b/hr/quartett/mysterium/midis/sopran.midi diff --git a/hr/quartett/mysterium/midis/tenor.midi b/hr/quartett/mysterium/midis/tenor.midi Binary files differnew file mode 100644 index 0000000..2629774 --- /dev/null +++ b/hr/quartett/mysterium/midis/tenor.midi diff --git a/hr/quartett/mysterium/mysterium.ly b/hr/quartett/mysterium/mysterium.ly new file mode 100644 index 0000000..bad4e61 --- /dev/null +++ b/hr/quartett/mysterium/mysterium.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "O magnum mysterium" + composer = "Tomás Luis da Victoria (1548-1611)" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 20 + bottom-margin = 30 + after-title-space = 20 + %page-count = 4 + ragged-last-bottom = #f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4.5) + } + } + + #(set-global-staff-size 15) + + \score { + \new ChoirStaff << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie \bar "||" } + \lyricsto soprane \sopranText + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \lyricsto alti \altText + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \lyricsto tenoere \tenorText + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \lyricsto baesse \bassText + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + } + diff --git a/hr/quartett/mysterium/mysterium.ps b/hr/quartett/mysterium/mysterium.ps Binary files differnew file mode 100644 index 0000000..4a8dcc5 --- /dev/null +++ b/hr/quartett/mysterium/mysterium.ps diff --git a/hr/quartett/mysterium/stimmen.ly b/hr/quartett/mysterium/stimmen.ly new file mode 100644 index 0000000..535a632 --- /dev/null +++ b/hr/quartett/mysterium/stimmen.ly @@ -0,0 +1,365 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + + \version "2.12" + \include "dynArt.ly" + + global = { + \key g \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + b'1 + e,2 b'2 ~ + b4 b4 c4 c4 + b2 r4 e4 + c4 d4 e4. e8 + e4 b4 c4 b4( ~ + b8 a8 g8 fis8 g8 a8 b8 g8 + a8 g8 g8 fis16 e16 fis2 ~ + fis2) e2 + gis1 + a2 gis4.( a8 + b4) c4.( b8 a4 ~ + a4 gis4) a4( g8 fis8 + e4) fis4 g2 + r4 e'4 c4 d4 + e4. e8 e4 c4 + a4 b4 c4. c8 + c4 b4. a8 a4( ~ + a4 gis4) a2 + %ut + r1 + r4 c4 b4. gis8 + a4 b4 c4 a4 + c4. c8 c4 c4 + b2 b2 + gis4 b4 b4. b8 + b4 cis4 d2 + c4.( b16 a16 b2 + c2) b2 + r1 + r4 e,4 a2 + g4 e4 fis4( gis4) + a4.( b8 c4) c4 + b2 r2 + r1 + r4 a4 d2 + c4 a4 b4( cis4) + d4.( c8 b8 a8 a4 ~ + a4 gis8 fis8 gis4) gis4 + a2 r2 + %O beata + gis2. gis4 + gis2 a2 + gis4.( a8 b4 c4 ~ + c8 b8 b4. a8 a4) + b4 gis2 gis4 + a4. a8 a2 + r4 a4.( b8 c8 a8 + b4) e4 d2 + c4 e4 d4 b4 + c4.( b8 a8 g8 g8 fis16 e16 + fis4) fis4 e4 b'4 ~ + b4 g2 c4( ~ + c8 b8 a2 gis4) + %Alleluja + \time 3/4 + a2 c4 + b2 gis4 + a4. g8( a8 b8) + c4 b2 + a2 a4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + a2. + r2 d4 + c4.( b8 c8 a8 + b4) g8( a8 b8 c8 + d4) d4 d4 + c4 e2 + %ja + \time 4/4 + e1 + r4 e4 e8( d8 c8 b8 + a4) d4.( c8 b8 a8 + gis4 a2 gis4) + a1 ~ + a1 ~ + a1 ~ + a1 + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + r2 e2 ~ + e2 a,2 + e'2. e4 + f4 f4 e2 + r4 e4 c4 d4 + e4. e8 e4 b4 + c4 e2( dis8 cis8 + dis2) e2 + e1 + e2 e4.( fis8 + g4) g,4 a4.( b8 + c4) b4 a4 e'4 + e4 d4 b4. b8 + b4 c4. b8 a4( ~ + a4 gis4) a4 a'4 + e4 g4 g4. g8 + g2 e4 f4 + e2 e2 ~ + %ut + e2 r2 + r4 a4 g4. e8 + fis4 gis4 a4 e4 + e4. e8 e4 fis4 + g2 fis2 + e4 g4 g4. g8 + g4 g4 a4 b4( ~ + b8 a8 ~ a2 gis4) + a4 e4 g4.( fis16 g16 + a4 g8 fis8 e4) b4 + r2 r4 a4 + e'2 d4 b4 + c4( d4) e8( d8 e8 fis8 + g4. fis16 g16 a4) g8( fis8) + e2 r4 b4 + e2 d4 b4 + c8( d8 e8 fis8 g2) + a4.( g8 f8 e8 f4 + e2.) e4 + cis2 r2 + %O beata + e2. e4 + e2 e2 + e1 ~ + e1 + e2 r4 e4 ~ + e4 e4 f4. f8 + e4 a,8( b8 c8 d8 e8 fis8 + g4) g4 g2 + e4 e4 fis4 gis4 + a4.( g8 fis8 e8 e4 ~ + e4) dis4 e4 g4( ~ + g8 fis8 e8 d8 e2 + c4) d4 e2 + %Alleluja + \time 3/4 + e2 a4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + a2 e4 + e2 b4 + d2 d4 + e4 e2 + e2 c4 + a2 gis4 + a2 a'4 + g2 e4 + fis4. e8( fis8 g8) + a2 gis4 + %ja + \time 3/4 + a2 r4 e4 + e8( d8 c8 b8 a4) a'4( ~ + a8 g8 f8 e8 d4) f4 + e2 r4 b4 + c4.( d8 e4) f4( ~ + f4 e4 d4. e8 + f2) e2 ~ + e1 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + \repeat unfold 7 { + r1 + } + r2 b2 ~ + b2 e,2 + b'2. b4 + c4 c4 b2 + r4 e4 c4 d4 + e4. e8 e4 b4 + c4 b4.( a8 g8 fis8 + g2 a2 + b2) c4 e4 + c4 d4 e4. e8 + e4 d4 c4( d4) + b2 a4 c4 + %ut + b4. gis8 a4 b4 + c4 a4 e'4. e8 + d4 b4 a4 c4 + c4. c8 c4 c4 + d4 e2( dis4) + e4 e,4 e'4. e8 + e4 e4 d2 + f2 e2 + r4 a,4 e'2 + d4 b4 cis4( d4) + e8( d8 c8 b8 a8 b8 c8 a8 + b2.) b4 + a2 r4 a4 + e'2 d4 b4 + c4 b4.( a8 g8 fis8 + g4 a2) gis4 + a4 c4 d4( e4) + f4.( e8 d8 c8 d4 + c4 b8 a8 b4) b4 + a2 r2 + %O beata + b2. b4 + b2 c2 + b2.( a4 + b2 c2) + b4 b2 b4 + cis4. cis8 d4 a8( b8 + c8 d8 e2) c4 + d4( c2 b4) + c4 c4 d4 e4 + a,2. c4 + b1 + g1 + a2 b2 + %Alleluja + \time 3/4 + a2 a4 + e'2 e4 + d2 d4 + a4 e'2 + a,2 c4 + b2 g4 + a4. g8( a8 b8) + c4 b2 + a2 e4 + fis4 d2 + e2 c'4 + b2 g4 + a2 a4 + a4 b2 + %ja + \time 4/4 + a4 c4 b8( a8 g8 fis8 + e4) a8( b8 c8 d8 e8 c8 + d4. e8 f8 e8 d8 c8 + b4 a4) b4 e4 + e8( d8 c8 b8 a4) c4( + d4 e4 f4. e8 + d2. cis8 b8) + cis1 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + \repeat unfold 9 { + r1 + } + e1 + a,2 e'2 ~ + e4 e4 f4 f4 + e2 r4 e4 + c4 d4 e4. e8 + e4 c4 f2 + e2 a,4 a4 + a'4 g4 c,4. c8 + c4 g'4 a4( d,4) + e2 a,4 a'4 + %ut + g4. e8 fis4 gis4 + a2 r2 + r2 r4 a,4 + a'4. a8 a4 a4 + g4.( a8) b2 + e,2 r2 + r1 + r2 r4 e4 + a2 g4 e4 + fis4( g4) a4( g8 fis8 + e4. g8 f4) f4 + e2 r2 + r4 d4 a'2 + g4 e4 fis4( g4) + a4( g8 fis8 e4. d8 + c4 b8 a8 b4) b4 + a4 a'4 g4( e4) + d1( + e2.) e4 + a,2 r2 + %O beata + e'2. e4 + e2 a,2 + e'4.( fis8 gis4 a4 ~ + a8 gis8 gis4 a2) + e4 e2 e4 + a4. a8 d,2 + a'2. a4 + g4( c,4 g'2) + c,2 r2 + r1 + r2 e2 ~ + e2 c2 + f2( e2) + %Alleluja + \time 3/4 + a,2 r4 + r2. + r2. + r2. + r2 a4 + e'2 e4 + d2 d4 + a4 e'2 + a,2 a4 + d4 b2 + a2 a4 + e'2 e4 + d2 d4 + f4 e2 + %ja + \time 4/4 + a,4 a'4 g8( fis8 e8 d8 + c8 b8 a8 g8 a2) + d1( + e1) + a,4 a'4 a8( g8 f8 e8 + d4 cis4) d2 ~ + d2 a2 ~ + a1 + } + >> + } + diff --git a/hr/quartett/mysterium/texte.ly b/hr/quartett/mysterium/texte.ly new file mode 100644 index 0000000..482d0d7 --- /dev/null +++ b/hr/quartett/mysterium/texte.ly @@ -0,0 +1,123 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 + +% Abkürzungen + + myst = \lyricmode { + O mag -- num my -- ste -- ri -- um + } + magnum = \lyricmode { + o mag -- num my -- ste -- ri -- um + } + + sacra = \lyricmode { + et ad -- mi -- ra -- bi -- le sa -- cra -- men -- tum, + } + + admirabile = \lyricmode { + et ad -- mi -- ra -- bi -- le, + } + + Animalia = \lyricmode { + ut a -- ni -- ma -- li -- a + } + + viderent = \lyricmode { + vi -- de -- rent Do -- mi -- num na -- tum, + } + + jacentem = \lyricmode { + ja -- cen -- tem in prae -- se -- pi -- o. + } + Jacentem = \lyricmode { + ja -- cen -- tem in prae -- se -- pi -- o, + } + + prae = \lyricmode { + in prae -- se -- pi -- o. + } + + sopA = \lyricmode { + \myst \sacra \magnum \admirabile \sacra + \Animalia \viderent \viderent + \Jacentem \jacentem + } + + altA = \lyricmode { + \myst \sacra \magnum \sacra \sacra + \Animalia \viderent \viderent + ja -- cen -- tem, + \Jacentem \jacentem + } + + tenA = \lyricmode { + \myst \sacra \sacra + ut a -- ni -- ma -- li -- a, + \Animalia \viderent \viderent + \Jacentem \Jacentem \prae + } + + bassA = \lyricmode { + \myst \sacra \sacra + \Animalia \viderent + \Jacentem \Jacentem \prae + } + + virgo = \lyricmode { + O be -- a -- ta vir -- go, + cu -- jus vis -- ce -- ra me -- ru -- e -- runt + } + + portare = \lyricmode { + por -- ta -- re Do -- mi -- num + } + + chr = \lyricmode { + Je -- sum Chri -- stum. + } + + alle = \lyricmode { + Al -- le -- lu -- ja, + Al -- le -- lu -- ja, + } + alleluja = \lyricmode { + Al -- le -- lu -- ja. + } + + sopB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alleluja + } + + altB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alle \alleluja + } + + tenB = \lyricmode { + \virgo \portare \chr + \alle \alle \alle \alle \alleluja + } + + bassB = \lyricmode { + \virgo \chr + \alle \alle \alle \alleluja + } + +% Die Textaufteilungen + + sopranText = \lyrics { + \sopA \sopB + } + + altText = \lyrics { + \altA \altB + } + + tenorText = \lyrics { + \tenA \tenB + } + + bassText = \lyrics { + \bassA \bassB + } + diff --git a/hr/quartett/sanctificatus/dynArt.ly b/hr/quartett/sanctificatus/dynArt.ly new file mode 100644 index 0000000..7e8cabb --- /dev/null +++ b/hr/quartett/sanctificatus/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/sanctificatus/sanctificatus.ly b/hr/quartett/sanctificatus/sanctificatus.ly new file mode 100644 index 0000000..2c75e9c --- /dev/null +++ b/hr/quartett/sanctificatus/sanctificatus.ly @@ -0,0 +1,67 @@ +%some settings% vim: ai et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Dies sanctificatus" + composer = "Giovanni Pierluigi da Palestrina" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'false + %system-count = 6 + page-count = 2 + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4) + } + } + + #(set-global-staff-size 16) + + \score { + \new StaffGroup << + \new Lyrics = "s" + \new Staff = frauen << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" \with { \remove Forbid_line_break_engraver } + { \global \voiceOne \sopranMelodie } + \new Voice = "alti" \with { \remove Forbid_line_break_engraver } + { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "a" + \new Lyrics = "t" + \new Staff = maenner << + \new Voice = "mPausen" { \maennerPausen } + \new Voice = "tenoere" \with { \remove Forbid_line_break_engraver } + { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" \with { \remove Forbid_line_break_engraver } + { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "b" + \context Lyrics = "s" \lyricsto soprane \sopranText + \context Lyrics = "a" \lyricsto alti \altText + \context Lyrics = "t" \lyricsto tenoere \tenorText + \context Lyrics = "b" \lyricsto baesse \bassText + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 96 4) + } + } + \layout { + } + } + diff --git a/hr/quartett/sanctificatus/sanctificatus.midi b/hr/quartett/sanctificatus/sanctificatus.midi Binary files differnew file mode 100644 index 0000000..c55d4a6 --- /dev/null +++ b/hr/quartett/sanctificatus/sanctificatus.midi diff --git a/hr/quartett/sanctificatus/sanctificatus.ps b/hr/quartett/sanctificatus/sanctificatus.ps Binary files differnew file mode 100644 index 0000000..78e90ff --- /dev/null +++ b/hr/quartett/sanctificatus/sanctificatus.ps diff --git a/hr/quartett/sanctificatus/sanctificatus_1.midi b/hr/quartett/sanctificatus/sanctificatus_1.midi Binary files differnew file mode 100644 index 0000000..90a9934 --- /dev/null +++ b/hr/quartett/sanctificatus/sanctificatus_1.midi diff --git a/hr/quartett/sanctificatus/sanctificatus_2.midi b/hr/quartett/sanctificatus/sanctificatus_2.midi Binary files differnew file mode 100644 index 0000000..5378200 --- /dev/null +++ b/hr/quartett/sanctificatus/sanctificatus_2.midi diff --git a/hr/quartett/sanctificatus/sanctificatus_3.midi b/hr/quartett/sanctificatus/sanctificatus_3.midi Binary files differnew file mode 100644 index 0000000..acf6125 --- /dev/null +++ b/hr/quartett/sanctificatus/sanctificatus_3.midi diff --git a/hr/quartett/sanctificatus/stimmen.ly b/hr/quartett/sanctificatus/stimmen.ly new file mode 100644 index 0000000..725e5d0 --- /dev/null +++ b/hr/quartett/sanctificatus/stimmen.ly @@ -0,0 +1,340 @@ +%some settings% vim: ai et + + \version "2.12" + \include "dynArt.ly" + + global = { + \override Staff.BarLine #'transparent = ##t + \key bes \major + %\override Staff.TimeSignature #'style = #'() + \time 2/2 + } + +% Die Stimmen + + maennerPausen = { + r1 + r1 + r1 + r1 + r1 + r1 + s1*36 + r1 + r1 + r1 + } + + sopranMelodie = \relative c'' { + << + { \meta } + %\sopranArt + %the actual tune + { + c1 + c2 d2 + c4( a4 bes2) + a2 r4 g4 + a4 bes4 c4.( bes8 + a4 g4 a4. bes8 + g4 a4 g2) + a1 + r4 f4 d4 ees4 + % -- 10 -- % + f4( f4) g8( a8 bes8 c8 + d2 g,2) + r1 + r2 r4 g4 + a4 bes4 c2.( + bes8 a8 g4. a8 + bes2 a4) f4 + r4 g4 a4 bes4 + c4.( bes16 a16 g2) + a\breve + % -- 21 -- % + r1 r1 r1 + f2( bes2.) + a4 d4.( c8 + bes4 a4) g1 + f4 bes2( + g4 aes4) g4.( + f8 f2 e4) + f2 r2 + % -- 31 -- % + bes2( ees2.) + d4 c2 + d8( c8 bes8 a8 g4 a4 + bes4 ees,8 f8 g8 a8 bes2 + a4) g4.( a8 + bes1.) r2 + f2( bes2.) + a4 d4.( c8 + bes4 a4) g2 + f\breve + % -- 43 -- % + r2 d'2 + f2 ees4 d4.( + c8 ees4. d8 d2 + c4) d1 + r4 a4 + bes2 a4 g2( + f4 g4. a8 + bes4 a4) c4( bes4. + c8 d8 bes8 c2) + % -- 52 -- % + r2 r4 c4 + ees2. d4 + c2( bes4 c4. + bes8 g4) a2 + r4 g4 bes4 a4.( + g8 g2) f4 + g4 c4 ees2. + d4 c2 + bes2 r4 f4 + g4 a4 bes4( g4 + a4 bes8 c8 d2. + bes4 c2) + a\breve + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r1 + f1 + f2 g2 + f4( d4 ees2) + d2 r4 c4 + d4 ees4 f4( d4 + e4 f2) e4 + r2 r4 f4.( + ees8 d2 c8 bes8 + % -- 10 -- % + c4) d4 g,4 g'2( + f4) ees8( f8 g8 ees8 + f4 ees8 d8 c4 d4) + c4 c4 d4 ees4 + f4.( d8 ees8 f8 g4. + f8 f2 ees4) + f4 g4 c,4( d4 + e4 g4. f8 f2 + e8 d8 e2) + f\breve + % -- 21 -- % + f1 + f1 + f2 f4.( ees8 + d4 c4) bes2( + c2) r2 + r2 bes2( + ees2.) d4 + g4.( f8 ees4) d4 + c2 r4 bes4 + c4.( d8 ees4 d4 + % -- 31 -- % + g4 f4) ees2 + r2 f2( + bes2.) a4 + g4.( f8 ees4) d4 + c4 f4( ees4 d4) + g2( f2 + ees4. d16 c16 bes2) + f4 f'2( ees4 + d4 c4) bes8( c8 d8 ees8 + f2 ees2) + d\breve + % -- 43 -- % + g2 bes2. + a4 g2( + f4 g4. f8 d4 + ees2 d4 g4 + f4. ees8 d4 c4) + bes2 r4 g'4 + bes4 a2 g2( + f4 ees2) + d2 r4 c4 + % -- 52 -- % + ees4( d4) c2 + r4 g'4 bes2. + a4 g4 a4.( + g8 g2 f4 + ees2 d4 ees2 + c4) d2 + r2 g2 + bes2. a4 + g2 f2 + r4 c4 d4 ees4 + f4( g4 f4 g4. + f8 f2 e4) + f\breve + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + s1 + s1 + s1 + s1 + s1 + s1 + c1 + c2 d2 + c4( a4 bes2 + % -- 10 -- % + c2) r4 g4 + a4 bes4 c4.( bes8 + a4 g4 a4 bes2 + a4 g2) + f2 r4 g4 + a4( bes4) c2 + r4 g4 a4 bes4 + c4( bes4. a8 g8 f8 + g2 c2) + c\breve + % -- 21 -- % + f,2( bes2.) + a4 d4.( c8 + d8 bes8 c4) bes8( a8 bes8 c8 + d8 ees8 f2 e4) + f2. d4 + ees4 f4 d2 + r2 bes2( + ees4. d8 c4 bes4 + aes4. g16 f16 g2) + f2 bes4.( a8 + % -- 31 -- % + g4) bes2( a4) + bes2( f2) + r1 + r1 + r2 bes2( + ees2.) d4 + g4.( f8 ees4 d4) + c2 bes2 + f'2 f4.( ees8 + d4. c8 bes2) + bes\breve + % -- 43 -- % + s1 + s1 + s1 + r1 + d2 f2 + ees4 d4.( c8 ees4. + d8 d4. c16 bes16 c4) + d2 r4 g,4 + bes2 f4 a4( + % -- 52 -- % + g4) g'4.( f8 ees8 d8 + c2) r2 + r2 r4 c4 + ees2 d2 + c2( bes4 c4. + bes8 g4 a2) + g1. + r4 c4 + ees2. d4 + c2( bes4 c4. + bes8 g4 a4 bes4. + a8 f4 g2) + f\breve + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + s1 + s1 + s1 + s1 + s1 + s1 + r1 + f1 + f2 g2 + % -- 10 -- % + f4( d4 ees2) + d2 r4 c4 + d4 ees4 f4( d4 + ees4 f2 ees4 + d2) c2 + r2 r4 c4 + d4 ees4 f4( d4 + c4 ees4 d2 + c1) + f\breve + \bar "||" + \break + % -- 21 -- % + r1 + f2( bes2.) + a4 d4.( c8 + bes4 a4) g2 + f2 bes4.( a8 + g4 f4) g4.( f8 + ees8 d8 ees4) bes2 + \pageBreak + r1 + f'2( bes2.) + a4 g4.( f8 + % -- 31 -- % + ees4 d4) c2 + bes4 bes'2( a4) + g2.( f4 + ees4. d8 c4 bes4 + f'2 g2 + ees2) bes2 + ees4.( f8 g8 a8 bes2 + a4 g2 + f2) bes,4.( c8 + d2 e2) + bes\breve + \bar "||" + \break + % -- 43 -- % + s1 + s1 + s1 + r2 g'2 + bes2. a4 + g2( f4 g4. + f8 d4 ees2) + d2 c8( d8 ees8 f8 + g8 a8 bes8 g8 a8 bes8 c2 + % -- 52 -- % + bes4 c4) c,4.( + d8 ees8 f8 g8 a8 bes4) + f2 r2 + r1 + r2 r4 c4 + ees2 d2 + ees4( c4. d8 ees8 f8 + g8 a8 bes4) f2 + r4 g4 bes2. + a4 g4( c,4 + f4 ees4 d4 bes4 + d2 c2) + f\breve + \bar "||" + } + >> + } + diff --git a/hr/quartett/sanctificatus/texte.ly b/hr/quartett/sanctificatus/texte.ly new file mode 100644 index 0000000..8eb62b9 --- /dev/null +++ b/hr/quartett/sanctificatus/texte.ly @@ -0,0 +1,66 @@ +%some settings% vim: ai et + +% Abkürzungen + +k = \lyricmode { + Ky -- ri -- e +} + +ke = \lyricmode { + Ky -- ri -- e~e -- lei -- son. +} + +Ke = \lyricmode { + Ky -- ri -- e~e -- lei -- son, +} + +ce = \lyricmode { + Chri -- ste e -- lei -- son. +} + +Ce = \lyricmode { + Chri -- ste e -- lei -- son, +} + +ee = \lyricmode { + e -- lei -- son. +} + +E = \lyricmode { + e -- lei -- son, +} + +% Die Textaufteilungen + + sopranText = \lyricmode { + %%<+hier den Text für den Sopran eintragen+> + \ke \ke \ke \ke \ke + \Ce \ee \ce \ce + \ke \ke \ke \ke \ke \ke + } + + altText = \lyricmode { + %%<+hier den Text für den Alt eintragen+> + \ke \ke \k \ee \Ke \ee + \ce \Ce \ee \Ce \E \ee + \ke \Ke \ee \k \ee \ke \ke + } + + tenorText = \lyricmode { + %%<+hier den Text für den Tenor eintragen+> + Ky -- ri -- e~e -- lei______-______-______son. + %\ke + \Ke \ee \ke + \Ce + e -- lei -- _ -- son. + \ce \Ce \ee + \ke \ke \ke \ke + } + + bassText = \lyricmode { + %%<+hier den Text für den Baß eintragen+> + \ke \ke \ke + \Ce \ee \Ce \E \ee + \Ke \ee \ke \ke + } + diff --git a/hr/quartett/segne/dynArt.ly b/hr/quartett/segne/dynArt.ly new file mode 100644 index 0000000..756726f --- /dev/null +++ b/hr/quartett/segne/dynArt.ly @@ -0,0 +1,21 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + \dynamicUp + } + +% articulation + + sopranArt = { + } + + altArt = { + } + + tenorArt = { + } + + bassArt = { + } + diff --git a/hr/quartett/segne/midi.lua b/hr/quartett/segne/midi.lua new file mode 100644 index 0000000..f8b2520 --- /dev/null +++ b/hr/quartett/segne/midi.lua @@ -0,0 +1,50 @@ + -- some settings -- vim: ai sw=2 lbr nu encoding=utf8 et + +pre=[[ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" + + \score { +]] + +post=[[ + \midi { + \context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + } +]] + +voices={ "s", "a", "t", "b" } +expand = { s="sopran", a="alt", t="tenor", b="bass" } +map = { sopran="soprane", alt="alti", tenor="tenoere", bass="baesse" } + +function text(stimme) + return +[[ + \new Staff = ]]..stimme..[[ << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "]]..map[stimme]..[[" { \global \]]..stimme..[[Melodie } + >> +]] +end + +function err() print("oops") os.exit() end + +which=which or "satb" +if type(which)~="string" then err() end + +for _,v in pairs(voices) do + if string.find(which, v) then pre=pre..text(expand[v]) end +end + +input=pre..post + +--os.execute(lilypond -...) +io.stdout:write(input) +os.exit() + diff --git a/hr/quartett/segne/segne.ly b/hr/quartett/segne/segne.ly new file mode 100644 index 0000000..6a0a830 --- /dev/null +++ b/hr/quartett/segne/segne.ly @@ -0,0 +1,60 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Es segne uns Gott" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3.5) + } + } + + %#(set-global-staff-size 17) + + \score { + \new ChoirStaff \with {} << + \new Staff = sopran << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \sopranMelodie } + \addlyrics { \sopranText } + >> + \new Staff = alt << + \new Voice = "alti" { \global \altMelodie } + \addlyrics { \altText } + >> + \new Staff = tenor << + \new Voice = "tenoere" { \global \tenorMelodie } + \addlyrics { \tenorText } + >> + \new Staff = bass << + \new Voice = "baesse" { \global \bassMelodie } + \addlyrics { \bassText } + >> + >> + %\midi { + %\context{ + %\Score + %tempoWholesPerMinute = #(ly:make-moment 72 4) + %} + %} + \layout { + } + } + diff --git a/hr/quartett/segne/stimmen.ly b/hr/quartett/segne/stimmen.ly new file mode 100644 index 0000000..5d38ae3 --- /dev/null +++ b/hr/quartett/segne/stimmen.ly @@ -0,0 +1,365 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key d \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + %\autoBeamOff + } + +% Die Stimmen + + sopranMelodie = \relative c' { + << + { \meta } + %\sopranArt + %the actual tune + { + r1 + r2 fis2 + cis'1 ~ + cis2 cis4 cis4 + cis2 cis2 ~ + cis4( e4) d4( cis4) + d1 ~ + d2 d2 + cis1( ~ + cis2 d4 cis4 + b1 + b2) cis4 b4 + ais1 ~ + ais2 r2 + % 15 % + r1 + r2 a2 + e'1 ~ + e2 e4 e4 + e2 e2 ~ + e4( g4) fis4( e4) + fis1 ~ + fis2 fis2 + e1( ~ + e2 fis4 e4 + d1 ~ + d2 e4 d4) + cis1 ~ + cis2 d4( cis4) + b1 ~ + b2 cis4 b4 + ais1 ~ + ais2 r2 + % 33 % + r4 fis'4 fis4 fis4 + fis4 d4( e4) fis4 + b,2 d4 cis8( b8) + cis4 fis2 eis4 + fis4 cis2 d4 + cis4 fis4( e8 d8) cis8( dis8) + b4 d4 e4 cis4 + d4 fis2 eis4 + fis4 d4 d4 d4 + d4 cis4( d4) e4 + a,4 e'4 fis4 d4 + e4 a,4( b4) a4 + a4 a4 b4 g4 + a4 e'4( d8 cis8) b8( cis8) + a2 r2 + r4 d2 cis4 + d4 dis4 e4 cis4 + dis4 e2 dis4 + e4 fis4 g4 e4 + fis4 g4 fis2 + e2 r2 + % 54 % + r4 d2 cis4 + d4 e4 fis4 d4 + e4 fis4 e2 + d2 r2 + r4 b4 cis4 dis4 + e4 e2 d4 + cis4 cis4 d4 e4 + fis4 fis2 e4 + d4 fis4 fis4 fis4 + fis4 d4( e4) fis4 + b,4 cis4 d4 b4 + cis4 fis4( e8 d8) cis8( d8) + b4 cis2 d4 + cis4 cis4( d4) b4 + cis2 r2 + d1 + cis1 ~ + cis1 + b1 ~ + b1 ~ + b2 r2 + \bar "|." + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + %\altArt + %the actual tune + { + r2 fis2 + b1 ~ + b2 b4 b4 + b1 ~ + b2 ais2 ~ + ais4( cis4) b4( ais4) + b2 fis2 + g1( ~ + g2 a4 g4 + fis1 + fis2 g4 fis4) + e4( d4) e2 + fis1 ~ + fis2 r2 + % 15 % + r2 a2 + d1 ~ + d2 d4 d4 + d1 ~ + d2 cis2 ~ + cis4( e4) d4( cis4) + d2 a2 + b1( ~ + b2 cis4 b4 + a1 ~ + a2 b4 a4 + fis4 fis4 gis2) + a2 e2 + fis1( ~ + fis2 g4 fis4 + e4) d4 e2 + fis1 ~ + fis2 r2 + % 33 % + r1 + r1 + r4 b4 b4 b4 + b4 a4( b4) cis4 + fis,2 ais4 b4 + ais4 b2 ais4 + b4 fis4 g4 e4 + fis4 a4 gis2 + fis4 a4 b4 g4 + a4 a4( b4) b4 + cis4 a4 a4 a4 + a4 fis4( g4) a4 + d,4 fis4 g4 e4 + fis4 a4( b4) e,4 + e4 e4 fis4 d4 + e4 fis4 e2 + d4 fis4 g4 e4 + fis4 g4 fis2 + e4 b'4 b4 b4 + b4 g4( a4) b4 + e,4 e4 fis4 d4 + % 54 % + e4 fis4 e2 + d4 a'4 a4 a4 + a4 fis4( g4) a4 + d,4 fis4 g4 a4 + b4 cis4 a2 + b4 g4 a4 b4 + a4 a2 b4 + ais4 ais4( b4) cis4 + b4 cis4 d4 b4 + cis4 b4 cis2 + b4 ais4 b4 gis4 + ais4 b4( cis4) fis,4 + fis4 ais2 b4 + ais4 ais4( b4) gis4 + ais2 r2 + b1 ~ + b1 + ais1 + b4 fis4 g4 e4 + fis4 fis4( g4) e4 + fis2 r2 + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + %\tenorArt + %the actual tune + \clef "treble_8" + { + r1 + r2 fis2 + g1 + d2 d2 + fis1 + fis2 fis2 + fis1 + b,1 + cis1( + fis2 fis,2 + b1) + b2 g'2 + cis,1 ~ + cis2 r2 + % 15 % + r1 + r2 d2 + b1 + b2 b2 + a1 + a2 a2 + a1 + d1 + e1( + a,1 + d1 + d2) b2 + e1 + cis2 fis,2 + b1 + b2 g'2 + cis,1 ~ + cis2 r2 + % 33 % + r1 + r1 + r1 + r1 + r4 fis4 fis4 fis4 + fis4 d4( e4) fis4 + b,2 r2 + r4 cis4( d4) cis4 + cis4 fis4 g4 e4 + fis4 e4( fis4) e4 + e4 cis4 d4 b4 + cis4 d4( b4) e4 + fis4 d4 d4 d4 + d4 cis4( d4) e4 + a,4 cis4 d4 b4 + cis4 a4( b4) a4 + a2 r2 + r4 b4( c4) b4 + b4 dis4 e4 cis4 + dis4 e4( c4) b4 + b4 cis4 d4 b4 + % 54 % + cis4 a4( b4) a4 + a4 cis4 d4 b4 + cis4 d4( b4) a4 + a2 r2 + r4 d4 e4 fis4 + g4 g4 fis2 + e4 e4( fis4) gis4 + cis,4 fis2 fis4 + fis4 ais,4 b4 gis4 + ais4 fis'4( g4) fis4 + fis4 fis4 fis4 fis4 + fis4 d4( e4) fis4 + d4 fis2 fis4 + fis4 fis2 fis4 + fis2 r2 + b,1 + fis'1 ~ + fis1 + fis4 dis4 e4 cis4 + dis4 dis4( e4) cis4 + dis2 r2 + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + %\bassArt + %the actual tune + \clef bass + { + r1 + r2 d2 + e1 + g2 g2 + fis1 + fis2 fis2 + b,1 ~ + b2 b'2 + a1( ~ + a2 d,2 + g1) + g2 g2 + fis1 ~ + fis2 r2 + % 15 % + r1 + r2 fis2 + g1 + gis2 gis2 + a1 + a2 a2 + d,1 ~ + d2 d'2 + cis1( ~ + cis2 fis,2 + b1) + b2 b2 + a1 ~ + a2 d,2 + g1 + g2 g2 + fis1 ~ + fis2 r2 + % 33 % + r1 + r1 + r1 + r1 + r1 + r1 + r4 b4 b4 b4 + b4 a4( b4) cis4 + fis,2 r2 + r4 a2 gis4 + a2 r2 + r4 d,2 cis4 + d2 r2 + r4 a2 gis4 + a4 a'4 a4 a4 + a4 fis4( g4) a4 + d,4 b'4 b4 b4 + b4 g4( a4) b4 + e,2 r2 + r4 e2 dis4 + e4 a4 a4 a4 + % 54 % + a4 fis4( g4) a4 + d,2 r2 + r4 d2 cis4 + d4 d4 e4 fis4 + g4 g2 fis4 + e4 e4 fis4 gis4 + a4 a2 gis4 + fis4 fis4( gis4) ais4 + b4 ais4 b4 gis4 + ais4 b2 ais4 + b2 r2 + r4 b,2 ais4 + b4 fis'4 fis4 fis4 + fis4 fis2 fis4 + fis2 r2 + eis1 + fis1 ~ + fis1 + b,1 ~ + b1 ~ + b2 r2 + } + >> + } + diff --git a/hr/quartett/segne/texte.ly b/hr/quartett/segne/texte.ly new file mode 100644 index 0000000..f0246d8 --- /dev/null +++ b/hr/quartett/segne/texte.ly @@ -0,0 +1,111 @@ +%some settings% vim: ai sw=2 lbr nu encoding=utf8 et + +% Abkürzungen + + segne = \lyricmode { + Es seg -- ne uns Gott, + } + + gott = \lyricmode { + un -- ser Gott + } + + fürchte = \lyricmode { + und al -- le Welt fürch -- te ihn + } + + welt = \lyricmode { + al -- le Welt fürch -- te ihn + } + + textA = \lyricmode { + \segne \gott + \segne + \segne \gott + } + + textB = \lyricmode { + \segne + } + +% Die Textaufteilungen + + sopranText = \lyrics { + %<+hier den Text für den Sopran eintragen+> + \textA + es seg -- ne, + \textB + \fürchte + \welt \welt + \fürchte \fürchte + \fürchte \fürchte + fürch -- te ihn + \fürchte \fürchte + fürch -- te ihn + \fürchte \fürchte + \fürchte \fürchte + \fürchte + \welt + fürch -- te ihn + } + + altText = \lyrics { + %<+hier den Text für den Alt eintragen+> + \textA + es seg -- ne, + \textB + \fürchte + \welt + \fürchte \fürchte + \fürchte \fürchte + \fürchte \fürchte + \fürchte \fürchte + \fürchte \fürchte + und al -- le Welt fürch -- te, Welt fürch -- te ihn, + \fürchte \fürchte + \welt + fürch -- te ihn + \fürchte + } + + tenorText = \lyrics { + %<+hier den Text für den Tenor eintragen+> + \textA + \textB + \segne + \fürchte + fürch -- te ihn + \fürchte \fürchte + \fürchte + \fürchte + fürch -- te ihn + \fürchte \fürchte + \fürchte + und al -- le Welt, \welt fürch -- te ihn, + \fürchte \fürchte + \welt + fürch -- te ihn + \fürchte + } + + bassText = \lyrics { + %<+hier den Text für den Baß eintragen+> + \textA + \textB + \segne + \fürchte + fürch -- te ihn + fürch -- te ihn + fürch -- te ihn + \fürchte \fürchte + fürch -- te ihn + \fürchte + fürch -- te ihn + \fürchte \fürchte + al -- le Welt + \fürchte + fürch -- te ihn + \fürchte + fürch -- te ihn + } + diff --git a/hr/quartett/tantum/dynArt.ly b/hr/quartett/tantum/dynArt.ly new file mode 100644 index 0000000..26f6a5f --- /dev/null +++ b/hr/quartett/tantum/dynArt.ly @@ -0,0 +1,128 @@ +%some settings% vim: ai encoding=utf8 et + + meta = { + %(dynamic) marks global to all voices + %\dynamicUp + s4 + s1*2 + \time 2/4 + s2 + \time 3/4 + s2. + \time 4/4 + s1 + \time 2/4 + s2 + \time 4/4 + s1*3 + \time 2/4 + s2 + \time 4/4 + s1*4 + \time 3/4 + s2. + \time 4/4 + s1 + \time 3/4 + s2. + \time 4/4 + s4 s2.\> + s1\p + s1\p + s4 s2.\> + s1\pp + \bar "|." + } + +% abkuerzungen + + pc=^\markup{poco cresc.} +% articulation + + sopranArt = { + \dynamicUp + s4\p + s1*2 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*2 + s4 s2.\pc + s1 + s2. + s1\dim + s2. + s1 + s2. s4\p + s4 s2.\mp + s1^\markup{ \bold{Rall.} } + } + + altArt = { + \dynamicDown + s4 + s4 s2.\p + s1 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*3 + s1\pc + s2. + s1 + s4\dim s2 + s1 + s1 + s4 s2.\mp + s1 + } + + tenorArt = { + \dynamicUp + s4 + s2 s2\mp + s1 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*2 + s2. s4\pc + s1 + s2. + s1 + s2\dim s4 + s1 + s1 + s4 s2.\mp + s1 + } + + bassArt = { + \dynamicDown + s4 + s2. s4\p + s1 + s2 + s2. + s1 + s2 + s1*3 + s2 + s1*2 + s2 s2\pc + s1 + s2. + s1 + s2\dim s4 + s1*4 + } + diff --git a/hr/quartett/tantum/stimmen.ly b/hr/quartett/tantum/stimmen.ly new file mode 100644 index 0000000..b06f46c --- /dev/null +++ b/hr/quartett/tantum/stimmen.ly @@ -0,0 +1,180 @@ +%some settings% vim: ai encoding=utf8 et + + \version "2.12" + \include "dynArt.ly" + + global = { + \key ees \major + %\override Staff.TimeSignature #'style = #'() + \time 4/4 + \partial 4 + } + +% Die Stimmen + + sopranMelodie = \relative c'' { + << + { \meta } + \sopranArt + %the actual tune + { + \repeat volta 2 { + g4 + g4 aes4 g4( f4) + bes4 bes4 c4( ees4) + ees2 + ees4( f4) ees4 + ees4 d4 c4 ees4 + d4( c4 + bes2) r4 bes4 + c4 ees4 d4 c4 + bes4 c4 bes2 + c4 d4 + bes4 bes4 g4 c4 + c2( f,2) + r4 g4 bes4 bes4 + g4 bes4 c4 c4 + bes2 c4 + d4 bes4 c4( bes4) + aes4( g4) f4 + g1 ~ + } + \alternative { + { + g2. g4 + } + { + g4\repeatTie c4( ~ c8 bes8 aes8 g8 + f4. d8) g2 ~ + g1 + } + } + } + >> + } + + altMelodie = \relative c' { + << + { \meta } + \altArt + %the actual tune + { + \repeat volta 2 { + r4 + r4 f4( ~ f8 ees8) d8( c8) + d4 f4 ees4 aes4 + aes4 g4 + g4( c4) bes4 + aes4.( bes8) aes4.( g8) + f8( g8 aes4 + g8 f8) ees4 d2 + g4 g4 f4 aes4 + g8( aes8) g8( f8) f8( ees8 d8 ees8) + c4( f4) + g2 f4 ees4( ~ + ees8 d8) ees4( ~ ees8 f8) d8( c8 + bes8 g8) bes8( c8) d8( bes8 ees4) + ees8( f8) ees8( d8) c4 f4 + g8( aes8) g8( f8) ees8( c8) + g'2 g4 g8( c,8) + f4( ees2) + d4( ees4) d4 c4 + } + \alternative { + { + bes2. r4 + } + { + bes4 ees4( d4 f8 ees8 + d4 c4 bes8 g8 c4) + bes1 + } + } + } + >> + } + + tenorMelodie = \relative c' { + << + { \meta } + \tenorArt + %the actual tune + \clef "treble_8" + { + \repeat volta 2 { + r4 + r2 g4 aes4 + g4 g8( f8) bes4 c8( d8) + ees4 ees4 ~ + ees2 ees4( + f8 g8) f4 ees8( d8) c4 + c4 ees4 + d4.( c8 bes2) ~ + bes8 r8 bes4 c8( d8) ees4 + d4 c4 d8( c8) bes4 + bes4 c4 + d4 bes4 bes4 g4 ~ + g4 c4 c2( + f,2) r4 g8( aes8) + bes4 bes4 g4 aes8( bes8) + c4 c4 bes4 + bes8( c8) d4 bes4 c4( ~ + c4 bes4) aes8( g8 + f8 d8 g4 f8 ees8) d8( c8) + } + \alternative { + { + d2. r4 + } + { + d4 g4( f4 c'4 ~ + c8 bes8 aes8 g8 f4. ees8) + d1 + } + } + } + >> + } + + bassMelodie = \relative c { + << + { \meta } + \bassArt + %the actual tune + \clef bass + { + \repeat volta 2 { + r4 + r2 r4 c4 + f4 d4 g4 f4 + c'4.( d8) + c8( bes8) aes4 aes8( g8 + f4) c'4 c4 bes4 + aes4 g8( f8) + g2 ~ g8 g8( f8 g8 + ees4) d8( c8) aes'4 g8( f8) + bes4 aes4 g4 g4 + aes4 aes8( g8) + f8( g8 f8 ees8) d8( ees8 d8 c8) + bes4( aes8 g8 aes8 f8) bes8( aes8) + g2 g4 c4 + g'4 g8( f8) ees8( d8) ees4 + ees4( aes4) g4 + f4.( g8) ees8( d8) ees4( ~ + ees8 f8) d8( ees8) c4( ~ + c4. bes8 c4) aes4 + } + \alternative { + { + g2. r4 + } + { + g1 + g1 + g1 + } + } + } + >> + } + diff --git a/hr/quartett/tantum/tantum.ly b/hr/quartett/tantum/tantum.ly new file mode 100644 index 0000000..ee72e75 --- /dev/null +++ b/hr/quartett/tantum/tantum.ly @@ -0,0 +1,69 @@ +%some settings% vim: ai encoding=utf8 et + +\version "2.12" +\include "stimmen.ly" +\include "texte.ly" + + \header { + title = "Tantum ergo" + %composer = "<+Komponist+>" + %opus = "<+Werk+>" + %tagline = "" + } + + \paper { + line-width = \paper-width - 30 + top-margin = 10 + bottom-margin = 10 + system-count = 4 + ragged-last-bottom = #'f + } + + \layout { + indent = #0 + \context { + \Staff + \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2) + } + } + + #(set-global-staff-size 12) + + \score { + \new ChoirStaff << + \new Lyrics = "sA" + \new Lyrics = "sB" + \new Staff = frauen << + %\new Voice = "meta" { s1*<+Anzahl der Takte+> \bar "|." } + \new Voice = "soprane" { \global \voiceOne \sopranMelodie } + \new Voice = "alti" { \global \voiceTwo \altMelodie } + >> + \new Lyrics = "aA" + \new Lyrics = "aB" + \new Lyrics = "tA" + \new Lyrics = "tB" + \new Staff = maenner << + \new Voice = "tenoere" { \global \voiceOne \tenorMelodie } + \new Voice = "baesse" { \global \voiceTwo \bassMelodie } + >> + \new Lyrics = "bA" + \new Lyrics = "bB" + \context Lyrics = "sA" \lyricsto soprane \sopranTextA + \context Lyrics = "sB" \lyricsto soprane \sopranTextB + \context Lyrics = "aA" \lyricsto alti \altTextA + \context Lyrics = "aB" \lyricsto alti \altTextB + \context Lyrics = "tA" \lyricsto tenoere \tenorTextA + \context Lyrics = "tB" \lyricsto tenoere \tenorTextB + \context Lyrics = "bA" \lyricsto baesse \bassTextA + \context Lyrics = "bB" \lyricsto baesse \bassTextB + >> + \midi { + \context{ + \Score + tempoWholesPerMinute = #(ly:make-moment 72 4) + } + } + \layout { + } + } + diff --git a/hr/quartett/tantum/tantum.midi b/hr/quartett/tantum/tantum.midi Binary files differnew file mode 100644 index 0000000..4ca7490 --- /dev/null +++ b/hr/quartett/tantum/tantum.midi diff --git a/hr/quartett/tantum/tantum.ps b/hr/quartett/tantum/tantum.ps Binary files differnew file mode 100644 index 0000000..2a18ec0 --- /dev/null +++ b/hr/quartett/tantum/tantum.ps diff --git a/hr/quartett/tantum/texte.ly b/hr/quartett/tantum/texte.ly new file mode 100644 index 0000000..30302e1 --- /dev/null +++ b/hr/quartett/tantum/texte.ly @@ -0,0 +1,63 @@ +%some settings% vim: ai encoding=utf8 et + +% Abkürzungen + +text = \lyricmode { + Tan -- tum er -- go sa -- cra -- men -- tum + Ve -- ne -- re -- mur cer -- nu -- i, + Et an -- ti -- quum do -- cu -- men -- tum + No -- vo -- ce -- dat ri -- tu -- i, + Prae -- stet fi -- des sup -- ple -- men -- tum + Sen -- su -- um de -- fe -- ctu -- i +} + +Text = \lyricmode { + ni -- to -- ri, ge -- ni -- to -- que + sa__lus et ju -- bi -- la -- ti -- o + Sa -- lus, ho -- nor, vir -- tus quo -- que + sit et be -- ne -- di -- cti -- o, + Pro -- ce -- den -- ti ab u -- tro -- que + Com -- par -- sit lau -- da -- ti -- +} + +ende = \lyricmode { + _ o. A -- men. +} + +% Die Textaufteilungen + + sopranTextA = \lyricmode { + \text + Ge_- + } + + sopranTextB = \lyricmode { + ________- + \Text + o. _ _ A -- men. + } + + altTextA = \lyricmode { + \text + } + + altTextB = \lyricmode { + Ge -- \Text \ende + } + + tenorTextA = \lyricmode { + \text + } + + tenorTextB = \lyricmode { + Ge -- \Text \ende + } + + bassTextA = \lyricmode { + \text + } + + bassTextB = \lyricmode { + Ge -- \Text \ende + } + |